https://digitalpractices.cargo.site fg.digital-practices Tue, 01 Jul 2025 12:24:10 +0000 https://digitalpractices.cargo.site en https://digitalpractices.cargo.site/About-1 Tue, 08 Aug 2023 05:13:01 +0000 fg.digital-practices https://digitalpractices.cargo.site/About-1 ↘Design for Digital Life and Knowledge Practices i . ABOUT ii.&nbsp;PROJECTS iii. NEWS <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/b6d26829f904172b96a720a96708b2d4302e76540071f8ff8208ea6bb4224f0e/Sloma1.jpg" data-mid="239520833" border="0" alt="ThuyVy Nguyen | SLOMA" data-caption="ThuyVy Nguyen | SLOMA" src="https://freight.cargo.site/w/1000/i/b6d26829f904172b96a720a96708b2d4302e76540071f8ff8208ea6bb4224f0e/Sloma1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5a5c85642ade986258f77c150da6baa2f64c7faa3ec7a11b237c9fcfec6d57b6/Luecke_FlorinaRall.png" data-mid="239520990" border="0" alt="Luecke | Florina Rall" data-caption="Luecke | Florina Rall" src="https://freight.cargo.site/w/1000/i/5a5c85642ade986258f77c150da6baa2f64c7faa3ec7a11b237c9fcfec6d57b6/Luecke_FlorinaRall.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2092f1cd31383bc29c10435d12a772209f839cf3e9296bfdce76dc610d4c5df7/PrismOfFate_AmireKoncici-PiperSyester-TaylorOwen.png" data-mid="239521050" border="0" alt="Prism of Fate | Amire Koncici, Piper Syester, Taylor Owen" data-caption="Prism of Fate | Amire Koncici, Piper Syester, Taylor Owen" src="https://freight.cargo.site/w/1000/i/2092f1cd31383bc29c10435d12a772209f839cf3e9296bfdce76dc610d4c5df7/PrismOfFate_AmireKoncici-PiperSyester-TaylorOwen.png" /> <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/acd97e49d80572595f18fe235ef6bec370a7b34abb441a58cbae54236e1c7062/Skygge_NicoleJansen-JosefineHolmer.jpg" data-mid="239520981" border="0" alt="SKYGGE | Nicole Jansen, Josefine Holmer" data-caption="SKYGGE | Nicole Jansen, Josefine Holmer" src="https://freight.cargo.site/w/1000/i/acd97e49d80572595f18fe235ef6bec370a7b34abb441a58cbae54236e1c7062/Skygge_NicoleJansen-JosefineHolmer.jpg" /> <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/fe17da741ff436804da16525f167ef5369052a2f351c22fcb5cbdf82743efb94/Yaced_PaulinaJouaux-Lauren-McDonald-RosemaryGomez.jpg" data-mid="239521051" border="0" alt="Paulina Jouaux, Lauren McDonald, Rosemary Gomez | Yaced" data-caption="Paulina Jouaux, Lauren McDonald, Rosemary Gomez | Yaced" src="https://freight.cargo.site/w/1000/i/fe17da741ff436804da16525f167ef5369052a2f351c22fcb5cbdf82743efb94/Yaced_PaulinaJouaux-Lauren-McDonald-RosemaryGomez.jpg" /> &nbsp; ↘ ABOUT Design for digital life and knowledge practices, or Digital Practices for short, focuses on the ubiquitous and in many ways invisible interfaces between people, a community or a society and the digital. In the spirit of embodiment, the conviction that knowledge and consciousness require bodies, our relationship to technology will be discussed through student projects from the fields of graphic, product, exhibition and interaction design, among others. Special attention is paid to neo-analogue interaction. A symbiosis of code, material and form through which physical and digital events are interdependent. In order to create not only plausible but also desirable concepts (encorporating visions of the future), the prototype is at the methodological centre of the trained design process: The prototype as a mediator between the designer and ~ the context, the concept, the project partners, the users, the stakeholders and much more. ↘ PROJECTS <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/710d041a8dac89c42808756d2a37e846ba52441278da1f47d587551bd41e249e/4000Miles3-WebTeaser.png" data-mid="236632443" border="0" src="https://freight.cargo.site/w/1000/i/710d041a8dac89c42808756d2a37e846ba52441278da1f47d587551bd41e249e/4000Miles3-WebTeaser.png" />4000 Miles (3): Malleability of Space and Time Summer Term 2025 <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/f964408c7251952d7478eb6bee34d995ae0e69fb0565eceb853ab512407e1503/DoNothingMachines-WebTeaser.png" data-mid="236632764" border="0" src="https://freight.cargo.site/w/1000/i/f964408c7251952d7478eb6bee34d995ae0e69fb0565eceb853ab512407e1503/DoNothingMachines-WebTeaser.png" />Do-Nothing-Machines Summer Term 2025 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d4ba9d90881f96396e7be82ecacedb74e402663309e9dd5b7311d74a17edde8d/4000Miles3-WebTeaser.jpg" data-mid="228377856" border="0" src="https://freight.cargo.site/w/1000/i/d4ba9d90881f96396e7be82ecacedb74e402663309e9dd5b7311d74a17edde8d/4000Miles3-WebTeaser.jpg" />4000 Miles (2): Closeness Across Distance Winter Term 2024/25 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b15e54b0e33832db9f70b34f4a15af8ea883b49dddce318d695a8408b599ae6a/PlaceMakingPlace-WebTeaser.png" data-mid="228377901" border="0" src="https://freight.cargo.site/w/1000/i/b15e54b0e33832db9f70b34f4a15af8ea883b49dddce318d695a8408b599ae6a/PlaceMakingPlace-WebTeaser.png" />Place-Making-Place Winter Term 2024/25 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/60281db0a02f1a82ab3da384dff51474298ebf50f26b5a3773949792e659d16a/_TeaserImage-AtTheTable.JPG" data-mid="217762678" border="0" data-no-zoom alt="&copy; Judith Glaser" data-caption="© Judith Glaser" src="https://freight.cargo.site/w/1000/i/60281db0a02f1a82ab3da384dff51474298ebf50f26b5a3773949792e659d16a/_TeaserImage-AtTheTable.JPG" />At the Table? Summer Term 2024 <img width="1278" height="720" width_o="1278" height_o="720" data-src="https://freight.cargo.site/t/original/i/ec1d316c48d3912b4545002af4c437f232ac497a74ba2163c4b799d26d6e7e35/_KursKeyVisual.png" data-mid="215042831" border="0" data-no-zoom alt="&copy; Leonie Rossnagel, Lisa-Marie Schneider " data-caption="© Leonie Rossnagel, Lisa-Marie Schneider " src="https://freight.cargo.site/w/1000/i/ec1d316c48d3912b4545002af4c437f232ac497a74ba2163c4b799d26d6e7e35/_KursKeyVisual.png" />Speaking Gestures Summer Term 2024 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9b664e5c161910435184015a12b989c808688e715529f77d8687a4c7c2e70e49/SydneyCraig_wide.png" data-mid="199631780" border="0" data-no-zoom alt="&copy; Sydney Craig" data-caption="© Sydney Craig" src="https://freight.cargo.site/w/1000/i/9b664e5c161910435184015a12b989c808688e715529f77d8687a4c7c2e70e49/SydneyCraig_wide.png" />4000 Miles (1): Transcontinental Storytelling Winter Term 2023/24 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/580c6d359c23daff2e23ab957a7bdbbd0581f853d799e73664fab8d36037a7bf/hero-spur.jpg" data-mid="206577469" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/580c6d359c23daff2e23ab957a7bdbbd0581f853d799e73664fab8d36037a7bf/hero-spur.jpg" />SPUR Winter Term 2023/24 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5029facd32047ffee161ac69f269fdb3ad3b61368cabdad999b0b47c7904af87/timeTime.png" data-mid="199631403" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/5029facd32047ffee161ac69f269fdb3ad3b61368cabdad999b0b47c7904af87/timeTime.png" />Time, Time Summer Term 2023 ↘ NEWS 10.2025 4000 Miles (3): Virtual Tour available for Exhibition at Eskenazi Fine Arts Center, Indianapolis, USA ↗ 09.2025 4000 Miles (3) exhibition: Malleability of Time and Space showcased at Eskenazi Fine Arts Center, Indianapolis, IN, USA ↗ 06.2025 Publication: Paul, M., Valkova, N., Craig, S.W. and Glaser, J. (2025). Brewing Banter: Augmenting Intercontinental Studio Classes for Casual Communication. In Proceedings of the 2025 Conference on Creativity and Cognition (C&amp;C ’25). Association for Computing Machinery, New York, NY, USA, 750–761. https://doi.org/10.1145/3698061.3726953&nbsp;↗ 06.2025 4000 Miles showcased at Science4All 2025 ↗ 03.2025 4000 Miles (3): Malleability of Sapce and Time successfully lanched in Summer Term 2024/25 ↗ 02.2025re.form: neoanalog concept of master student Sarah Kiesewetter wins prize for outstanding theses from the Hans-Wilhelm Renkhoff Foundation&nbsp;↗ ↘ MORE NEWS https://digitalpractices.cargo.site/News Fri, 10 Jan 2025 15:12:36 +0000 fg.digital-practices https://digitalpractices.cargo.site/News ↘News10.2025 4000 Miles (3): Virtual Tour available for Exhibition at Eskenazi Fine Arts Center, Indianapolis, USA ↗ 09.2025 4000 Miles (3) exhibition: Malleability of Time and Space showcased at Eskenazi Fine Arts Center, Indianapolis, IN, USA ↗ 06.2025 Publication: Paul, M., Valkova, N., Craig, S.W. and Glaser, J. (2025). Brewing Banter: Augmenting Intercontinental Studio Classes for Casual Communication. In Proceedings of the 2025 Conference on Creativity and Cognition (C&amp;C ’25). Association for Computing Machinery, New York, NY, USA, 750–761. https://doi.org/10.1145/3698061.3726953&nbsp;↗ 06.2025 4000 Miles showcased at Science4All 2025 ↗ 03.2025 4000 Miles (3): Malleability of Sapce and Time successfully lanched in Summer Term 2024/25 ↗02.2025re.form: neoanalog concept of master student Sarah Kiesewetter wins prize for outstanding theses from the Hans-Wilhelm Renkhoff Foundation ↗ 02.2025 4000 Miles (2): Virtual Tour available for Exhibition at Faculty of Design Würzburg, Germany ↗ 01.20254000 Miles (2): Project showcased at Faculty of Design Würzburg, Germany ↗ 10.2024 Place-Making-Place: Workshop series on interventions into public space with artist Katharina Lüdicke ↗ 10.2024 4000 Miles (2): Closeness Across Distance successfully lanched in Winter Term 2024/25 ↗ 06.2024 4000 Miles: Intercontinental Education Project funded by the Bavarian State Ministry of Research and the Arts within the NewNormal initiative ↗ 03.2024 4000 Miles (1): Virtual Tour available for Exhibition at Marsh Gallery, Indianapolis, USA ↗ 02.2024 4000 Miles (1): Project showcased at Marsh Gallery, Indianapolis, USA ↗ 11.2023 SPUR: Workshop on 3D-Printing Ceramics with Designer Babette Wiezorek ↗ 10.2023 4000 Miles (1): Digital Practices starts Virtual Global Learning Exchange with Herron School of Art + Design ↗ https://digitalpractices.cargo.site/4000-Miles Tue, 14 May 2024 13:14:15 +0000 fg.digital-practices https://digitalpractices.cargo.site/4000-Miles ↘ 4000 MILESHybrid Practices for the Intercontinental Teaching of Design and Art Duration 01.06.25 –&nbsp; 31.05.2025 4000 Miles is an interdisciplinary research project that bridges two disciplines, in two languages, on two continents, in two time zones. The projects seeks to show how a sustainable practice of intercultural thinking and global cooperation can be realised by means of a blended learning approach. Using the example of higher education in design and art, 4000 Miles aims to explore digital and material practices within asynchronous co-creation processes. To this end, lecturers form an international partnership and implement art and design studio classes that will take place within the institutions curriculum. Goals 4000 Miles focusses on students and lecturers needs alike. Students should be enabled to build intercultural communication skills, to foster self-organisation and to gain confidence in moving between analogue and digital (design) practices. Lecturer should be supported with focus on building functional teams, maintaining a sense of presence within asynchronous learning processes as well as in the publication of hybrid results. In order to develop the finely tuned hybrid learning environment envisioned, methodological and technical explorations will be tested and evaluated in the teaching practice of multiple iterations of studio classes. OER 4000 Miles: Collaborative International Art and Design Education <img width="1870" height="1014" width_o="1870" height_o="1014" data-src="https://freight.cargo.site/t/original/i/f9c6c7649cf2980247fd5430df1f9c67f49b421716cea7ca29b49ddb2bf7561b/Cover-4000Miles-OER.png" data-mid="235825016" border="0" src="https://freight.cargo.site/w/1000/i/f9c6c7649cf2980247fd5430df1f9c67f49b421716cea7ca29b49ddb2bf7561b/Cover-4000Miles-OER.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2498ba43076aaba27090741c1e9eb5cbef525fdbac72afbae7c9c36c919183bb/workshop1-3.jpeg" data-mid="222622120" border="0" alt="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." data-caption="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." src="https://freight.cargo.site/w/1000/i/2498ba43076aaba27090741c1e9eb5cbef525fdbac72afbae7c9c36c919183bb/workshop1-3.jpeg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d3a4d3ee98ce18c06dfd9f781ebfd12195a42b5f1386a63ca0a7f2566c849f8a/workshop1-2.jpeg" data-mid="222622119" border="0" alt="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." data-caption="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." src="https://freight.cargo.site/w/1000/i/d3a4d3ee98ce18c06dfd9f781ebfd12195a42b5f1386a63ca0a7f2566c849f8a/workshop1-2.jpeg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/88d8d94445a459dd0efa82508b2d6eddb648180a7bd8676d381b9a9c3f3787b9/workshop1-1.jpeg" data-mid="222622118" border="0" alt="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." data-caption="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." src="https://freight.cargo.site/w/1000/i/88d8d94445a459dd0efa82508b2d6eddb648180a7bd8676d381b9a9c3f3787b9/workshop1-1.jpeg" /> <img width="1279" height="720" width_o="1279" height_o="720" data-src="https://freight.cargo.site/t/original/i/53dfffcfed60f674e3b5b19ca46b3b92f382c6f96d3630547a4e04c3fa164c3a/4000Miles2-2.JPG" data-mid="222622115" border="0" alt="Hybrid team work practices at studio class 4000 Miles (2) &ndash; Closeness across Distance." data-caption="Hybrid team work practices at studio class 4000 Miles (2) – Closeness across Distance." src="https://freight.cargo.site/w/1000/i/53dfffcfed60f674e3b5b19ca46b3b92f382c6f96d3630547a4e04c3fa164c3a/4000Miles2-2.JPG" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/369929f372cb88894a52af6989bda357c40dab7cf0ebb4a4a2567b245d0d7687/4000Miles2-1.JPG" data-mid="222622111" border="0" alt="Hybrid team work practices at studio class 4000 Miles (2) &ndash; Closeness across Distance." data-caption="Hybrid team work practices at studio class 4000 Miles (2) – Closeness across Distance." src="https://freight.cargo.site/w/1000/i/369929f372cb88894a52af6989bda357c40dab7cf0ebb4a4a2567b245d0d7687/4000Miles2-1.JPG" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/359236ab428b7f9c43853782e6120a3b2fc2f4946b4aa496a13483999354103b/4000miles-virtual-exhibition.png" data-mid="226145867" border="0" alt="Virtual Tour available for 4000 Miles (2) exhibition at Faculty for Design W&uuml;rzburg " data-caption="Virtual Tour available for 4000 Miles (2) exhibition at Faculty for Design Würzburg " src="https://freight.cargo.site/w/1000/i/359236ab428b7f9c43853782e6120a3b2fc2f4946b4aa496a13483999354103b/4000miles-virtual-exhibition.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5d8b0d68bae2ae8ed0c4629b8f94163d9562debcbcdbb03b721ab5d7c287e354/4000Miles-Science4All2025.JPG" data-mid="235005780" border="0" alt="Poster Presentation at Science4All 2025, W&uuml;rzburg" data-caption="Poster Presentation at Science4All 2025, Würzburg" src="https://freight.cargo.site/w/1000/i/5d8b0d68bae2ae8ed0c4629b8f94163d9562debcbcdbb03b721ab5d7c287e354/4000Miles-Science4All2025.JPG" /> ↘ACTIVITIES 10.2025 4000 Miles (3): Virtual Tour available for Exhibition at Eskenazi Fine Arts Center, Indianapolis, USA ↗ 09.2025 4000 Miles (3) exhibition: Malleability of Time and Space showcased at Eskenazi Fine Arts Center, Indianapolis, IN, USA ↗ 06.2025 Publication:&nbsp;Paul, M., Valkova, N., Craig, S.W. and Glaser, J. (2025). Brewing Banter: Augmenting Intercontinental Studio Classes for Casual Communication. In Proceedings of the 2025 Conference on Creativity and Cognition (C&amp;C ’25). Association for Computing Machinery, New York, NY, USA, 750–761. https://doi.org/10.1145/3698061.3726953&nbsp;↗ 06.2025 4000 Miles showcased at Science4All 2025 ↗ 05.2025 Funded Project End 4000 Miles 03.2025 Studio Class 4000 Miles (3) – Mallebility of Time and Space successfully launched in Summer Term 2025 ↗ 03.2025 Peer-review workshop conducted with VGLE educators at Herron School of Art + Design, Indianapolis ↗ 02.2025 4000 Miles (2): Virtual Tour available for Exhibition at Faculty of Design Würzburg, Germany ↗ 01.20254000 Miles (2): Project showcased at Faculty of Design Würzburg, Germany&nbsp;↗ 11.2024Paul and Valkova holding lecture on 4000 Miles at interdisciplinary degree programme Digital Society&nbsp;↗ 10.2024Craig, Datta and Glaser hosting workshop Conneting Distances at IVEC 2024 conference&nbsp;↗10.2024 Studio Class 4000 Miles (2) – Closeness Across Distance successfully launched in Winter Term 2024/25 ↗ 07.2024Co-creation workshop conducted with experts from industry, administration and others at the IU Europe Gateway ↗ 06.2024Funded Project Start 4000 Miles&nbsp;02.2024Funding Granted to 4000 Miles by Bavarian State Ministry of Research and the Arts&nbsp;↗10.2023 Test balloon successfully launched: studio class 4000 Miles (1) – Transcontinental Storytelling took place in Winter Term 23/24 ↗ ↘PARTNERS Faculty of Design Würzburg As a representative of the University of Applied Science Würzburg-Schweinfurt (THWS) ↗, the consortium will be headed by Prof. Judith Glaser. As a interaction designer and researcher Glasers interest lies on processes of “oscillating” between digital and analogue practice. <img width="300" height="159" width_o="300" height_o="159" data-src="https://freight.cargo.site/t/original/i/bee12dbb7487d02a3ad8c15219a8d9aeb919546436f3bc0709b374c3ac05106b/logo-fg-sw.png" data-mid="210897762" border="0" data-scale="6" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/300/i/bee12dbb7487d02a3ad8c15219a8d9aeb919546436f3bc0709b374c3ac05106b/logo-fg-sw.png" />&nbsp; &nbsp;&nbsp; <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/a664ea0c6c0b0b7c7a99f8827e07ce46c601a05ef5fa03f8c95e3e13602698ee/JudithGlaser-rund.png" data-mid="210886147" border="0" data-scale="24" src="https://freight.cargo.site/w/300/i/a664ea0c6c0b0b7c7a99f8827e07ce46c601a05ef5fa03f8c95e3e13602698ee/JudithGlaser-rund.png" /> Prof. Judith Glaser&nbsp;↗ Herron School of Art+ Design The counterpart of Prof. Judith Glaser in In the United States at Herron School of Art+Design (Indiana University)&nbsp;↗ is Prof. Sydney Craig. Craigs research focuses on introducing virtual global learning projects into the curriculum for first-year students to install a global mindset early in their academic careers. <img width="715" height="91" width_o="715" height_o="91" data-src="https://freight.cargo.site/t/original/i/45ca8d0002674e4a57204f510b70f4b1473751eed4e6c746a2b54b6ea31073cf/Logo-IU-sw.png" data-mid="210891574" border="0" data-scale="3" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/715/i/45ca8d0002674e4a57204f510b70f4b1473751eed4e6c746a2b54b6ea31073cf/Logo-IU-sw.png" /> <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/a3355bfc03c0af967e779e0c6e330a3e961034e501ff71e13b0641c68a5b9a14/SydneyCraig-rund.png" data-mid="210886351" border="0" data-scale="23" src="https://freight.cargo.site/w/300/i/a3355bfc03c0af967e779e0c6e330a3e961034e501ff71e13b0641c68a5b9a14/SydneyCraig-rund.png" /> Prof. Sydney Craig ↗ IDIS The In-Institute for Design and Information System ​(IDIS) ↗ focuses on applied, interdisciplinary research in the field of digital information and communication media and works on inter- and transdisciplinary topics from the fields of computer science and communication design. <img width="1406" height="655" width_o="1406" height_o="655" data-src="https://freight.cargo.site/t/original/i/1b65cd4d45f62566acf747fe42f0695837b1a9aa3faa7e621cb6a20b74de7c58/id23_idis-thws_logo_100pt_de_black.png" data-mid="213625452" border="0" data-scale="6" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/1b65cd4d45f62566acf747fe42f0695837b1a9aa3faa7e621cb6a20b74de7c58/id23_idis-thws_logo_100pt_de_black.png" /> <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/16c1d11c487aafa0bcf1e36f5b89e04a6aaf6f3c4569c950aee4f6ce9cfa893c/MarinusPaul-rund.png" data-mid="222624697" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/16c1d11c487aafa0bcf1e36f5b89e04a6aaf6f3c4569c950aee4f6ce9cfa893c/MarinusPaul-rund.png" />Marinus Paul&nbsp;↗ <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/496eddda30bffe833747f5c66a92059c9fa2c7bfcc1ff82bdc397228488cc0e9/NataliaValkova-rund.png" data-mid="222624698" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/496eddda30bffe833747f5c66a92059c9fa2c7bfcc1ff82bdc397228488cc0e9/NataliaValkova-rund.png" />Natalia Valkova&nbsp;↗ Indiana University Gateway in Berlin The IU Europe Gateway ↗ promotes collaborative international scientific exchange and intercultural online learning between IU faculty/students and their peers in Europe and contributes its experience in conducting virtual exchanges to this project, as well as infrastructure and a broad network&nbsp;of local and international contacts. <img width="698" height="400" width_o="698" height_o="400" data-src="https://freight.cargo.site/t/original/i/27942b4753094626e7b2b86fa5a1ff657dff1365a4410c39276b5dbbcbee2b13/logo-indiana-gateway-sw.png" data-mid="215914843" border="0" data-scale="8" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/698/i/27942b4753094626e7b2b86fa5a1ff657dff1365a4410c39276b5dbbcbee2b13/logo-indiana-gateway-sw.png" /> <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/1e601826c56806f3593edc854081d40c12cd0f474115d125490d72d93563d9c3/KatrinVoelkner-rund.png" data-mid="213575605" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/1e601826c56806f3593edc854081d40c12cd0f474115d125490d72d93563d9c3/KatrinVoelkner-rund.png" /> Dr. Katrin Völkner <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/bf4bb3e1ebbb5951438aaf19967d13d16ec5b241dfa673d907f7cc7bbc925be9/AnnabellTuerk-rund.png" data-mid="213575606" border="0" data-scale="51" data-no-zoom src="https://freight.cargo.site/w/300/i/bf4bb3e1ebbb5951438aaf19967d13d16ec5b241dfa673d907f7cc7bbc925be9/AnnabellTuerk-rund.png" /> &nbsp; Annabell Türk Previous Members <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/76983f213b2f8866ab10673b8da956e3fa6094e89fbc299190ca9ba7ed1dba92/MeldaAhmetoglu-rund.png" data-mid="213961554" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/76983f213b2f8866ab10673b8da956e3fa6094e89fbc299190ca9ba7ed1dba92/MeldaAhmetoglu-rund.png" /> Melda Ahmetoglu&nbsp;↗ <img width="297" height="297" width_o="297" height_o="297" data-src="https://freight.cargo.site/t/original/i/ec052e2b0c65af8ccfd70dcb0ee38163ed5112ff9eaf3c64d2d416489de3655f/EmmaSchuepfer-rund.png" data-mid="215914862" border="0" data-scale="51" src="https://freight.cargo.site/w/297/i/ec052e2b0c65af8ccfd70dcb0ee38163ed5112ff9eaf3c64d2d416489de3655f/EmmaSchuepfer-rund.png" /> Emma Schüpfer ↘ SPONSORS This research project is funded by Bavarian State Ministry of Research and the Arts&nbsp;↗&nbsp; <img width="718" height="127" width_o="718" height_o="127" data-src="https://freight.cargo.site/t/original/i/288e81abd37daeb7fc5aa9efbaf3e4d003c9f290316870455bc9225cc67f8b5e/LogoStaatsministerium-sw.png" data-mid="210889786" border="0" data-scale="6" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/718/i/288e81abd37daeb7fc5aa9efbaf3e4d003c9f290316870455bc9225cc67f8b5e/LogoStaatsministerium-sw.png" /> In cooperation with vbw –&nbsp;Bavarian Industry Association&nbsp;↗ <img width="1738" height="691" width_o="1738" height_o="691" data-src="https://freight.cargo.site/t/original/i/de0fc5cb7fdaf2280097bd0dcaeeb59febcdd60442de0b11f5a22448784538c3/logo-vbw_18_KA_UR_2ZK_sw.jpeg" data-mid="213961920" border="0" data-scale="7" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/de0fc5cb7fdaf2280097bd0dcaeeb59febcdd60442de0b11f5a22448784538c3/logo-vbw_18_KA_UR_2ZK_sw.jpeg" /> https://digitalpractices.cargo.site/Privacy-Policy Tue, 08 Aug 2023 05:13:01 +0000 fg.digital-practices https://digitalpractices.cargo.site/Privacy-Policy ↘PRIVACY POLICY Datenschutzerklärung Prof. Judith Glaser ↗ Technical University of Applied Science Würzburg-SchweinfurtFaculty of Design Würzburg Sanderheinrichsleitenweg 20 97074 Würzburg Telephone: +49 931 35 11 93 02 E-Mail: judith.glaser@thws.de Ich freue mich über Ihr Interesse an dieser Homepage. Datenschutz hat einen besonders hohen Stellenwert für mich. Eine Nutzung der Internetseiten von Judith Glaser ist grundsätzlich ohne jede Angabe personenbezogener Daten möglich. Sofern eine betroffene Person besondere Services über meine Internetseite in Anspruch nehmen möchte, könnte jedoch eine Verarbeitung personenbezogener Daten erforderlich werden. Ist die Verarbeitung personenbezogener Daten erforderlich und besteht für eine solche Verarbeitung keine gesetzliche Grundlage, holen ich generell eine Einwilligung der betroffenen Person ein. Die Verarbeitung personenbezogener Daten, beispielsweise des Namens, der Anschrift, E-Mail-Adresse oder Telefonnummer einer betroffenen Person, erfolgt stets im Einklang mit der Datenschutz-Grundverordnung und in Übereinstimmung mit den für Judith Glaser geltenden landesspezifischen Datenschutzbestimmungen. Mittels dieser Datenschutzerklärung möchte ich die Öffentlichkeit über Art, Umfang und Zweck der von uns erhobenen, genutzten und verarbeiteten personenbezogenen Daten informieren. Ferner werden betroffene Personen mittels dieser Datenschutzerklärung über die ihnen zustehenden Rechte aufgeklärt. Judith Glaser hat als für die Verarbeitung Verantwortlicher zahlreiche technische und organisatorische Maßnahmen umgesetzt, um einen möglichst lückenlosen Schutz der über diese Internetseite verarbeiteten personenbezogenen Daten sicherzustellen. Dennoch können Internetbasierte Datenübertragungen grundsätzlich Sicherheitslücken aufweisen, sodass ein absoluter Schutz nicht gewährleistet werden kann. Aus diesem Grund steht es jeder betroffenen Person frei, personenbezogene Daten auch auf alternativen Wegen, beispielsweise telefonisch, an uns zu übermitteln. BegriffsbestimmungenDie Datenschutzerklärung von Judith Glaser beruht auf den Begrifflichkeiten, die durch den Europäischen Richtlinien- und Verordnungsgeber beim Erlass der Datenschutz-Grundverordnung (DS-GVO) verwendet wurden. Meine Datenschutzerklärung soll sowohl für die Öffentlichkeit als auch für meine Kunden und Geschäftspartner einfach lesbar und verständlich sein. Um dies zu gewährleisten, möchten wir vorab die verwendeten Begrifflichkeiten erläutern.Ich verwende in dieser Datenschutzerklärung unter anderem die folgenden Begriffe: Personenbezogene DatenPersonenbezogene Daten sind alle Informationen, die sich auf eine identifizierte oder identifizierbare natürliche Person (im Folgenden „betroffene Person“) beziehen. Als identifizierbar wird eine natürliche Person angesehen, die direkt oder indirekt, insbesondere mittels Zuordnung zu einer Kennung wie einem Namen, zu einer Kennnummer, zu Standortdaten, zu einer Online-Kennung oder zu einem oder mehreren besonderen Merkmalen, die Ausdruck der physischen, physiologischen, genetischen, psychischen, wirtschaftlichen, kulturellen oder sozialen Identität dieser natürlichen Person sind, identifiziert werden kann. Betroffene PersonBetroffene Person ist jede identifizierte oder identifizierbare natürliche Person, deren personenbezogene Daten von dem für die Verarbeitung Verantwortlichen verarbeitet werden. VerarbeitungVerarbeitung ist jeder mit oder ohne Hilfe automatisierter Verfahren ausgeführte Vorgang oder jede solche Vorgangsreihe im Zusammenhang mit personenbezogenen Daten wie das Erheben, das Erfassen, die Organisation, das Ordnen, die Speicherung, die Anpassung oder Veränderung, das Auslesen, das Abfragen, die Verwendung, die Offenlegung durch Übermittlung, Verbreitung oder eine andere Form der Bereitstellung, den Abgleich oder die Verknüpfung, die Einschränkung, das Löschen oder die Vernichtung. Einschränkung der VerarbeitungEinschränkung der Verarbeitung ist die Markierung gespeicherter personenbezogener Daten mit dem Ziel, ihre künftige Verarbeitung einzuschränken. ProfilingProfiling ist jede Art der automatisierten Verarbeitung personenbezogener Daten, die darin besteht, dass diese personenbezogenen Daten verwendet werden, um bestimmte persönliche Aspekte, die sich auf eine natürliche Person beziehen, zu bewerten, insbesondere, um Aspekte bezüglich Arbeitsleistung, wirtschaftlicher Lage, Gesundheit, persönlicher Vorlieben, Interessen, Zuverlässigkeit, Verhalten, Aufenthaltsort oder Ortswechsel dieser natürlichen Person zu analysieren oder vorherzusagen. PseudonymisierungPseudonymisierung ist die Verarbeitung personenbezogener Daten in einer Weise, auf welche die personenbezogenen Daten ohne Hinzuziehung zusätzlicher Informationen nicht mehr einer spezifischen betroffenen Person zugeordnet werden können, sofern diese zusätzlichen Informationen gesondert aufbewahrt werden und technischen und organisatorischen Maßnahmen unterliegen, die gewährleisten, dass die personenbezogenen Daten nicht einer identifizierten oder identifizierbaren natürlichen Person zugewiesen werden. Verantwortlicher oder für die Verarbeitung VerantwortlicherVerantwortlicher oder für die Verarbeitung Verantwortlicher ist die natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle, die allein oder gemeinsam mit anderen über die Zwecke und Mittel der Verarbeitung von personenbezogenen Daten entscheidet. Sind die Zwecke und Mittel dieser Verarbeitung durch das Unionsrecht oder das Recht der Mitgliedstaaten vorgegeben, so kann der Verantwortliche beziehungsweise können die bestimmten Kriterien seiner Benennung nach dem Unionsrecht oder dem Recht der Mitgliedstaaten vorgesehen werden. AuftragsverarbeiterAuftragsverarbeiter ist eine natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle, die personenbezogene Daten im Auftrag des Verantwortlichen verarbeitet. EmpfängerEmpfänger ist eine natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle, der personenbezogene Daten offengelegt werden, unabhängig davon, ob es sich bei ihr um einen Dritten handelt oder nicht. Behörden, die im Rahmen eines bestimmten Untersuchungsauftrags nach dem Unionsrecht oder dem Recht der Mitgliedstaaten möglicherweise personenbezogene Daten erhalten, gelten jedoch nicht als Empfänger. DritterDritter ist eine natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle außer der betroffenen Person, dem Verantwortlichen, dem Auftragsverarbeiter und den Personen, die unter der unmittelbaren Verantwortung des Verantwortlichen oder des Auftragsverarbeiters befugt sind, die personenbezogenen Daten zu verarbeiten. EinwilligungEinwilligung ist jede von der betroffenen Person freiwillig für den bestimmten Fall in informierter Weise und unmissverständlich abgegebene Willensbekundung in Form einer Erklärung oder einer sonstigen eindeutigen bestätigenden Handlung, mit der die betroffene Person zu verstehen gibt, dass sie mit der Verarbeitung der sie betreffenden personenbezogenen Daten einverstanden ist. Name und Anschrift des für die Verarbeitung VerantwortlichenVerantwortlicher im Sinne der Datenschutz-Grundverordnung, sonstiger in den Mitgliedstaaten der Europäischen Union geltenden Datenschutzgesetze und anderer Bestimmungen mit datenschutzrechtlichem Charakter ist: Prof. Judith Glaser&nbsp; Technical University of Applied Science Würzburg-SchweinfurtFaculty of Design WürzburgSanderheinrichsleitenweg 2097074 WürzburgTelephone: +49 931 35 11 93 02E-Mail: judith.glaser@thws.de Erfassung von allgemeinen Daten und InformationenDie Internetseite von Judith Glaser erfasst mit jedem Aufruf der Internetseite durch eine betroffene Person oder ein automatisiertes System eine Reihe von allgemeinen Daten und Informationen. Diese allgemeinen Daten und Informationen werden in den Logfiles des Servers gespeichert. Erfasst werden können die (1) verwendeten Browsertypen und Versionen, (2) das vom zugreifenden System verwendete Betriebssystem, (3) die Internetseite, von welcher ein zugreifendes System auf unsere Internetseite gelangt (sogenannte Referrer), (4) die Unterwebseiten, welche über ein zugreifendes System auf unserer Internetseite angesteuert werden, (5) das Datum und die Uhrzeit eines Zugriffs auf die Internetseite, (6) eine Internet-Protokoll-Adresse (IP-Adresse), (7) der Internet-Service-Provider des zugreifenden Systems und (8) sonstige ähnliche Daten und Informationen, die der Gefahrenabwehr im Falle von Angriffen auf unsere informationstechnologischen Systeme dienen.Bei der Nutzung dieser allgemeinen Daten und Informationen zieht Judith Glaser keine Rückschlüsse auf die betroffene Person. Diese Informationen werden vielmehr benötigt, um (1) die Inhalte unserer Internetseite korrekt auszuliefern, (2) die Inhalte unserer Internetseite sowie die Werbung für diese zu optimieren, (3) die dauerhafte Funktionsfähigkeit unserer informationstechnologischen Systeme und der Technik unserer Internetseite zu gewährleisten sowie (4) um Strafverfolgungsbehörden im Falle eines Cyberangriffes die zur Strafverfolgung notwendigen Informationen bereitzustellen. Diese anonym erhobenen Daten und Informationen werden durch die Judith Glaser daher einerseits statistisch und ferner mit dem Ziel ausgewertet, den Datenschutz und die Datensicherheit in unserem Unternehmen zu erhöhen, um letztlich ein optimales Schutzniveau für die von uns verarbeiteten personenbezogenen Daten sicherzustellen. Die anonymen Daten der Server-Logfiles werden getrennt von allen durch eine betroffene Person angegebenen personenbezogenen Daten gespeichert. Routinemäßige Löschung und Sperrung von personenbezogenen DatenDer für die Verarbeitung Verantwortliche verarbeitet und speichert personenbezogene Daten der betroffenen Person nur für den Zeitraum, der zur Erreichung des Speicherungszwecks erforderlich ist oder sofern dies durch den Europäischen Richtlinien- und Verordnungsgeber oder einen anderen Gesetzgeber in Gesetzen oder Vorschriften, welchen der für die Verarbeitung Verantwortliche unterliegt, vorgesehen wurde. Entfällt der Speicherungszweck oder läuft eine vom Europäischen Richtlinien- und Verordnungsgeber oder einem anderen zuständigen Gesetzgeber vorgeschriebene Speicherfrist ab, werden die personenbezogenen Daten routinemäßig und entsprechend den gesetzlichen Vorschriften gesperrt oder gelöscht. Rechte der betroffenen PersonRecht auf BestätigungJede betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber eingeräumte Recht, von dem für die Verarbeitung Verantwortlichen eine Bestätigung darüber zu verlangen, ob sie betreffende personenbezogene Daten verarbeitet werden. Möchte eine betroffene Person dieses Bestätigungsrecht in Anspruch nehmen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Recht auf AuskunftJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, jederzeit von dem für die Verarbeitung Verantwortlichen unentgeltliche Auskunft über die zu seiner Person gespeicherten personenbezogenen Daten und eine Kopie dieser Auskunft zu erhalten. Ferner hat der Europäische Richtlinien- und Verordnungsgeber der betroffenen Person Auskunft über folgende Informationen zugestanden: Die VerarbeitungszweckeDie Kategorien personenbezogener Daten, die verarbeitet werden die Empfänger oder Kategorien von Empfängern, gegenüber denen die personenbezogenen Daten offengelegt worden sind oder noch offengelegt werden, insbesondere bei Empfängern in Drittländern oder bei internationalen Organisationen falls möglich die geplante Dauer, für die die personenbezogenen Daten gespeichert werden, oder, falls dies nicht möglich ist, die Kriterien für die Festlegung dieser Dauer das Bestehen eines Rechts auf Berichtigung oder Löschung der sie betreffenden personenbezogenen Daten oder auf Einschränkung der Verarbeitung durch den Verantwortlichen oder eines Widerspruchsrechts gegen diese Verarbeitung. Das Bestehen eines Beschwerderechts bei einer Aufsichtsbehörde wenn die personenbezogenen Daten nicht bei der betroffenen Person erhoben werden: Alle verfügbaren Informationen über die Herkunft der Daten Das Bestehen einer automatisierten Entscheidungsfindung einschließlich Profiling gemäß Artikel 22 Abs.1 und 4 DS-GVO und — zumindest in diesen Fällen — aussagekräftige Informationen über die involvierte Logik sowie die Tragweite und die angestrebten Auswirkungen einer derartigen Verarbeitung für die betroffene Person. Ferner steht der betroffenen Person ein Auskunftsrecht darüber zu, ob personenbezogene Daten an ein Drittland oder an eine internationale Organisation übermittelt wurden. Sofern dies der Fall ist, so steht der betroffenen Person im Übrigen das Recht zu, Auskunft über die geeigneten Garantien im Zusammenhang mit der Übermittlung zu erhalten. Möchte eine betroffene Person dieses Auskunftsrecht in Anspruch nehmen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Recht auf BerichtigungJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, die unverzügliche Berichtigung sie betreffender unrichtiger personenbezogener Daten zu verlangen. Ferner steht der betroffenen Person das Recht zu, unter Berücksichtigung der Zwecke der Verarbeitung, die Vervollständigung unvollständiger personenbezogener Daten — auch mittels einer ergänzenden Erklärung — zu verlangen.Möchte eine betroffene Person dieses Berichtigungsrecht in Anspruch nehmen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Recht auf Löschung (Recht auf Vergessen werden) Jede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, von dem Verantwortlichen zu verlangen, dass die sie betreffenden personenbezogenen Daten unverzüglich gelöscht werden, sofern einer der folgenden Gründe zutrifft und soweit die Verarbeitung nicht erforderlich ist: Die personenbezogenen Daten wurden für solche Zwecke erhoben oder auf sonstige Weise verarbeitet, für welche sie nicht mehr notwendig sind.Die betroffene Person widerruft ihre Einwilligung, auf die sich die Verarbeitung gemäß Art. 6 Abs. 1 Buchstabe a DS-GVO oder Art. 9 Abs. 2 Buchstabe a DS-GVO stützte, und es fehlt an einer anderweitigen Rechtsgrundlage für die Verarbeitung.Die betroffene Person legt gemäß Art. 21 Abs. 1 DS-GVO Widerspruch gegen die Verarbeitung ein, und es liegen keine vorrangigen berechtigten Gründe für die Verarbeitung vor, oder die betroffene Person legt gemäß Art. 21 Abs. 2 DS-GVO Widerspruch gegen die Verarbeitung ein. Die personenbezogenen Daten wurden unrechtmäßig verarbeitet. Die Löschung der personenbezogenen Daten ist zur Erfüllung einer rechtlichen Verpflichtung nach dem Unionsrecht oder dem Recht der Mitgliedstaaten erforderlich, dem der Verantwortliche unterliegt.Die personenbezogenen Daten wurden in Bezug auf angebotene Dienste der Informationsgesellschaft gemäß Art. 8 Abs. 1 DS-GVO erhoben.Sofern einer der oben genannten Gründe zutrifft und eine betroffene Person die Löschung von personenbezogenen Daten, die bei Judith Glaser gespeichert sind, veranlassen möchte, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Judith Glaser wird veranlassen, dass dem Löschverlangen unverzüglich nachgekommen wird. Wurden die personenbezogenen Daten von Judith Glaser öffentlich gemacht und ist unser Unternehmen als Verantwortlicher gemäß Art. 17 Abs. 1 DS-GVO zur Löschung der personenbezogenen Daten verpflichtet, so trifft Judith Glaser unter Berücksichtigung der verfügbaren Technologie und der Implementierungskosten angemessene Maßnahmen, auch technischer Art, um andere für die Datenverarbeitung Verantwortliche, welche die veröffentlichten personenbezogenen Daten verarbeiten, darüber in Kenntnis zu setzen, dass die betroffene Person von diesen anderen für die Datenverarbeitung Verantwortlichen die Löschung sämtlicher Links zu diesen personenbezogenen Daten oder von Kopien oder Replikationen dieser personenbezogenen Daten verlangt hat, soweit die Verarbeitung nicht erforderlich ist. Judith Glaser wird im Einzelfall das Notwendige veranlassen. Recht auf Einschränkung der VerarbeitungJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, von dem Verantwortlichen die Einschränkung der Verarbeitung zu verlangen, wenn eine der folgenden Voraussetzungen gegeben ist: Die Richtigkeit der personenbezogenen Daten wird von der betroffenen Person bestritten, und zwar für eine Dauer, die es dem Verantwortlichen ermöglicht, die Richtigkeit der personenbezogenen Daten zu überprüfen.Die Verarbeitung ist unrechtmäßig, die betroffene Person lehnt die Löschung der personenbezogenen Daten ab und verlangt stattdessen die Einschränkung der Nutzung der personenbezogenen Daten.Der Verantwortliche benötigt die personenbezogenen Daten für die Zwecke der Verarbeitung nicht länger, die betroffene Person benötigt sie jedoch zur Geltendmachung, Ausübung oder Verteidigung von Rechtsansprüchen. Die betroffene Person hat Widerspruch gegen die Verarbeitung gem. Art. 21 Abs. 1 DS-GVO eingelegt und es steht noch nicht fest, ob die berechtigten Gründe des Verantwortlichen gegenüber denen der betroffenen Person überwiegen. Sofern eine der oben genannten Voraussetzungen gegeben ist und eine betroffene Person die Einschränkung von personenbezogenen Daten, die bei Judith Glaser gespeichert sind, verlangen möchte, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Judith Glaser wird die Einschränkung der Verarbeitung veranlassen. Recht auf DatenübertragbarkeitJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, die sie betreffenden personenbezogenen Daten, welche durch die betroffene Person einem Verantwortlichen bereitgestellt wurden, in einem strukturierten, gängigen und maschinenlesbaren Format zu erhalten. Sie hat außerdem das Recht, diese Daten einem anderen Verantwortlichen ohne Behinderung durch den Verantwortlichen, dem die personenbezogenen Daten bereitgestellt wurden, zu übermitteln, sofern die Verarbeitung auf der Einwilligung gemäß Art. 6 Abs. 1 Buchstabe a DS-GVO oder Art. 9 Abs. 2 Buchstabe a DS-GVO oder auf einem Vertrag gemäß Art. 6 Abs. 1 Buchstabe b DS-GVO beruht und die Verarbeitung mithilfe automatisierter Verfahren erfolgt, sofern die Verarbeitung nicht für die Wahrnehmung einer Aufgabe erforderlich ist, die im öffentlichen Interesse liegt oder in Ausübung öffentlicher Gewalt erfolgt, welche dem Verantwortlichen übertragen wurde.Ferner hat die betroffene Person bei der Ausübung ihres Rechts auf Datenübertragbarkeit gemäß Art. 20 Abs. 1 DS-GVO das Recht, zu erwirken, dass die personenbezogenen Daten direkt von einem Verantwortlichen an einen anderen Verantwortlichen übermittelt werden, soweit dies technisch machbar ist und sofern hiervon nicht die Rechte und Freiheiten anderer Personen beeinträchtigt werden. Zur Geltendmachung des Rechts auf Datenübertragbarkeit kann sich die betroffene Person jederzeit an Judith Glaser wenden. Recht auf WiderspruchJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, aus Gründen, die sich aus ihrer besonderen Situation ergeben, jederzeit gegen die Verarbeitung sie betreffender personenbezogener Daten, die aufgrund von Art. 6 Abs. 1 Buchstaben e oder f DS-GVO erfolgt, Widerspruch einzulegen. Dies gilt auch für ein auf diese Bestimmungen gestütztes Profiling. Judith Glaser verarbeitet die personenbezogenen Daten im Falle des Widerspruchs nicht mehr, es sei denn, er kann zwingende schutzwürdige Gründe für die Verarbeitung nachweisen, die den Interessen, Rechten und Freiheiten der betroffenen Person überwiegen, oder die Verarbeitung dient der Geltendmachung, Ausübung oder Verteidigung von Rechtsansprüchen. Verarbeitet Judith Glaser personenbezogene Daten, um Direktwerbung zu betreiben, so hat die betroffene Person das Recht, jederzeit Widerspruch gegen die Verarbeitung der personenbezogenen Daten zum Zwecke derartiger Werbung einzulegen. Dies gilt auch für das Profiling, soweit es mit solcher Direktwerbung in Verbindung steht. Widerspricht die betroffene Person gegenüber Judith Glaser der Verarbeitung für Zwecke der Direktwerbung, so wird Judith Glaser die personenbezogenen Daten nicht mehr für diese Zwecke verarbeiten. Zudem hat die betroffene Person das Recht, aus Gründen, die sich aus ihrer besonderen Situation ergeben, gegen die sie betreffende Verarbeitung personenbezogener Daten, die bei Judith Glaser zu wissenschaftlichen oder historischen Forschungszwecken oder zu statistischen Zwecken gemäß Art. 89 Abs. 1 DS-GVO erfolgen, Widerspruch einzulegen, es sei denn, eine solche Verarbeitung ist zur Erfüllung einer im öffentlichen Interesse liegenden Aufgabe erforderlich. Zur Ausübung des Rechts auf Widerspruch kann sich die betroffene Person direkt an Judith Glaser oder einen Mitarbeiter wenden. Der betroffenen Person steht es ferner frei, im Zusammenhang mit der Nutzung von Diensten der Informationsgesellschaft, ungeachtet der Richtlinie 2002/58/EG, ihr Widerspruchsrecht mittels automatisierter Verfahren auszuüben, bei denen technische Spezifikationen verwendet werden Automatisierte Entscheidungen im Einzelfall einschließlich Profiling. Jede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, nicht einer ausschließlich auf einer automatisierten Verarbeitung — einschließlich Profiling — beruhenden Entscheidung unterworfen zu werden, die ihr gegenüber rechtliche Wirkung entfaltet oder sie in ähnlicher Weise erheblich beeinträchtigt, sofern die Entscheidung (1) nicht für den Abschluss oder die Erfüllung eines Vertrags zwischen der betroffenen Person und dem Verantwortlichen erforderlich ist, oder (2) aufgrund von Rechtsvorschriften der Union oder der Mitgliedstaaten, denen der Verantwortliche unterliegt, zulässig ist und diese Rechtsvorschriften angemessene Maßnahmen zur Wahrung der Rechte und Freiheiten sowie der berechtigten Interessen der betroffenen Person enthalten oder (3) mit ausdrücklicher Einwilligung der betroffenen Person erfolgt. Ist die Entscheidung (1) für den Abschluss oder die Erfüllung eines Vertrags zwischen der betroffenen Person und dem Verantwortlichen erforderlich oder (2) erfolgt sie mit ausdrücklicher Einwilligung der betroffenen Person, trifft Judith Glaser angemessene Maßnahmen, um die Rechte und Freiheiten sowie die berechtigten Interessen der betroffenen Person zu wahren, wozu mindestens das Recht auf Erwirkung des Eingreifens einer Person seitens des Verantwortlichen, auf Darlegung des eigenen Standpunkts und auf Anfechtung der Entscheidung gehört. Möchte die betroffene Person Rechte mit Bezug auf automatisierte Entscheidungen geltend machen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden.Recht auf Widerruf einer datenschutzrechtlichen Einwilligung. Jede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, eine Einwilligung zur Verarbeitung personenbezogener Daten jederzeit zu widerrufen. Möchte die betroffene Person ihr Recht auf Widerruf einer Einwilligung geltend machen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Rechtsgrundlage der VerarbeitungArt. 6 I lit. a DS-GVO dient unserem Unternehmen als Rechtsgrundlage für Verarbeitungsvorgänge, bei denen wir eine Einwilligung für einen bestimmten Verarbeitungszweck einholen. Ist die Verarbeitung personenbezogener Daten zur Erfüllung eines Vertrags, dessen Vertragspartei die betroffene Person ist, erforderlich, wie dies beispielsweise bei Verarbeitungsvorgängen der Fall ist, die für eine Lieferung von Waren oder die Erbringung einer sonstigen Leistung oder Gegenleistung notwendig sind, so beruht die Verarbeitung auf Art. 6 I lit. b DS-GVO. Gleiches gilt für solche Verarbeitungsvorgänge die zur Durchführung vorvertraglicher Maßnahmen erforderlich sind, etwa in Fällen von Anfragen zur unseren Produkten oder Leistungen. Unterliegt unser Unternehmen einer rechtlichen Verpflichtung durch welche eine Verarbeitung von personenbezogenen Daten erforderlich wird, wie beispielsweise zur Erfüllung steuerlicher Pflichten, so basiert die Verarbeitung auf Art. 6 I lit. c DS-GVO. In seltenen Fällen könnte die Verarbeitung von personenbezogenen Daten erforderlich werden, um lebenswichtige Interessen der betroffenen Person oder einer anderen natürlichen Person zu schützen. Dies wäre beispielsweise der Fall, wenn ein Besucher in unserem Betrieb verletzt werden würde und daraufhin sein Name, sein Alter, seine Krankenkassendaten oder sonstige lebenswichtige Informationen an einen Arzt, ein Krankenhaus oder sonstige Dritte weitergegeben werden müssten. Dann würde die Verarbeitung auf Art. 6 I lit. d DS-GVO beruhen. Letztlich könnten Verarbeitungsvorgänge auf Art. 6 I lit. f DS-GVO beruhen. Auf dieser Rechtsgrundlage basieren Verarbeitungsvorgänge, die von keiner der vorgenannten Rechtsgrundlagen erfasst werden, wenn die Verarbeitung zur Wahrung eines berechtigten Interesses unseres Unternehmens oder eines Dritten erforderlich ist, sofern die Interessen, Grundrechte und Grundfreiheiten des Betroffenen nicht überwiegen. Solche Verarbeitungsvorgänge sind uns insbesondere deshalb gestattet, weil sie durch den Europäischen Gesetzgeber besonders erwähnt wurden. Er vertrat insoweit die Auffassung, dass ein berechtigtes Interesse anzunehmen sein könnte, wenn die betroffene Person ein Kunde des Verantwortlichen ist (Erwägungsgrund 47 Satz 2 DS-GVO). Berechtigte Interessen an der Verarbeitung, die von dem Verantwortlichen oder einem Dritten verfolgt werden Basiert die Verarbeitung personenbezogener Daten auf Artikel 6 I lit. f DS-GVO ist unser berechtigtes Interesse die Durchführung unserer Geschäftstätigkeit zugunsten des Wohlergehens all unserer Mitarbeiter und unserer Anteilseigner. Dauer, für die die personenbezogenen Daten gespeichert werdenDas Kriterium für die Dauer der Speicherung von personenbezogenen Daten ist die jeweilige gesetzliche Aufbewahrungsfrist. Nach Ablauf der Frist werden die entsprechenden Daten routinemäßig gelöscht, sofern sie nicht mehr zur Vertragserfüllung oder Vertragsanbahnung erforderlich sind.Gesetzliche oder vertragliche Vorschriften zur Bereitstellung der personenbezogenen Daten; Erforderlichkeit für den Vertragsabschluss; Verpflichtung der betroffenen Person, die personenbezogenen Daten bereitzustellen; mögliche Folgen der Nichtbereitstellung. Wir klären Sie darüber auf, dass die Bereitstellung personenbezogener Daten zum Teil gesetzlich vorgeschrieben ist (z.B. Steuervorschriften) oder sich auch aus vertraglichen Regelungen (z.B. Angaben zum Vertragspartner) ergeben kann. Mitunter kann es zu einem Vertragsschluss erforderlich sein, dass eine betroffene Person uns personenbezogene Daten zur Verfügung stellt, die in der Folge durch uns verarbeitet werden müssen. Die betroffene Person ist beispielsweise verpflichtet uns personenbezogene Daten bereitzustellen, wenn unser Unternehmen mit ihr einen Vertrag abschließt. Eine Nichtbereitstellung der personenbezogenen Daten hätte zur Folge, dass der Vertrag mit dem Betroffenen nicht geschlossen werden könnte.Vor einer Bereitstellung personenbezogener Daten durch den Betroffenen muss sich der Betroffene an einen unserer Mitarbeiter wenden. Unser Mitarbeiter klärt den Betroffenen einzelfallbezogen darüber auf, ob die Bereitstellung der personenbezogenen Daten gesetzlich oder vertraglich vorgeschrieben oder für den Vertragsabschluss erforderlich ist, ob eine Verpflichtung besteht, die personenbezogenen Daten bereitzustellen, und welche Folgen die Nichtbereitstellung der personenbezogenen Daten hätte. Bestehen einer automatisierten Entscheidungsfindung. Als verantwortungsbewusste Institution verzichten wir auf eine automatische Entscheidungsfindung oder ein Profiling. Diese Datenschutzerklärung wurde durch den Datenschutzerklärungs-Generator der DGD Deutsche Gesellschaft für Datenschutz GmbH, die als Externer Datenschutzbeauftragter Hof ↗&nbsp;tätig ist, in Kooperation mit dem Anwalt für Datenschutzrecht Christian Solmecke&nbsp;↗ erstellt. Rechtlicher HinweisDiese Seiten enthalten Links zu externen Webseiten Dritter, auf deren Inhalte ich keinen Einfluss habe. Deshalb kann ich für diese fremden Inhalte auch keine Gewähr übernehmen. Für die Inhalte der verlinkten Seiten ist stets der jeweilige Anbieter oder Betreiber der Seiten verantwortlich. Die verlinkten Seiten wurden zum Zeitpunkt der Verlinkung auf mögliche Rechtsverstöße überprüft. Rechtswidrige Inhalte waren zum Zeitpunkt der Verlinkung nicht erkennbar. Eine permanente inhaltliche Kontrolle der verlinkten Seiten ist jedoch ohne konkrete Anhaltspunkte einer Rechtsverletzung nicht zumutbar. Bei bekannt werden von Rechtsverletzungen werde ich derartige Links umgehend entfernen. Quelle: eRecht24.de https://digitalpractices.cargo.site/Malleability-of-Time-Space Tue, 01 Jul 2025 12:24:10 +0000 fg.digital-practices https://digitalpractices.cargo.site/Malleability-of-Time-Space ↘ MALLEABILITY OF TIME AND SPACE&nbsp;4000 Miles (3) »If we want to examine the structure and quality of our life, we should turn to its time structures.« — Hartmut Rosa&nbsp; Time is a multifaceted concept grounded in the the physical world and elevated by the symbolic and philosophical ideas of mankind. It is an observation as well as a construct and a commodity. It forms a horizon of understanding where elements can form meaningful relationships. Time can also serve as a lens for evaluating social qualities. »Modernity is about the acceleration of time,« wrote Peter Conrad. In this context, the real-time of today’s data transmission is the result of a process that began with the invention of the clock. The fact that trading companies move their headquarters towards a server farm to be able to trade on the stock exchange a fraction of a tenth of a second faster than the competition shows that not even real-time is the same as real-time. The transmitters are accelerating: the vehicles – horse – railroad – airplane – telephone – Internet. The ranges are getting longer. Space got wiped out, and time got compressed. The concept of technical acceleration is omnipresent, as is its apparent counterpart, personal deceleration. In science and economics in particular, time is measured with a precision that is imperceptible to the human sensorium and correspondingly difficult to grasp. The idea of a fraction of a tenth of a second has little to do with one’s sense of time. Or does it? Can one consciously fall out of time? Sol (the Martian day) is 39 minutes and 35 seconds longer than on Earth. Consequently, would we have ‘gained’ time on Mars? What quality does time hold for individuals, communities, and society? 4000 Miles has evolved into a third iteration; it is a continuing collaborative project between Prof. Sydney Craig ↗, Herron School of Art and Design in Indiana, USA, and Prof. Judith Glaser, Faculty of Design Würzburg (THWS), Bavaria, Germany. These educators are pursuing high-impact practices for engaged learning as they develop intercultural, multi-disciplinary exchanges meant to encourage and embrace a global mindset. Students from both universities has been challenged to explore the concepts of time and space through object studies and creative problemsolving as they work in teams across 4000 miles and through a variety of art and design media. The project is part of the Virtual Global Learning Exchange (VGLE). &nbsp;The course culminated in a visual art and design exhibition ↗ at the Eskenazi Fine Arts Center, Indianapolis, USA. Take a virtual tour ↗. Summer Term 2025 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/47281ccb032db9106a48d4271d9672285f895ea175c13e41758a46af63676a39/2_yaced-key_visual_1920x1080px.png" data-mid="236927380" border="0" src="https://freight.cargo.site/w/1000/i/47281ccb032db9106a48d4271d9672285f895ea175c13e41758a46af63676a39/2_yaced-key_visual_1920x1080px.png" />yaced. Paulina Jouaux, Lauren McDonald, Rosemary Gomez&nbsp; In a world that is constantly changing, we need products that grow with us. Under the motto »Change is the only constant,« yaced was created: a modular bag that is flexible, adaptable, and sustainable. Straps, bag modules, and bottle holders can be removed, exchanged, or used separately. Further add-ons are planned, such as a removable wallet. This means that yaced can always be adapted to current needs. The material is intended to be particularly sustainable, which is why there are several samples of bioplastic that could be used as material for the bag. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/274491382bc0cd15bd67fa714e6bf940ec9bc81cca789a2a92ae4a90d735bb70/3_yaced_1920x1080px.jpg" data-mid="236927381" border="0" src="https://freight.cargo.site/w/1000/i/274491382bc0cd15bd67fa714e6bf940ec9bc81cca789a2a92ae4a90d735bb70/3_yaced_1920x1080px.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d35c5620e4731109255f49f8cb62650696aebc1805d5d4fc5483d84eafc3387/4_yaced-two-pictures_1920x1080px.jpg" data-mid="236927526" border="0" src="https://freight.cargo.site/w/1000/i/7d35c5620e4731109255f49f8cb62650696aebc1805d5d4fc5483d84eafc3387/4_yaced-two-pictures_1920x1080px.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f9ee80ba5972d381c7c0b9cf2a52a1ed812078f6a0917973c1c994f88cc54bce/5_yaced_1920x1080px.jpg" data-mid="236927382" border="0" src="https://freight.cargo.site/w/1000/i/f9ee80ba5972d381c7c0b9cf2a52a1ed812078f6a0917973c1c994f88cc54bce/5_yaced_1920x1080px.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c9434cd1da8be8a5c2161c5f4782d9c3495fe031d69d5fbd16a1a3270deb2740/6_yaced_1920x1080px.jpg" data-mid="236927383" border="0" src="https://freight.cargo.site/w/1000/i/c9434cd1da8be8a5c2161c5f4782d9c3495fe031d69d5fbd16a1a3270deb2740/6_yaced_1920x1080px.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8a467c2dad429d1ef31c8b953bee345217cffae60fe82e63db5b208175d650d4/amelie-keyvisual_01.png" data-mid="236630793" border="0" src="https://freight.cargo.site/w/1000/i/8a467c2dad429d1ef31c8b953bee345217cffae60fe82e63db5b208175d650d4/amelie-keyvisual_01.png" />Kinetic JoyrideCharlotte Andrews, Amelie Deimel, Ara Hillenberg&nbsp; »[…] but when a beginning is made— when the felicities of rapid motion have once been, though slightly, felt— it must be a very heavy set that does not ask for more.«&nbsp;— Jane Austen The new makes itself known to all our senses. As environments shift, we adapt—sometimes fully, often incompletely. Change demands we let go of pieces of ourselves. In unfamiliar surroundings, we search for something unmoving when all else is in motion: a foothold, a constant. Some changes arrive like distortions, rotations, or even disfigurements. Objects move, transform, disappear, reappear. We carry them forward—or leave them behind. The idea for Kinetic Joyride emerged from the merry-go-round: a symbol of life's dizzying pace. Our project is about change—how it touches the environment, how we respond, and how perception twists with speed. Immersion in the process of adaptation can yield a blurred, yet beautiful, image—a layered moment of reality and illusion. It is a portrait of the joy of reinvention, shadowed by a quiet yearning for stillness. Embroideries capture fleeting memories—echoes of places where we felt alive, at ease. Places that offered stability, even as they, too, continue to change. Through arbitrary juxtapositions, an interwoven image forms—one that reflects a shared sense of immersion. A rotating pentagonal mirror frame allows the viewer to modulate the speed—or pause it entirely. At the heart of Kinetic Joyride lies movement, fluidity, and a threefold dialogue: How do objects change when our surroundings change? And—do we move with them? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba420d1d6c95a1fcd13689c5dacc4f429d3a3d84f062ae7f3b48421c11ad2272/amelie-web-doku_03.png" data-mid="236630796" border="0" src="https://freight.cargo.site/w/1000/i/ba420d1d6c95a1fcd13689c5dacc4f429d3a3d84f062ae7f3b48421c11ad2272/amelie-web-doku_03.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/09f5e332c2b839c3b578987676a18bf73fcace11a4d61d493f6ec1788e050bdf/amelie-web-doku_01.png" data-mid="236630794" border="0" src="https://freight.cargo.site/w/1000/i/09f5e332c2b839c3b578987676a18bf73fcace11a4d61d493f6ec1788e050bdf/amelie-web-doku_01.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/06c8afcbfb429fada8044a7958cfe64513b469916d50c99197f8b427a39d3a8c/amelie-web-doku_02.png" data-mid="236630795" border="0" src="https://freight.cargo.site/w/1000/i/06c8afcbfb429fada8044a7958cfe64513b469916d50c99197f8b427a39d3a8c/amelie-web-doku_02.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/42448cc72b2a755c2e7b0254f98d882272c40ca31184279b200deaf8feb57821/amelie-web-doku_04.png" data-mid="236630797" border="0" src="https://freight.cargo.site/w/1000/i/42448cc72b2a755c2e7b0254f98d882272c40ca31184279b200deaf8feb57821/amelie-web-doku_04.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" data-mid="236630830" border="0" src="https://freight.cargo.site/w/1000/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" /> Where Childhood Hides Anna Heilmann, Isabella Freshour, Jenny Monroy, Mia Griffith This tent, sewn from many individual pieces of fabric, holds a deeply personal archive: each sheet carries several gel prints of childhood objects. From the outside, the prints remain invisible. To truly see them, visitors must step inside, peek through a sewn-in window, or even crawl in just like children exploring hidden places. Suspended in the center of the room, the tent invites quiet curiosity. Its minimal interior avoids distractions, leaving space for atmosphere, light, and reflection. More than just a shelter, it becomes a nostalgic vessel designed to awaken memories, associations, and a sense of shared past. By creating a space that must be physically entered, the project encourages visitors to connect with their own childhood and embark on a small journey through time. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" data-mid="236630830" border="0" src="https://freight.cargo.site/w/1000/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dc849ca2df5f00459dc572a6cf1a5bcd2047956ce01a59c55d24bbb8336991e5/anna-web-doku1.png" data-mid="236630831" border="0" src="https://freight.cargo.site/w/1000/i/dc849ca2df5f00459dc572a6cf1a5bcd2047956ce01a59c55d24bbb8336991e5/anna-web-doku1.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1d8b141ffda3dd4b3928a42a36e33f5d3567f39bcbba2dbb3550489c84c6e9a2/AmireKoncici-KeyVisual.png" data-mid="236630811" border="0" src="https://freight.cargo.site/w/1000/i/1d8b141ffda3dd4b3928a42a36e33f5d3567f39bcbba2dbb3550489c84c6e9a2/AmireKoncici-KeyVisual.png" /> Prism of Fate Amire Koncici, Piper Syester, Taylor Owen&nbsp; The sculptural column tells the mythological concept of fate through three symbolic layers: Clotho in the birth of Erichthonius, Lachesis in Chronos, and Atropos in the fall of Icarus. Each layer of the column represents one of the three Moirai – the Greek goddesses of fate – and ties their function to a moment of mythological transformation: Clotho, the spinner of life’s thread, is embodied in the secretive and miraculous birth of Erichthonius, a figure born from earth and divine conflict. Lachesis, who measures the thread, is reflected in the abstract concept of Chronos – time as a force of order and duration. Finally, Atropos, who cuts the thread, appears in the fall of Icarus, symbolizing the inevitability of mortality and the limits of human ambition. Chromatic, mirror-like foil covers the surface of the sculpture, refracting light into constantly shifting colors. This visual element creates a changing experience depending on the viewer’s position and time of day, evoking the fragility, complexity, and changeability of fate. The material's reflectivity invites self-perception and introspection, placing the viewer within the narrative and questioning their own relationship to time and destiny. The sculptural form itself draws on the visual language of both classical columns and modern abstraction. It intertwines linear storytelling with a cyclical understanding of time – a temporal paradox in which beginnings and endings dissolve into one another. The column does not simply tell a story; it performs the mythic structure of fate through light, form, and symbolism. In doing so, it becomes a vessel for timeless questions: How is life shaped? Where does agency end and destiny begin? And can we ever truly step outside the thread that binds us? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/225d5f1439b94a369c1a0ebe1bb15a5870ecb13ac44b66001b06dcd5399d42a8/AmireKoncici-Web-Hochformate-neu.png" data-mid="236927318" border="0" src="https://freight.cargo.site/w/1000/i/225d5f1439b94a369c1a0ebe1bb15a5870ecb13ac44b66001b06dcd5399d42a8/AmireKoncici-Web-Hochformate-neu.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/81a4ce2a50624e79ae58d09e9531bb7832d89208321e1a665cd945610a227295/AmireKoncici-Web-Hochformate-Close-ups.png" data-mid="236927317" border="0" src="https://freight.cargo.site/w/1000/i/81a4ce2a50624e79ae58d09e9531bb7832d89208321e1a665cd945610a227295/AmireKoncici-Web-Hochformate-Close-ups.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" data-mid="236631682" border="0" src="https://freight.cargo.site/w/1000/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" />Spending TimePaul Schulz,&nbsp;Lanie Byers,&nbsp;Delane Sheets Time has absolute value. There is nothing more precious than time, and spending it with others is a privilege. Spending Time is an interactive object that uses sand as a metaphor for time. The objective of this game is to spend as much time together as possible. An eccentric funnel at the top is filled with sand. By rotating the funnel using the grip ring, you and your friends can control where the sand flows. A balanced plate at the bottom collects the sand. Your objective is to keep this plate balanced for as long as possible by adjusting the sand's flow. If the plate tips over, you can try to restore the balance or end the game. Spending time together is not just a side effect of the game, it is the objective itself. Spending Time wants you to appreciate the time people spend with you and to offer your time to others. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" data-mid="236631682" border="0" src="https://freight.cargo.site/w/1000/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/311237bced70c7d2c998e5d897549667978bac26c630359a9c43584a8113c4bc/Webdoku_Bild1.jpg" data-mid="236631679" border="0" src="https://freight.cargo.site/w/1000/i/311237bced70c7d2c998e5d897549667978bac26c630359a9c43584a8113c4bc/Webdoku_Bild1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/457eb20413b4a943b195e8b0ca50214d27c2b7fd828a57171a9d10329c1d2f7b/Webdoku_Bild2.jpg" data-mid="236631680" border="0" src="https://freight.cargo.site/w/1000/i/457eb20413b4a943b195e8b0ca50214d27c2b7fd828a57171a9d10329c1d2f7b/Webdoku_Bild2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c74b3c9c27eea281b3282b47566d6bb8956d79c9ac8a3cd2e030e21526610f37/Webdoku_Bild3.jpg" data-mid="236631681" border="0" src="https://freight.cargo.site/w/1000/i/c74b3c9c27eea281b3282b47566d6bb8956d79c9ac8a3cd2e030e21526610f37/Webdoku_Bild3.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" data-mid="236631721" border="0" src="https://freight.cargo.site/w/1000/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" />Fleeting Moments Sarah Hannemann, Mandy Rudel, Dani Frye, Kell Toles We worked with concepts relating to time and space. These terms stood in contrast to each other. Their abstraction created a kind of pattern that was brought together in a large-format tablecloth.
This carpet is complemented by cyanotypes, which also capture the theme of time and space. Collected everyday objects such as tickets, receipts or admission tickets are visible on the cyanotypes - traces of places where we have actually been. These objects document specific moments and refer to our personal movement through space and time. It is about capturing fleeting things and transient memories - transforming them into something permanent. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/96a90949868480628228e2958886d9e567df9304cd82c39efe7e25ab16e71f08/sarah-keyvisual.png" data-mid="236631720" border="0" src="https://freight.cargo.site/w/1000/i/96a90949868480628228e2958886d9e567df9304cd82c39efe7e25ab16e71f08/sarah-keyvisual.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4461a34a27df11b85afcca4dc74d1832cbb9e86ae1283e5969ada02d5edd48f5/sarah-web-doku3.png" data-mid="236631723" border="0" src="https://freight.cargo.site/w/1000/i/4461a34a27df11b85afcca4dc74d1832cbb9e86ae1283e5969ada02d5edd48f5/sarah-web-doku3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1cb498b58efef146ce4dd1170d5e37f9b3e71a69c8e4d66e7193ab32eed6d8b7/sarah-web-doku2.png" data-mid="236631722" border="0" src="https://freight.cargo.site/w/1000/i/1cb498b58efef146ce4dd1170d5e37f9b3e71a69c8e4d66e7193ab32eed6d8b7/sarah-web-doku2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" data-mid="236631721" border="0" src="https://freight.cargo.site/w/1000/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" data-mid="236928172" border="0" src="https://freight.cargo.site/w/1000/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" />vom nehmen und vom geben Liliane Sand, Lance Milam, Aaliyah Pipes This project is a poetic exploration of the invisible relationships that shape our existence between past and future, self and other, memory and possibility. This exchange, subtle yet ever-present, does not follow a linear path. It unfolds like a conversation: nonlinear, layered, and alive. It is a cycle of receiving and offering, of learning and letting go, of transformation across time. At the heart of the project lies the spiral, a symbol as ancient as it is universal. It speaks of growth and continuity, of motion without end, of beginnings that emerge from endings. The spiral becomes the visual and conceptual core of the work, capturing the quiet rhythm of change.To give this idea tangible form, the project turns to the most familiar of objects: cutlery. Forks, knives, and spoons, tools we touch daily, often without thought, are transformed into vessels of meaning. They become carriers of memory, gestures of care, and symbols of shared experience. The spiral is embedded into each object, not merely as ornament, but as an invocation: a reminder of our place in the ongoing flow of giving and receiving. This project raises questions about how we relate to the things we use and to the world we shape through them. It invites us to consider responsibility: not just for what we take, but for how we give back. It suggests that design is not only a matter of function or aesthetics, but of values, relationships, and intention. Each object becomes a touchpoint in a larger conversation, about memory, continuity, and the ways in which we leave traces in the world. Ultimately, vom nehmen und vom geben speaks to the profound truth that we are all part of a larger process: one that is dynamic, porous, and interdependent. In everything we do, we inherit, we alter, we pass on. So in this endless spiral of exchange: what does it mean to truly give? What do we carry forward, knowingly or not? And what remains of us in the hands of others, long after we are gone? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bbf24addcece5a5cbd9eaec2f11cd12a92afd257908c03b26fe0f0c3e2b956bb/Bild3_LilianeSand.jpg" data-mid="236928171" border="0" src="https://freight.cargo.site/w/1000/i/bbf24addcece5a5cbd9eaec2f11cd12a92afd257908c03b26fe0f0c3e2b956bb/Bild3_LilianeSand.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5556dd11fd3af0747b5a9efd038456db9e146e5b2d1d85694ce671f5daf0186a/Bild1_LilianeSand.jpg" data-mid="236928168" border="0" src="https://freight.cargo.site/w/1000/i/5556dd11fd3af0747b5a9efd038456db9e146e5b2d1d85694ce671f5daf0186a/Bild1_LilianeSand.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/513c715d7a7fb51a514d82dfc1caa6a12d4ed46862c218f1bf7bb6cc4988c531/Bild2_LilianeSand.jpg" data-mid="236928170" border="0" src="https://freight.cargo.site/w/1000/i/513c715d7a7fb51a514d82dfc1caa6a12d4ed46862c218f1bf7bb6cc4988c531/Bild2_LilianeSand.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" data-mid="236928172" border="0" src="https://freight.cargo.site/w/1000/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" /> https://digitalpractices.cargo.site/DoNothingMachines Wed, 25 Jun 2025 08:31:59 +0000 fg.digital-practices https://digitalpractices.cargo.site/DoNothingMachines ↘ DO— NOTHING— MACHINESIn Praise of Idleness. Industrialised societies strive for productivity and efficiency. In these systems, doing nothing often has a bland aftertaste or is itself subject to a strict schedule. We mark time for relaxation in our calendars, monitor and optimise our sleep. Have we long forgotten the art of idleness, the dolce far niente – the sweet nothing? Between studies, work, family and self-expression, where is the freedom to simply be? The devaluation of idleness since the Reformation is a relatively recent development. In ancient times, idleness was considered a privilege of free citizens and the nobility, and essential for the development of art and culture. In the Middle Ages, the spiritual mystic Hildegard von Bingen even warned against excessive activity: »But man must beware of killing his body by too much work« (1). The Alcoa Solar Do-Nothing Machine by Ray and Charles Eames (1957) symbolises the explorations of this course. It was not designed to fulfil a ‘practical’ function (2). It is a fascinating dance of colour and movement with no utilitarian purpose – an ode to curiosity, playfulness and the joy of pure observation of movement. The machine challenges our conventional understanding of function and utility and reminds us that there is value in pure experience. In these unstructured moments of leisure, the mind can wander and creativity can flourish. From the aimless walk as an activity of intrinsic value, to the power nap and the sobremesa, the Spanish culture of resting after a meal (3), to procrastination, the course looked intensively at doing nothing, &nbsp;at leisure and at breaks and what they mean to us and our social interactions. In contrast to laziness (and doomscrolling), the projects are designed with and for the conscious decision to pause, perceive and reflect. (1) von Bingen, H. (2024) Heilige Inspiration in Weisheit der Welt (Band 23). (2) Neuhart, J., Neuhart, M., Rams, R. (1989) Teams Design. The Work of the Office of Charles and Ray Eams, New York. (3) Randolph, M. (2018)&nbsp;A uniquely Spanish part of the meal. www.bbc.com ↗ Accessed Februar 13,2025. Supervision Prof. Judith GlaserSummer Term 2025 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/950ac20e94473f718bb64ffde1fb74bc2acec9f7d009de272ed2c1c70b3952c2/Sloma_K_Key.png" data-mid="239540948" border="0" src="https://freight.cargo.site/w/1000/i/950ac20e94473f718bb64ffde1fb74bc2acec9f7d009de272ed2c1c70b3952c2/Sloma_K_Key.png" />SLOMAThuyVy Nguyen ›The relaxing coffee break for everyone.‹ Sloma is a coffee machine that turns coffee preparation into a mindful, relaxing experience. The design was created based on the idea that people with very different approaches to coffee could be connected by a shared device, mediating between functional simplicity and sensory experience. Sloma is aimed at people with no prior knowledge who usually consume coffee casually, as well as coffee fanatics with high standards of preparation and taste. Rather than focusing on technical complexity or pure efficiency, Sloma prioritises visibility, tranquillity and accessibility. Its transparent design allows you to see the brewing process directly. Two rotating water wheels direct the coffee into the cup, lending the process a meditative quality. The product is deliberately straightforward to use. The parts are easy to take apart and clean, and are made of single-origin materials. This makes Sloma sustainable and durable. Inspiration for the design came from a lamp and a water toy, whose clear movements were incorporated into the design. It provides a framework through which users can engage with their coffee routine at their own pace. Preparing coffee becomes the focus of the break. It's an invitation to slow down for everyone. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/37d7ed9b21de1057bd84be22c9057cbeb882d0f39adee5f2c967062ed70008f9/Sloma_K_1.png" data-mid="239540951" border="0" src="https://freight.cargo.site/w/1000/i/37d7ed9b21de1057bd84be22c9057cbeb882d0f39adee5f2c967062ed70008f9/Sloma_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/74e64f5398fae787f4c64009c1f905d3ea9442b610b078487d819650d2f002a7/Sloma_K_3.png" data-mid="239540953" border="0" src="https://freight.cargo.site/w/1000/i/74e64f5398fae787f4c64009c1f905d3ea9442b610b078487d819650d2f002a7/Sloma_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e8fc7a28809cd5c18242b1f5dd9ba538641cdcd0bb5ad474608c9e55c20d2057/Sloma_K_2.png" data-mid="239540954" border="0" src="https://freight.cargo.site/w/1000/i/e8fc7a28809cd5c18242b1f5dd9ba538641cdcd0bb5ad474608c9e55c20d2057/Sloma_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/9412a70f05b1ac86d2560bac480c27148def10d0a6b527e3a52a48ef8512435b/Sloma_K_4.png" data-mid="239540959" border="0" src="https://freight.cargo.site/w/1000/i/9412a70f05b1ac86d2560bac480c27148def10d0a6b527e3a52a48ef8512435b/Sloma_K_4.png" /> ↘<img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/57fe9a8be251b57fa8737b6f19cb89b3fdcdb85518127cd3881ca10875e322be/Luecke_K_Key.png" data-mid="239541109" border="0" src="https://freight.cargo.site/w/1000/i/57fe9a8be251b57fa8737b6f19cb89b3fdcdb85518127cd3881ca10875e322be/Luecke_K_Key.png" />LückeFlorina Rall&nbsp; Lücke's approach is to ›have less, do less‹. This is a bag that can be used both as a spacious bag for uni or school and also as a place to lie down. With a zip, any ›gap‹ in your day can be transformed into an opportunity to take a break. You can spontaneously ›do nothing‹ or carry less to ›do nothing‹. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/98f23a95af08b42060b3742d2e12ce519e37b2d7bf68c7cc9857f5da5d81f912/Luecke_K_1.png" data-mid="239541153" border="0" src="https://freight.cargo.site/w/1000/i/98f23a95af08b42060b3742d2e12ce519e37b2d7bf68c7cc9857f5da5d81f912/Luecke_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/92f9bd4316a28e91c587e9fb70bc64700afa6f3ba3c64527dfc3b88956a131f2/Luecke_K_3.png" data-mid="239541154" border="0" src="https://freight.cargo.site/w/1000/i/92f9bd4316a28e91c587e9fb70bc64700afa6f3ba3c64527dfc3b88956a131f2/Luecke_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e704bf43bd1e81dc7ff6c7ae72233c1d314567e8753d94422a36ea7f148bf981/Luecke_K_2.png" data-mid="239541155" border="0" src="https://freight.cargo.site/w/1000/i/e704bf43bd1e81dc7ff6c7ae72233c1d314567e8753d94422a36ea7f148bf981/Luecke_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/1386429de47513b5dbd36f6716d697d2426da90c4623e127ca267302ccc22e94/Luecke_K_4.png" data-mid="239541157" border="0" src="https://freight.cargo.site/w/1000/i/1386429de47513b5dbd36f6716d697d2426da90c4623e127ca267302ccc22e94/Luecke_K_4.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d5f05774a3ca5a0030876e8fc726c72a9a5acbbdc2141a2c3ea6a757f3a736b/Licht_K_Key.png" data-mid="239541164" border="0" src="https://freight.cargo.site/w/1000/i/7d5f05774a3ca5a0030876e8fc726c72a9a5acbbdc2141a2c3ea6a757f3a736b/Licht_K_Key.png" />Licht/SpielAmalia Kasdepke Licht/Spiel is an interactive light installation that brings playful breaks into the everyday routines of adults. Installed at bus stops – places where people frequently wait – it invites spontaneous interaction through projected games inspired by natural childhood phenomena like bubbles, puddles, or pinecones. The games are intuitive, seasonal, and adaptable to the number of people present. At night, the installation adds a second layer: soft light circles track individuals at the stop, enhancing both presence and safety. Licht/Spiel turns an ordinary waiting space into a moment of pause, reflection, and connection – without requiring effort, instructions, or prior intention. It offers a gentle reminder that playfulness doesn’t have to end with childhood, and that public space can be both functional and poetic. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/88076f93eb7c3ed859000025887b21d8e8383e37891fdbded47ed7ce3176106c/Licht_K_1.png" data-mid="239541165" border="0" src="https://freight.cargo.site/w/1000/i/88076f93eb7c3ed859000025887b21d8e8383e37891fdbded47ed7ce3176106c/Licht_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/c71c03246d6c18b6b6d6f00f79ea1a073b8c6d86fb3469b4804b04fbeceaae41/Licht_K_3.png" data-mid="239541175" border="0" src="https://freight.cargo.site/w/1000/i/c71c03246d6c18b6b6d6f00f79ea1a073b8c6d86fb3469b4804b04fbeceaae41/Licht_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/dd94f4578575d88d16bbf6fc5e85ff5b33bd431bd2d554dbca2c20f2e4e4a61f/Licht_K_2.png" data-mid="239541171" border="0" src="https://freight.cargo.site/w/1000/i/dd94f4578575d88d16bbf6fc5e85ff5b33bd431bd2d554dbca2c20f2e4e4a61f/Licht_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7470c28d0a3f63d9c517992cb0e31e330bb5e3dee9341d4560b8439fe50819cd/Header.jpg" data-mid="239541193" border="0" src="https://freight.cargo.site/w/1000/i/7470c28d0a3f63d9c517992cb0e31e330bb5e3dee9341d4560b8439fe50819cd/Header.jpg" />KriselJoy Rammig, Paul Schulz »Distraction is a strategy in Service of the work.« Rick Rubin, The Creative Act (2023) This project attempts to address the issue of mental blocks during creative work. Creativity cannot be forced, which can cause problems for professional creatives. We have observed and experienced that distraction can be an effective way of dealing with mental blocks. However, we live in a world of distractions, so the difficulty lies in finding the right distraction at the right time. Krisel is a tool that gently reminds you to reflect on where you are in your creative process without causing stress or time pressure, both of which are catalysts for mental blocks. It is deliberately analogue and counteracts the abundance of digital distractions that surround us. The object itself can be used as a haptic distraction or as a token to symbolically start or end a creative flow state. However, its main intention is to serve as a gentle reminder to take an early break and avoid getting stuck in a mental block. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/55f3a2414c87526d38e58df775840666e8bf56c2a783e08e4462baf77fe80a1f/Webdoku2.jpg" data-mid="239541199" border="0" src="https://freight.cargo.site/w/1000/i/55f3a2414c87526d38e58df775840666e8bf56c2a783e08e4462baf77fe80a1f/Webdoku2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9a955720cbf1688b6636a6fffbe0b29428fea369d9140f507456c7ae3a2c88a9/Webdoku3.jpg" data-mid="239541262" border="0" src="https://freight.cargo.site/w/1000/i/9a955720cbf1688b6636a6fffbe0b29428fea369d9140f507456c7ae3a2c88a9/Webdoku3.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2f85b779fbffbd02e1a2990b77be06df9c3ad452dd4d7536a669494547960fff/Webdoku1.jpg" data-mid="239541261" border="0" src="https://freight.cargo.site/w/1000/i/2f85b779fbffbd02e1a2990b77be06df9c3ad452dd4d7536a669494547960fff/Webdoku1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/55718f4981e425e9dbfdcf606e071e3f14a6b65745b4e050bc25a5728928fdc7/Cenicero_K_Key.png" data-mid="239541269" border="0" src="https://freight.cargo.site/w/1000/i/55718f4981e425e9dbfdcf606e071e3f14a6b65745b4e050bc25a5728928fdc7/Cenicero_K_Key.png" />CENICEROMax Stroh This project addresses a common problem in modern working life. Short breaks at home or in the office often do not feel restful and usually end with people reaching for their mobile phones. The aim is to find a better alternative that effectively reduces stress. The central idea is to use Palo Santo wood during breaks. Also known as ›holy wood‹, Palo Santo has been used for thousands of years by indigenous South American peoples, such as the Incas, in spiritual and healing rituals. The aromatic smoke produced by burning or heating the wood is traditionally used for cleansing rooms energetically and dispelling negative energies. The wood's calming effect is attributed to its high limonene content, which has been proven to relieve stress and anxiety. The goal is to create a simple yet effective activity for breaks. It helps clear your head and improves concentration afterwards, providing a simple alternative to scrolling on your mobile phone. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/1ba8de358d9792b37136c5991385f05356a5e92be91a8449e1728a615e8bc9e1/Cenicero_K_1.png" data-mid="239541267" border="0" src="https://freight.cargo.site/w/1000/i/1ba8de358d9792b37136c5991385f05356a5e92be91a8449e1728a615e8bc9e1/Cenicero_K_1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/69bd87c9e012ae14d74381c59d297b965cc17f65ae74c698c5581e41f882cfed/Cenicero_K_2.png" data-mid="239541268" border="0" src="https://freight.cargo.site/w/1000/i/69bd87c9e012ae14d74381c59d297b965cc17f65ae74c698c5581e41f882cfed/Cenicero_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b1cef3cdfa71c76277e558b8c288282bf12d5e18dc4fed26cdb71fada2afc1ce/Skygge_K_Key.png" data-mid="239541291" border="0" src="https://freight.cargo.site/w/1000/i/b1cef3cdfa71c76277e558b8c288282bf12d5e18dc4fed26cdb71fada2afc1ce/Skygge_K_Key.png" />SKYGGENicole Jansen, Josefine Holmer Skygge was born out of a desire to provide people with a relaxing break from their everyday lives. Through conversations with various individuals, we identified the need for time out in green spaces. This inspired our goal of designing a tool that would enable people to take spontaneous, flexible breaks in the shade right in the city. We wanted to create a product that would be accessible to all, regardless of financial circumstances. This resulted in the concept of access points, where Skygge is made available to residents and visitors free of charge. Financed by local authorities and organisations, the city becomes more liveable for everyone. Using Skygge is quick and easy: simply scan the QR code at the access point to access the website and register for the rental system. Thanks to the electricity generated by solar panels, Skygge can also be used to charge electronic devices on the go. The web application visually conveys the Skygge experience with clear typography, easy-to-understand user guidance, and a consistent colour scheme. The brand thus conveys a feeling of summery lightness and simple handling. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2ad9bb0330543461cf4dca99d481fbaabaa4108ec0fb45c4cd416ab3e4dd2dba/Skygge_K_1.png" data-mid="239541287" border="0" src="https://freight.cargo.site/w/1000/i/2ad9bb0330543461cf4dca99d481fbaabaa4108ec0fb45c4cd416ab3e4dd2dba/Skygge_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/679ca9f5219feb0c6a3306e9c1e95d989844ad24c6baa987db8030d910fc04f4/Skygge_K_3.png" data-mid="239541289" border="0" src="https://freight.cargo.site/w/1000/i/679ca9f5219feb0c6a3306e9c1e95d989844ad24c6baa987db8030d910fc04f4/Skygge_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/cf4e362fa2d447e5bfb90a16cc5aa6d64da17bb3a2736f630bfd55b68092d2f3/Skygge_K_2.png" data-mid="239541288" border="0" src="https://freight.cargo.site/w/1000/i/cf4e362fa2d447e5bfb90a16cc5aa6d64da17bb3a2736f630bfd55b68092d2f3/Skygge_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5c1f5420e5c560e6976bf1ecc94c85bb4d171c916203d05d9284ea5c8c6d382b/Skygge_K_4.png" data-mid="239541290" border="0" src="https://freight.cargo.site/w/1000/i/5c1f5420e5c560e6976bf1ecc94c85bb4d171c916203d05d9284ea5c8c6d382b/Skygge_K_4.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/79c8ba182d848e8febd27a0f35af0a8cc5f3f39efff5b4e0489b1acb4d3bb3bf/Flare_K_Key.png" data-mid="239541346" border="0" src="https://freight.cargo.site/w/1000/i/79c8ba182d848e8febd27a0f35af0a8cc5f3f39efff5b4e0489b1acb4d3bb3bf/Flare_K_Key.png" />FlareJulia Dawn Tirol de Sousa Flare is a kinetic mobile that acts as a mindful timer for people with ADHD. It divides the day into 45-minute work sessions, each followed by a 10-minute break. At the end of each unit, a soft light comes on and the mobile starts to move. These calm movements encourage you to let your gaze wander, helping you to enter a meditative state. By focusing on Flare's gentle movements, users are encouraged to consciously disconnect from their mobile phones and external stimuli, creating a calm and grounded break between tasks. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/92466daab13ca2cb07879147b6377dc17f24361186cbe74d513d85b10b84cbee/Journey-TirolDeSousa.png" data-mid="242660362" border="0" src="https://freight.cargo.site/w/1000/i/92466daab13ca2cb07879147b6377dc17f24361186cbe74d513d85b10b84cbee/Journey-TirolDeSousa.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bcd1b30fcc7721eab49531e1d50626c0b1638f1a104aada38fc3a5f70f2cf59d/Flare_K_1.png" data-mid="239541335" border="0" src="https://freight.cargo.site/w/1000/i/bcd1b30fcc7721eab49531e1d50626c0b1638f1a104aada38fc3a5f70f2cf59d/Flare_K_1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/3450b590e18e2c17d21ddd060e01cd47d921fd627eb80642a3c12c40ea0b35c3/Flare_K_2.png" data-mid="239541343" border="0" src="https://freight.cargo.site/w/1000/i/3450b590e18e2c17d21ddd060e01cd47d921fd627eb80642a3c12c40ea0b35c3/Flare_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/61727b3911d61ae75e33c54f4e3f9966a5d44f57acc89bcf61dd23d969c93f47/Koerper_K_Key.png" data-mid="239541727" border="0" src="https://freight.cargo.site/w/1000/i/61727b3911d61ae75e33c54f4e3f9966a5d44f57acc89bcf61dd23d969c93f47/Koerper_K_Key.png" />Körperl(ich)Isabel Leganyi The starting point for my project was the question: How can I express the signals and sensations of my body and invite others to empathise with my physical experience and consciously perceive their own? I began with guided body meditations. As I tuned into these states, I drew intuitively and directly, without striving for perfection, but rather from the moment. The materials I used included wax crayons, paper, cardboard, and later also a hot glue gun and various textured surfaces. The original plan was to create a large canvas painting with haptic elements. But in the course of the process, I realised that the sketches, artefacts and fragments that emerged during the experimentation already had their own powerful expressiveness. Each drawing became an immediate imprint of a specific physical sensation: spontaneous, uncensored and direct. Instead of working towards a final piece, I consciously decided to collect these intuitive artefacts. The 30 finished drawings represent different states of my body, tension, lightness, pressure, flow – captured in the moment. In this project, I not only learned to feel my body more consciously, but also to actively use breaks by drawing in precisely these moments. Körperl(ich) invites us to refocus on feeling – away from constant thinking, towards the body. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a0cec65d028c66b674936c8fb65b2b0524bd533dfc9d370c7d0fb25840d08f4c/Koerper_K_2.png" data-mid="239541722" border="0" src="https://freight.cargo.site/w/1000/i/a0cec65d028c66b674936c8fb65b2b0524bd533dfc9d370c7d0fb25840d08f4c/Koerper_K_2.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/88b662c4fddc02962778187543ce1278486008e0ecea102b6e28a613e41b43d9/Koerper_K_1.png" data-mid="239541717" border="0" src="https://freight.cargo.site/w/1000/i/88b662c4fddc02962778187543ce1278486008e0ecea102b6e28a613e41b43d9/Koerper_K_1.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d5fb7fc7064252b375f6d2d15895410e8e7f7c14387eb3f02add692cb894ef33/Naehe_K_Key.png" data-mid="239542146" border="0" src="https://freight.cargo.site/w/1000/i/d5fb7fc7064252b375f6d2d15895410e8e7f7c14387eb3f02add692cb894ef33/Naehe_K_Key.png" />Entfernte NäheSebastian Meier Closeness, touch and affection are basic human needs. Yet in today's society, these needs are often met with prejudice, sexualisation and romanticisation. Touch is often only accepted and experienced in romantic sexual relationships, despite the fact that it could be so much more. During the development of a cuddle-object, I created various prototypes and experimented with different materials, sizes and fillings. Magnets sewn into the fingertips and the tops of the hands enable the cuddly toy's hands to interlock and hold each other. The teddy fleece provides structure and depth to the piece, and feels comfortable without being overly synthetic. Abstract patterns are incorporated into the connecting piece between the hands, tying in with the magazine's illustration style. The magazine explores topics such as the biological and psychological effects of touch, and provides an overview of interpersonal touch. It also questions learned rules, values, boundaries and spaces to raise awareness of ourselves and others. Uta Wagener's book Fühlen – Tasten – Begreifen (Feeling – Touching – Understanding) was central to this, providing the basis for the magazine's content accompanying the cuddle-object. As the topic also touches on very personal and intimate levels, I decided to explore it through my own lyrical texts, creating an emotional depth. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bccbaead415f6c73ed489a978e186a6014453863f88d077655430927919d1c4d/Naehe_K_1.png" data-mid="239542143" border="0" src="https://freight.cargo.site/w/1000/i/bccbaead415f6c73ed489a978e186a6014453863f88d077655430927919d1c4d/Naehe_K_1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f587123f3121a35db8d785f3b01550145b9e4e39185be00dd63cd7b1ef0e62d7/Naehe_K_2.png" data-mid="239542145" border="0" src="https://freight.cargo.site/w/1000/i/f587123f3121a35db8d785f3b01550145b9e4e39185be00dd63cd7b1ef0e62d7/Naehe_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1d4309b50268ca94875cf379ad83a63ba80bd7fb28ceff5a164d52a289bf9967/Kopfhoch_K_Key.png" data-mid="239542555" border="0" src="https://freight.cargo.site/w/1000/i/1d4309b50268ca94875cf379ad83a63ba80bd7fb28ceff5a164d52a289bf9967/Kopfhoch_K_Key.png" />kopfhochEmelie Glass This project explores the connection between observation, language, and imagination. Kopfhoch (Head Up) is a workshop box that encourages participants to find stories in the clouds and experience the playful, open-ended nature of writing. The starting point is the question: What happens when you see the sky not just as a weather phenomenon, but as a reflection of your inner life, memories, and imagination? The box is intended for writers, learners and storytellers, and can be used in German lessons as a creative introduction to literary writing, or in therapy as a reflective tool. It contains a magazine with five chapters (including ones on sky gods, clouds on other planets, and idioms related to the sky); cards with narrative prompts; visual cloud shapes that can be used to build narratives (based on methods such as narrative exposure therapy); and cloud Polaroids to inspire you. The box's design is clear and almost ethereal, and its approach is open: it does not seek to guide, but to accompany and make storytelling accessible. Thus, observing the sky becomes an invitation to tell stories, to remember and to transform. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f25d70777ba2f073c890d628381ce1eb07a94a2b1cce5e9f6f3e49e4dd8e259e/Kopfhoch_K_1.png" data-mid="239542545" border="0" src="https://freight.cargo.site/w/1000/i/f25d70777ba2f073c890d628381ce1eb07a94a2b1cce5e9f6f3e49e4dd8e259e/Kopfhoch_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a460a5b4602cd73cb7ea17bdc24235b8488fa2bf0f9884bfa8f4ea0bb837a868/Kopfhoch_K_3.png" data-mid="239542554" border="0" src="https://freight.cargo.site/w/1000/i/a460a5b4602cd73cb7ea17bdc24235b8488fa2bf0f9884bfa8f4ea0bb837a868/Kopfhoch_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/c8cc61e540fff064a07849fe8b4c518ae4ab6124824798f2b8b8cdcae560d77f/Kopfhoch_K_2.png" data-mid="239542550" border="0" src="https://freight.cargo.site/w/1000/i/c8cc61e540fff064a07849fe8b4c518ae4ab6124824798f2b8b8cdcae560d77f/Kopfhoch_K_2.png" /> ↘ <img width="1920" height="1079" width_o="1920" height_o="1079" data-src="https://freight.cargo.site/t/original/i/3713b661a366eb0f3bb9af4bbd4c71e3a2f6fa84a1f5ec79d04f09924f67b2b7/webdoku-JuleDerra5.jpg" data-mid="242660578" border="0" src="https://freight.cargo.site/w/1000/i/3713b661a366eb0f3bb9af4bbd4c71e3a2f6fa84a1f5ec79d04f09924f67b2b7/webdoku-JuleDerra5.jpg" />EskapismusJule Derra Zwischen Traumwelt und Realität Escapism is the act of fleeing from reality, often by immersing oneself in books, films or stories. For a moment, we immerse ourselves in another world and leave everyday life behind. This is completely normal, and even healthy. Escapism can provide a retreat, inspiration and a creative space. However, in an increasingly digital world with constant sensory overload, we are drawn ever deeper into a maelstrom of other realities. Social media plays a dual role here: on the one hand, it overwhelms us with an endless stream of information; on the other hand, it offers us a refuge where we can immerse ourselves in the most bizarre online communities. Escapism has many beautiful, almost magical aspects. It nourishes artistic creation and opens doors to other worlds of thought and dreams. However, it is a delicate balance. How much escapism constitutes self-care, and at what point does it become an avoidance of responsibility? How much withdrawal is necessary, and how much is comfortable, or even selfish? I want to celebrate the optimistic, perhaps even naive, side of escapism, but also encourage reflection. We should reflect on our digital behaviour, our longings, and what it means today to really immerse ourselves. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eecf772e1b5123480be3d476a48e8af8c30ec83fea448922fe4580f1a47d72ac/Eskap_K_Key.png" data-mid="239543607" border="0" src="https://freight.cargo.site/w/1000/i/eecf772e1b5123480be3d476a48e8af8c30ec83fea448922fe4580f1a47d72ac/Eskap_K_Key.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/59a492690942951ab17005be12b94c7747ba2fdf3279404cdbb71b2ccaec8711/Eskap_K_2.png" data-mid="239543600" border="0" src="https://freight.cargo.site/w/1000/i/59a492690942951ab17005be12b94c7747ba2fdf3279404cdbb71b2ccaec8711/Eskap_K_2.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2113529827e60e49fcc4eb1f88e08b5e6dd8969696be01eb0acb626796d84e4d/Eskap_K_1.png" data-mid="239543592" border="0" src="https://freight.cargo.site/w/1000/i/2113529827e60e49fcc4eb1f88e08b5e6dd8969696be01eb0acb626796d84e4d/Eskap_K_1.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/445a13f177e68d03f15d7ce0abdc9424f3601d277225bde0dd3011af09a302ef/webdoku-JuleDerra4.jpg" data-mid="242660574" border="0" src="https://freight.cargo.site/w/1000/i/445a13f177e68d03f15d7ce0abdc9424f3601d277225bde0dd3011af09a302ef/webdoku-JuleDerra4.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a33830eb2d1f827d2606e8428db9bbb1619dff1403d6bbac66e443be14a5c59b/Lunalay_K_Key.png" data-mid="239544397" border="0" src="https://freight.cargo.site/w/1000/i/a33830eb2d1f827d2606e8428db9bbb1619dff1403d6bbac66e443be14a5c59b/Lunalay_K_Key.png" />LUNALAYKatharina Gorbach ›Switch the mood – keep the mode!‹ LUNALAY is an interactive lamp with three intuitive light modes to support the transition from day to night: Relaxing Mode, Reading Mode, and Sleeping Mode. The lighting promotes stillness, relaxation and calm, inviting you to disconnect from your everyday thoughts and ease into a restful state. Two rotatable spheres create a unique play of lights: One has a textured surface inspired by kaleidoscopes and creates warm ambient light patterns. The other has a smooth surface and provides neutral, focused reading light. A touch sensor on the base allows you to switch between modes. The light elements are modular, height-adjustable and replaceable. A ball joint enables the light to be focused as required for either direct or indirect illumination. Drawing inspiration from natural light phenomena, LUNALAY creates atmospheric effects on surrounding walls. The lenses of the spheres were 3D-printed and tested in multiple iterations to fine-tune the light effect and quality. Combining thoughtful design with calming visual effects, LUNALAY becomes a personal evening companion, providing more than just light – it is a gentle guide to sleep. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e3be25b8672370d288c93567695575702c32ea1506d54b4ffc2bdb2301290695/Lunalay_K_1.png" data-mid="239544384" border="0" src="https://freight.cargo.site/w/1000/i/e3be25b8672370d288c93567695575702c32ea1506d54b4ffc2bdb2301290695/Lunalay_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d7de25133b812ea54dce9c9511a3674605f10f2755c79d28bdca1e243457c147/Lunalay_K_3.png" data-mid="239544393" border="0" src="https://freight.cargo.site/w/1000/i/d7de25133b812ea54dce9c9511a3674605f10f2755c79d28bdca1e243457c147/Lunalay_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bdfc625f188c259fdd9d94ac5c449f5ae913c1273c02e02d9da32379ee3a3dbb/Lunalay_K_2.png" data-mid="239544389" border="0" src="https://freight.cargo.site/w/1000/i/bdfc625f188c259fdd9d94ac5c449f5ae913c1273c02e02d9da32379ee3a3dbb/Lunalay_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/95bf6d2ca2402f82d5257bcd64318706fd7b534339f9ce8c6a1c2435e1016e4b/Lunalay_K_4.png" data-mid="239544396" border="0" src="https://freight.cargo.site/w/1000/i/95bf6d2ca2402f82d5257bcd64318706fd7b534339f9ce8c6a1c2435e1016e4b/Lunalay_K_4.png" /> https://digitalpractices.cargo.site/Closeness-X-Distance Tue, 14 Jan 2025 15:27:47 +0000 fg.digital-practices https://digitalpractices.cargo.site/Closeness-X-Distance ↘ CLOSENESS ACROSS DISTANCE 4000 Miles (2) »We are like islands in the sea, separate on the surface but connected in the deep.«&nbsp;– William James, American Philosopher and Psychologist Feeling connected tethers humans to the the earth. We search for shared threads that tie us to one another as we cast our mighty nets in attempts to capture a sense of togetherness. This innate need to feel a sense of community and belonging has prompted technological advancements that help humans transcend obstacles like time and physical distances. The contemporary understanding of proximity and nearness reflects a cultural shift as community is no longer defined by place, and with technology, we are able to maintain personal contact and presence over vast distances. Existing solutions, such as messenger services and video conferencing systems,&nbsp; tend to focus on direct communication, primarily providing efficient and explicit exchange of information. However, social relationships require more subtle, versatile, and sensory ways of communicating and expressing emotions. (1) The concept of closeness can be examined figuratively and metaphorically, for it encompasses the following: (A) the state of being only a short distance or separation in terms of space or time; (B) the kind of affection or intimacy in a relationship; (C) the attentive and thorough way of being (2). Within the course, students explored these different lenses through observation, creativity, and artistic production. The aim was to explore and develop concepts that enable the maintenance of meaningful social relationships across spatial distances, which drive and strengthen participation, neighborliness, cooperation and solidarity within a transcontinental community. (1) BMBF. (2021, November 26) Bekanntmachung der Richtlinie zur Förderung von Projekten zum Thema „Nähe über Distanz – Mit interaktiven Technologien zwischenmenschliche Verbundenheit ermöglichen“. Bundesministerium für Bildung und Forschung ↗&nbsp; (2) Oxford Learner’s Dictionaries. (n.d.). Closeness. In www.oxfordlearnersdictionaries.com ↗ Retrieved September 4, 2024 The short term project is part of the Virtual Global Learning Exchange (VGLE). Bridging two institutions on two continents and two time zones, it aims to promote intercultural exchange and Blended Learning, focusing on linking physical and virtual learning environments for art and design practice. The teams consist of students of different senorities from the first to the seventh semester. The course culminated in a visual art and design exhibition ↗ at the Faculty of Design Würzburg. Take a virtual tour ↗.The course is a cooperation of Prof. Sydney Craig ↗ (Herron) and Prof. Judith Glaser.&nbsp; Winter Term 2023/24 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d707794000a3831b54dc66e4933220b2590e1f379f4b3768a7e12c174b12ec0b/DinnerTime-1.jpg" data-mid="227399568" border="0" src="https://freight.cargo.site/w/1000/i/d707794000a3831b54dc66e4933220b2590e1f379f4b3768a7e12c174b12ec0b/DinnerTime-1.jpg" />Dinner TimeRaquel Romero, Lea Geldmacher, Taya Johnson,&nbsp;Madisyn Bryant&nbsp; Whether it‘s a weekend brunch or a quick weeknight dinner, the benefits ofcoming Together around the table are undeniable. It strengthens our friendships, family connections and has a lot of positive effects on our wellbeing. The magazine Dinner Time features four unique dinners from different cultures around the world. While each meal and setting is different, they all have one thing in common: they bring people together. What food was on the table? Did each guest bring a dish? How was the Vibe of the dinner? What did they talk about? Each Team Member took photos of the dinner event and designed their own pages afterwards writing about the evening and the experience. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2486185d8cc3f78f321f6911faad43a5d28cd0ea0bc44ad4d7370dfed9006fc4/DinnerTime-3.png" data-mid="227400076" border="0" src="https://freight.cargo.site/w/1000/i/2486185d8cc3f78f321f6911faad43a5d28cd0ea0bc44ad4d7370dfed9006fc4/DinnerTime-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5409fa678797862daf66dee17f3d1103874deb68c793de4726aa9d9a2ba8d35a/DinnerTime-4.png" data-mid="227400077" border="0" src="https://freight.cargo.site/w/1000/i/5409fa678797862daf66dee17f3d1103874deb68c793de4726aa9d9a2ba8d35a/DinnerTime-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/493398c47e5821e86cd1affa1705dcd131236a2df3bc053054c9d7da81b36749/DinnerTime-2.png" data-mid="227400075" border="0" src="https://freight.cargo.site/w/1000/i/493398c47e5821e86cd1affa1705dcd131236a2df3bc053054c9d7da81b36749/DinnerTime-2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d77a19e00acf3885b8eb7d62636b9eef9fa556024c0f55d539b0c01da44830f/ASharedJourney-1.jpg" data-mid="228372411" border="0" src="https://freight.cargo.site/w/1000/i/7d77a19e00acf3885b8eb7d62636b9eef9fa556024c0f55d539b0c01da44830f/ASharedJourney-1.jpg" />A Shared Journey Mira Render, Isabel Leganyi, Anthony Stewart, Anastasia Gabidullina, Amberly Gonzalez&nbsp; Exploring the theme ›closeness across distance‹, the project blends the literal act of ›falling into place‹ with the figurative journey of finding belonging. Each piece reflects a unique and personal story of transition, exploring the emotional and physical journeys of moving from one place to another. As the pieces come together, they symbolize the shared experiences of navigating change, bridging cultural divides, and creating closeness despite distance. Created by students from two different continents, the puzzle reflects a collective narrative of unity through collaboration and serves as both a literal mechanism and a metaphor for finding connection. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/34875844f2624371792d8df3ab8835a9555a6d753e6c55edca807ca4f1085a1f/ASharedJourney-2.png" data-mid="228372940" border="0" src="https://freight.cargo.site/w/1000/i/34875844f2624371792d8df3ab8835a9555a6d753e6c55edca807ca4f1085a1f/ASharedJourney-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7c805e29f83c2a299d32d7a846619899c69babf62615c546b784efb5dc5642e7/ASharedJourney-3.png" data-mid="228372972" border="0" src="https://freight.cargo.site/w/1000/i/7c805e29f83c2a299d32d7a846619899c69babf62615c546b784efb5dc5642e7/ASharedJourney-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cca76e9e4ee31c8d5c490bd1b8a322dec1f38ca41ccd2a7edd91587e73a29623/Nostalgia-1.jpg" data-mid="228373464" border="0" src="https://freight.cargo.site/w/1000/i/cca76e9e4ee31c8d5c490bd1b8a322dec1f38ca41ccd2a7edd91587e73a29623/Nostalgia-1.jpg" />NostalgiaCelina Smidelius, Judith Beßendörfer, Sam Martinez, Kayla Evans, Jasmine Terrell »Nostalgia is a way of connecting our past to our present, offering warmth and familiarity in a changing world.« Our subproject, Nostalgia, revolves around the creation of a flipbook that explores the emotional depth of shared memories. Nostalgia is a powerful, universal experience that bridges generations and cultures, allowing individuals to reconnect with their past and find commonalities with others. By capturing moments that define childhood—music, outdoor play, media/TV shows, food, and the senses (smell, sight, taste, hearing, and touch)—we create a tangible representation of how memory shapes identity. This project is rooted in the idea that nostalgia fosters human connection, even across vast distances. While modern technology enables communication, it often lacks the sensory depth needed to evoke true emotional closeness. Through a playful and artistic approach, our flipbook highlights how simple, everyday experiences can trigger deep feelings of warmth, familiarity, and shared humanity. Each page invites the viewer to engage with textures, visuals, and themes that bring personal and collective memories to life. By translating nostalgia into a creative medium, we aim to demonstrate its role in shaping relationships, cultural heritage, and personal reflection. Regardless of where we grew up, childhood memories hold significance, reminding us that while we may be separated by geography, we remain deeply connected through the emotions that define us. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/58c95abb74f36c421f84d111863ef781a60da2f48a8e7b7817545f6b08c15a6f/Nostalgia-3.png" data-mid="228373463" border="0" src="https://freight.cargo.site/w/1000/i/58c95abb74f36c421f84d111863ef781a60da2f48a8e7b7817545f6b08c15a6f/Nostalgia-3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fb94f0867a8bdf352212b00abfb03ae924716bedcea69e853b9f724451f48185/Nostalgia-2.jpg" data-mid="228373465" border="0" src="https://freight.cargo.site/w/1000/i/fb94f0867a8bdf352212b00abfb03ae924716bedcea69e853b9f724451f48185/Nostalgia-2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8a863872c4f81915bcbe89e1b05046578d3a90bd60f1abaef3ac23402b2078db/PulseOfUs-1.jpg" data-mid="228375307" border="0" src="https://freight.cargo.site/w/1000/i/8a863872c4f81915bcbe89e1b05046578d3a90bd60f1abaef3ac23402b2078db/PulseOfUs-1.jpg" />Pulse of UsAnna Kremzer, Kata Kozák, Carmen González Castilla, Philip Hedges, Sam Rittenberry Pulse of Us is an interactive project that represents the idea of emotional closeness between people across the globe. Addressing the growing presence of video surveillance, the project investigates how shared emotions can create a sense of connection. To demonstrate its functionality, the project focuses on six core emotions: anger, happiness, sadness, surprise, fear, and disgust. Using facial recognition technology, the project captures and interprets emotional expressions, translating them into abstract visual shapes that represent emotional exchanges. These visuals are then displayed in real-time, enabling participants to connect through shared emotions, even at a distance. Pulse of Us explores the intersection of technology, emotion, and connection, encouraging a deeper understanding of our shared humanity. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b78d48f2363137dc9758a449e23d78d467dcc901619367551a4ea045128d43e3/PulseOfUs-2.jpg" data-mid="228375309" border="0" src="https://freight.cargo.site/w/1000/i/b78d48f2363137dc9758a449e23d78d467dcc901619367551a4ea045128d43e3/PulseOfUs-2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/14a4379b2d06c503f5943574a932d2de6ac223df787ee228e0651a388a68f18c/PulseOfUs-4.png" data-mid="229255670" border="0" src="https://freight.cargo.site/w/1000/i/14a4379b2d06c503f5943574a932d2de6ac223df787ee228e0651a388a68f18c/PulseOfUs-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fb50a828be991a3b67b3eb82725a03b9f67bd4cc34db856537ea7c2ff6f9fe06/PulseOfUs-3.jpg" data-mid="228375311" border="0" src="https://freight.cargo.site/w/1000/i/fb50a828be991a3b67b3eb82725a03b9f67bd4cc34db856537ea7c2ff6f9fe06/PulseOfUs-3.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f81f69b521ccf8cd6cef8a4975c917084a980bdffd2b02ab145044ea969e1285/Weltschmerz-1.png" data-mid="228378445" border="0" src="https://freight.cargo.site/w/1000/i/f81f69b521ccf8cd6cef8a4975c917084a980bdffd2b02ab145044ea969e1285/Weltschmerz-1.png" />WeltschmerzShannon Kruse, Paula Appel, Cara Clark, Kyleigh Long, Mike Mabes&nbsp; Visualizing Collective Sorrow Weltschmerz is a german word for the experience of melancholy and weariness towards the state of the world. It refers to the emotional weight that comes from comparing the world as it is with an idealized version of how it could be. In today’s digital age, this feeling is often amplified by the constant flow of news and media, leaving many overwhelmed or disheartened by global events. In times of war, climate crisis, rising numbers of femicides, right wing politicians gaining power Weltschmerz can arise quickly. But how do people experience Weltschmerz? What emotions does it evoke? And how do they perceive the world in its current state? This Project is an attempt to visualize Weltschmerz as collective sorrow. We asked people to choose one emoji to represent their feelings and write a short explanation why they chose this specific emoji. These collected responses formed the basis of our project – a mobile that brings the abstract concept of Weltschmerz into a physical, moving form. The answers are as diverse as the feeling itself. The hanging mobile shows the collected emojis translated into symbols that show Weltschmerz in all its facets – sadness and helplessness as well as feelings of hope and longing. We aim to visualize the emotional state of our time, making the intangible experience of world-weariness both visible and tangible. The result is a constantly shifting representation of collective emotions, reflecting how Weltschmerz moves through and shapes our perception of the world. We invite you to think and explore your own experience of Weltschmerz. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dd405e0bc4b705a5c51b893a7d765d83e46e456f61d19c7d6301996b27380295/Weltschmerz-2.png" data-mid="228378446" border="0" src="https://freight.cargo.site/w/1000/i/dd405e0bc4b705a5c51b893a7d765d83e46e456f61d19c7d6301996b27380295/Weltschmerz-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cdf3d4678121e00f188a9b7e0b82f52238777ab105d01975cd91c07b2dfc6d22/weltschmerz-4.jpg" data-mid="228603723" border="0" src="https://freight.cargo.site/w/1000/i/cdf3d4678121e00f188a9b7e0b82f52238777ab105d01975cd91c07b2dfc6d22/weltschmerz-4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6111a9377acb3b9165042a23be7cdf89212fb2f59bf8c587e9f6ca6d12923985/weltschmerz-5.png" data-mid="228603724" border="0" src="https://freight.cargo.site/w/1000/i/6111a9377acb3b9165042a23be7cdf89212fb2f59bf8c587e9f6ca6d12923985/weltschmerz-5.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/63a6d2080ad5630c294e68346bf90d7090a1881416066f6c1e554f832014a2c2/weltschmerz-7.gif" data-mid="228603725" border="0" src="https://freight.cargo.site/w/1000/i/63a6d2080ad5630c294e68346bf90d7090a1881416066f6c1e554f832014a2c2/weltschmerz-7.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5f978540f2146d627359843b4e2403f53f2e8f80b7df9534d13f950bdc495c3c/ParallelWorlds-1.png" data-mid="228725662" border="0" src="https://freight.cargo.site/w/1000/i/5f978540f2146d627359843b4e2403f53f2e8f80b7df9534d13f950bdc495c3c/ParallelWorlds-1.png" />ParallelWorldsBawi Sul, Jordan Cornelius, Varinia Koenig, Ananda Aldonza This project aims to reflect the importance of memories and experiences that connect us with others. Each square on the scarf symbolizes a significant moment, while the colors represent different aspects of life: pets, achievements, love, family, childhood, and more. The more squares the scarf has, the greater the number of accumulated experiences, turning it into a tangible symbol of the emotional and personal richness of its owner. Each fragment tells a story, highlighting the value of the connections and moments that shape our lives. &nbsp; <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4788b09b507577dff941ebcba2b12d665f910f3370814d3a7ec0d0f811e51981/ParallelWorlds-2.png" data-mid="228725663" border="0" src="https://freight.cargo.site/w/1000/i/4788b09b507577dff941ebcba2b12d665f910f3370814d3a7ec0d0f811e51981/ParallelWorlds-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6e077d0460c96c2998fa842f35cf15bcde3fef794261ddcdcff2a052dd263149/ParallelWorlds-3.png" data-mid="228725664" border="0" src="https://freight.cargo.site/w/1000/i/6e077d0460c96c2998fa842f35cf15bcde3fef794261ddcdcff2a052dd263149/ParallelWorlds-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/015ee46f9fa1b374a0044f1d4efa0685f9ffcdc9b07b466d3b5c282dd5d433f6/layers-of-connection-1.png" data-mid="228903763" border="0" src="https://freight.cargo.site/w/1000/i/015ee46f9fa1b374a0044f1d4efa0685f9ffcdc9b07b466d3b5c282dd5d433f6/layers-of-connection-1.png" />Layers of ConnectionIsabella Adelt, Julia Dawn Tirol de Sousa, Isaac Chaifetz A Sci-Fi Puzzle Layers of Connection is a collaborative art piece created by three illustrators from different parts of the world. Like puzzle pieces, we brought together our distinct art styles—digital and analog—to create a sci-fi universe filled with genetically modified humans and creatures. The artwork consists of six acrylic plates, each layer adding depth and complexity. The first layers explore dual collaborations, where we learned to adapt and merge our ideas. The final layers bring all three styles together, forming a bustling metro scene where diverse characters coexist and interact. &nbsp;This project celebrates the beauty of difference and collaboration, showing how unique perspectives can connect and build something truly meaningful. Each layer, like each artist, is essential—together creating a rich, layered story of shared creativity and empathy. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8e2e6efcacf9d5fc665095f86a09bed9a37f1e1a46652c2fd89aae275868c824/layers-of-connection-3.png" data-mid="228903765" border="0" src="https://freight.cargo.site/w/1000/i/8e2e6efcacf9d5fc665095f86a09bed9a37f1e1a46652c2fd89aae275868c824/layers-of-connection-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0faeabda3d9bc4b9a49c3991a917d4c425f9e7a499bffe729d8aa7476276d661/layers-of-connection-4.png" data-mid="228903766" border="0" src="https://freight.cargo.site/w/1000/i/0faeabda3d9bc4b9a49c3991a917d4c425f9e7a499bffe729d8aa7476276d661/layers-of-connection-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d116e2e26055d323e4364baab47023cc4b46bd31744b8af95777f37f121b7b2d/layers-of-connection-5.gif" data-mid="228903908" border="0" src="https://freight.cargo.site/w/1000/i/d116e2e26055d323e4364baab47023cc4b46bd31744b8af95777f37f121b7b2d/layers-of-connection-5.gif" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d82a514554b7342c8f97f07e9d802561f1362c2937139f1eb524e7ca70545cc7/layers-of-connection-2.png" data-mid="228903764" border="0" src="https://freight.cargo.site/w/1000/i/d82a514554b7342c8f97f07e9d802561f1362c2937139f1eb524e7ca70545cc7/layers-of-connection-2.png" /> https://digitalpractices.cargo.site/PlaceMakingPlace Tue, 14 Jan 2025 08:27:24 +0000 fg.digital-practices https://digitalpractices.cargo.site/PlaceMakingPlace ↘ PLACE— MAKING— PLACENew approaches to the city. What is the significance of a place for the people who use it? What motivates people to live in a place, to appropriate it, to get involved, to care for it? The term placemaking covers various theories and approaches to the planning, design and management of public spaces. The aim is to create public spaces that improve urban coexistence and promote the health, happiness and well-being of its inhabitants. Special attention is paid to the potential and inspiration of a local community. Unused space is (re) used to change the human experience of a place, ultimately a city, and thus shape new behaviors (1). Using the example of the THWS Sanderheinrichsleitenweg (SHL) campus as a (semi-)public space, the potential of the courtyard for our community, our togetherness and our SHL microcosm was explored in concrete terms. Prototypes were used to deliberately test aspects of production, usability and lifecycles of products, as well as the narratives and visions surrounding places. (1) A three-part series of workshops&nbsp;↗ with the artist Katharina Lüdicke&nbsp;↗ took place as part of the course. Urban space was explored using ad hoc interventions.&nbsp;Supervision Prof. Judith Glaser Winter Term 2024/25 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8203b43a584a0297da91a39ccb115c8526af52bc9722d536e50b6ea834ff4440/gesehen-ignoriert-1.png" data-mid="228412110" border="0" alt="Luca Hurrle, Sebastian Meier" data-caption="Luca Hurrle, Sebastian Meier" src="https://freight.cargo.site/w/1000/i/8203b43a584a0297da91a39ccb115c8526af52bc9722d536e50b6ea834ff4440/gesehen-ignoriert-1.png" />Gesehen &amp; Ignoriert Luca Hurrle, Sebastian Meier Wir möchten mit euch über Wohnungslosigkeit sprechen – ein Thema, das in unserer Gesellschaft oft übersehen wird. Es begegnet uns tagtäglich und erhält dennoch viel zu wenig Aufmerksamkeit. In diesem Podcast&nbsp;↗ haben wir mit Menschen aus verschiedenen Organisationen und wichtigen Strukturen gesprochen, um einen Einblick in ihre alltägliche Arbeit zu bekommen und unterschiedliche Perspektiven zu beleuchten – ehrlich, respektvoll und auf Augenhöhe. Unsere Gesprächspartner*innen kamen aus vielfältigen Bereichen: der Wärmestube, der Bahnhofsmission, der Anlaufstelle Underground, dem Haus Antonia Werr, der Elisabethstube der Erlöserschwestern sowie der Zentralen Beratungsstelle für Wohnungslose. Uns war es wichtig, ein möglichst umfassendes Bild der Hilfsstrukturen aufzuzeigen und Menschen zum aktiven Handeln zu motivieren. Einen weiteren Perspektivwechsel bekommen die Zuhörer*innen durch Gespräche mit Menschen, die noch keinerlei Berührungspunkte mit diesem Thema hatten. Um auf das projekttragende Medium aufmerksam zu machen, haben wir verschiedene Plakatentwürfe entwickelt. Da wir eine breite Zielgruppe ansprechen möchten, haben wir uns für ein cleanes, ein verspieltes und ein poppiges Design entschieden. In einem Faltblatt wird man durch das Projektkonzept und weitere Informationen geführt. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/48f0b96cb0fe33fdbb9b5f5aa29e4556f5d79cfdccf11576f3dcdb8f8a54d641/gesehen-ignoriert-3.png" data-mid="228412112" border="0" alt="Luca Hurrle, Sebastian Meier " data-caption="Luca Hurrle, Sebastian Meier " src="https://freight.cargo.site/w/1000/i/48f0b96cb0fe33fdbb9b5f5aa29e4556f5d79cfdccf11576f3dcdb8f8a54d641/gesehen-ignoriert-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4c92d51033c7205b176ad9f6f2db1ae359929c903ce08271d9662f0b00d0d8ad/gesehen-ignoriert-4.png" data-mid="228412662" border="0" src="https://freight.cargo.site/w/1000/i/4c92d51033c7205b176ad9f6f2db1ae359929c903ce08271d9662f0b00d0d8ad/gesehen-ignoriert-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3d3aaae29446557242074ce40bdda0bececafe797f40b4067cbb6a93d6e88c34/gesehen-ignoriert-2.png" data-mid="228412111" border="0" alt="Luca Hurrle, Sebastian Meier " data-caption="Luca Hurrle, Sebastian Meier " src="https://freight.cargo.site/w/1000/i/3d3aaae29446557242074ce40bdda0bececafe797f40b4067cbb6a93d6e88c34/gesehen-ignoriert-2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c5624042d873f608c6e60787fd057e4e88f2ec5075d3bb7ef13daf2382fcca4c/DIY-kitchen-1.png" data-mid="228413586" border="0" src="https://freight.cargo.site/w/1000/i/c5624042d873f608c6e60787fd057e4e88f2ec5075d3bb7ef13daf2382fcca4c/DIY-kitchen-1.png" />DIY Kitchen SolutionsBayan Shannak&nbsp; As an exchange student in Germany, one of my biggest challenges was adapting to small living spaces, particularly the limited kitchen counter. Cooking in such a cramped area was frustrating and time-consuming. The main struggles I faced were the small counter itself and the hot stove, which took a long time to cool down, making it difficult to manage space efficiently. To address these issues, I developed a project that focuses on two key aspects: maximizing counter functionality and creating a practical solution for the lingering heat from the stove. My goal is not just to design a product but to emphasize the idea of using existing materials creatively. I want to inspire other students facing similar challenges to customize their spaces based on their specific needs without relying on costly solutions.&nbsp;When designing the product, I first identified my personal needs. I wanted a safe and comfortable way to cover the stove, allowing me to utilize that space when it wasnít in use. Additionally, I needed a convenient place to store my cooking utensils, such as spatulas and spoons, for easy access. Another consideration was finding a suitable spot to hang onions and other vegetables stored in mesh bags, as my small kitchen lacked proper storage. This project serves as a practical example of how small, thoughtful modifications can improve the cooking experience in tiny kitchens. Rather than focusing on the final product, my aim is to encourage students to rethink and optimize their spaces by making the most of what they already have. With creative problem-solving, even the most limited kitchen setup can become more functional and efficient. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/12a308e13ead60dbd99b783231e9b9b88acebe562cbd1855d34e4928173a1094/DIY-kitchen-2.png" data-mid="228413589" border="0" src="https://freight.cargo.site/w/1000/i/12a308e13ead60dbd99b783231e9b9b88acebe562cbd1855d34e4928173a1094/DIY-kitchen-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/03a8784fec2f977041e9c999a3aa421e15a675b91018a2e8dd7261cf1e0085dd/DIY-kitchen-3.png" data-mid="228413590" border="0" src="https://freight.cargo.site/w/1000/i/03a8784fec2f977041e9c999a3aa421e15a675b91018a2e8dd7261cf1e0085dd/DIY-kitchen-3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e76a986792ecb9590573a9817422f103a6bd4628f479e5e24d8a5de7767a24d0/DIY-kitchen-4.png" data-mid="228413591" border="0" src="https://freight.cargo.site/w/1000/i/e76a986792ecb9590573a9817422f103a6bd4628f479e5e24d8a5de7767a24d0/DIY-kitchen-4.png" /><img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/447b6bf0c4e016c781a50891b155757ebfd2f2d9376e81254159b3295257c952/DIY-kitchen-5.gif" data-mid="228413587" border="0" src="https://freight.cargo.site/w/800/i/447b6bf0c4e016c781a50891b155757ebfd2f2d9376e81254159b3295257c952/DIY-kitchen-5.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/65e8dad4272942234e0b374d61482083003c7c7d021a04700d3fa0407c76746d/stadt-halten-3.png" data-mid="228603821" border="0" src="https://freight.cargo.site/w/1000/i/65e8dad4272942234e0b374d61482083003c7c7d021a04700d3fa0407c76746d/stadt-halten-3.png" />stadt haltenFranziska Schön , Sophia Böhm, Viola Messner&nbsp; Our project aims to get people waiting at bus stop out of their daily routine and tunnel vision. To achieve this, we chose the Mainfrankentheater bus stop and intervened on-site with three different installations: a tic-tac-toe game, a board to note down New Year’s wishes, and a speaker featuring various music genres. Both our observations and interviews with participants revealed that we achieved our goal. The entire process was visuallized and documented in the magazine stadt halten. This publication captures the reactions and atmosphere at the bus stop, making them relatable. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/39b502a8c464d88f82e00dfa1c97218d0cb55b295912290b3ae45c1cad3dd37a/stadt-halten-1.jpg" data-mid="228603816" border="0" src="https://freight.cargo.site/w/1000/i/39b502a8c464d88f82e00dfa1c97218d0cb55b295912290b3ae45c1cad3dd37a/stadt-halten-1.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/212f79c7830af7236ce4e1fca94bc4403212814b1297ac1aba7fb4c1ae5928c2/stadt-halten-4.png" data-mid="228603822" border="0" src="https://freight.cargo.site/w/1000/i/212f79c7830af7236ce4e1fca94bc4403212814b1297ac1aba7fb4c1ae5928c2/stadt-halten-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8d44ccd070e170fbcb55d05554eecd1af95f816a6f86c4426a7f674f7271ee55/stadt-halten-2.png" data-mid="228603819" border="0" src="https://freight.cargo.site/w/1000/i/8d44ccd070e170fbcb55d05554eecd1af95f816a6f86c4426a7f674f7271ee55/stadt-halten-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f06759a5b940813c714de5b1c2d0895b55456bf0c04f99f6d14a848041891210/stadt-halten-5.gif" data-mid="228603820" border="0" src="https://freight.cargo.site/w/1000/i/f06759a5b940813c714de5b1c2d0895b55456bf0c04f99f6d14a848041891210/stadt-halten-5.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/791a358c04cfa0317a1ead94f336372f6e5d4f06897ab056ff2d812c8803f91f/hoerensagen-1.png" data-mid="228603940" border="0" src="https://freight.cargo.site/w/1000/i/791a358c04cfa0317a1ead94f336372f6e5d4f06897ab056ff2d812c8803f91f/hoerensagen-1.png" />hœrensagenJulia Baisch&nbsp;↗ Oh, Würzburg – manchmal ist es so schwer, Veranstaltungen zu finden, vor allem, wenn man nicht weiß, wo man suchen soll. Mir ist aufgefallen, dass es in den meisten Städten – so auch in Würzburg – keine Plattform für kleine und alternative Veranstaltungen gibt. Wenn du nicht in der Szene bist, ist es nahezu unmöglich, die versteckten Orte zu entdecken. Dieses Problem besteht auf beiden Seiten: Nicht nur die Suchenden, sondern auch die Veranstaltenden wissen oft nicht, wie und wo sie ihr Publikum erreichen können. Genau hier setze ich an. Meine Aufgabe ist es, diese beiden Gruppen auf einer Plattform zusammenzuführen. Was hebt hoerensagen von anderen Plattformen ab? Veranstaltende haben die Möglichkeit, schnell und unkompliziert Inserate hochzuladen. Oft fehlt es an Zeit und Ressourcen – genau deshalb übernimmt meine Plattform auch die Erstellung von Werbemitteln und Designs. Durch einfaches Anklicken von Keywords wird automatisch eine passende Grafik generiert, die sich nahtlos in das standardisierte Layout einfügt. Neben den digitalen Grafiken können auch analoge Werbemittel wie Flyer, Poster und Sticker bestellt werden. hoerensagen passiert meist unter Freunden oder Bekannten – und genau dieses Gefühl spiegelt sich in der Plattform wider. Die Sprache ist freundschaftlich, locker und nahbar. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c6da035a5fb19951c1f15b13bd912bde1d7f513f7e43914851b13fa225fd7fe7/hoerensagen-2.png" data-mid="228603941" border="0" src="https://freight.cargo.site/w/1000/i/c6da035a5fb19951c1f15b13bd912bde1d7f513f7e43914851b13fa225fd7fe7/hoerensagen-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b18f11dce1368099a2606f417cfe9f25baf917492c54f078201565513c89cd33/hoerensagen-4.png" data-mid="228603944" border="0" src="https://freight.cargo.site/w/1000/i/b18f11dce1368099a2606f417cfe9f25baf917492c54f078201565513c89cd33/hoerensagen-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cb942489fde588905553db1397fa4068bfde5d7f0e40f74553889210cc8c7309/hoerensagen-3.png" data-mid="228603943" border="0" src="https://freight.cargo.site/w/1000/i/cb942489fde588905553db1397fa4068bfde5d7f0e40f74553889210cc8c7309/hoerensagen-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1562dfef0b6e44cb43f72d7d91896d486aa95a4fc92f65ad366f27077a5808bf/FlexBench-1.png" data-mid="228604488" border="0" src="https://freight.cargo.site/w/1000/i/1562dfef0b6e44cb43f72d7d91896d486aa95a4fc92f65ad366f27077a5808bf/FlexBench-1.png" />FlexBenchJulius Gerber Die Grundidee für dieses Projekt entstand im vorherigen Semester im Rahmen eines Kurses, der sich mit Möbeln für die THWS beschäftigte. Bereits dort experimentierte ich mit Gurten als flexibles Möglichkeiten zur Anpassungsfähigkeit von Sitzmöbeln. Diese ersten Überlegungen und Materialien bildeten die Basis für die Weiterentwicklung hin zu einer modularen Sitzmöglichkeit, die sich dynamisch an verschiedene Formen anpasst. Der Entstehungsprozess begann mit ersten Skizzen, um verschiedene Ansätze für eine flexible Sitzlösung zu erkunden. Dabei spielte die Verbindung aus Holzstreben und Gurten eine zentrale Rolle. Nach der Skizzenphase fertigte ich ein kleines Modell aus Pappe, um die Funktionalität und Mechanik in einem ersten physischen Test nachvollziehen zu können. Um die Formensprache und die Konstruktion weiter zu präzisieren, baute ich das Modell anschließend in Blender nach. Dort konnte ich verschiedene Konfigurationen digital ausprobieren, bevor ich mit der Detailausarbeitung fortfuhr. Durch gerenderte Bilder aus verschiedenen Perspektiven wurde die visuelle Darstellung des Designs weiter verfeinert. Um die Materialität und die Funktion der Sitzmöglichkeit interaktiv erlebbar zu machen, beschäftigte ich mich mit Augmented Reality (AR). Die Idee war, das digitale Modell in den realen Raum zu integrieren, sodass Nutzer:innen es direkt in ihrer Umgebung betrachten können. AR ermöglicht eine realistische Darstellung von Materialien und Größenverhältnissen, bevor es physisch gebaut wird. Um die Handhabung der Sitzmöglichkeit so intuitiv wie möglich zu gestalten, wurde eine Anleitung entwickelt, die komplett ohne Text auskommt. Stattdessen wird der Aufbau und die Anwendung durch klare, reduzierte Illustrationen vermittelt. Durch diese klare Bildsprache wird sichergestellt, dass die Sitzmöglichkeit einfach verständlich und ohne lange Erklärungen direkt nutzbar ist. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/28c2dd715062d84d5f8c3a933059dd8ac792aff26a9905448417a9f4c7c71af0/FlexBench-2.png" data-mid="228604489" border="0" src="https://freight.cargo.site/w/1000/i/28c2dd715062d84d5f8c3a933059dd8ac792aff26a9905448417a9f4c7c71af0/FlexBench-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9357badc32ecd0d53c6c28f87958b21deb6d076f4336410809a4a3c270b7a781/FlexBench-3.png" data-mid="228604490" border="0" src="https://freight.cargo.site/w/1000/i/9357badc32ecd0d53c6c28f87958b21deb6d076f4336410809a4a3c270b7a781/FlexBench-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b6e7caa593205f167e0b2021e72ddc748b5fae18180c4184b49b3dba44e3c03c/garden-1.png" data-mid="228604629" border="0" src="https://freight.cargo.site/w/1000/i/b6e7caa593205f167e0b2021e72ddc748b5fae18180c4184b49b3dba44e3c03c/garden-1.png" />The GardenJohanna Fluhrer, Yasmeen Alkayyali, Mia Venn&nbsp; The project The Garden developed out of a longing to escape the stress of everyday life at university. When researching stress-relieving factors, plants and nature in general have become a decisive factor. With this vision, we thought about the care, financing, design and organization of the winter garden. 
 When designing the conservatory, our focus was on the multifunctional use of the space. It should serve as a relaxing retreat in everyday life as well as being able to be used flexibly for special events. A central aspect of the concept was to take into account the different seasons in order to ensure year-round attractiveness and use. Intensive research was required to make The Garden appealing and functional for the various target groups. We analyzed the needs of the users and carried out prototyping to test and adapt design elements. This user-centered approach results in a space that is not only aesthetically pleasing, but also meets the requirements for comfort, functionality and sustainability. The Garden is a vibrant green space on campus that fosters relaxation, creativity, and community connection. Serving as a hub for workshops, cultural events, and outdoor activities, it bridges academic life with the city. Through partnerships and events, it generates financial sustainability, enhances student well-being, and romotes sustainability. As a strategic project, it strengthens the university‘s reputation as an innovative leader in education, community engagement, and global sustainability. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ac1cb8dc2e33a9a4875eabb0e46e8a5db71fd2500637c39ad4beddc0577ac66e/garden-2.jpg" data-mid="228604932" border="0" src="https://freight.cargo.site/w/1000/i/ac1cb8dc2e33a9a4875eabb0e46e8a5db71fd2500637c39ad4beddc0577ac66e/garden-2.jpg" /><img width="1920" height="1076" width_o="1920" height_o="1076" data-src="https://freight.cargo.site/t/original/i/2332c86907f54cf6fbd86031f890099382b6e95eacf535454ea5ceb75e97e516/garden-4.jpg" data-mid="228604997" border="0" src="https://freight.cargo.site/w/1000/i/2332c86907f54cf6fbd86031f890099382b6e95eacf535454ea5ceb75e97e516/garden-4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/816febb6057d1a878e5e2fc3e7408bef81e77e1f28f72f8575247c83f585fdd9/garden-3.jpg" data-mid="228604933" border="0" src="https://freight.cargo.site/w/1000/i/816febb6057d1a878e5e2fc3e7408bef81e77e1f28f72f8575247c83f585fdd9/garden-3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a0a36615cabaf4d60b365904da61ac8de42373140a8e7bec73d1a5f2cc59fe9f/garden-5.jpg" data-mid="228604935" border="0" src="https://freight.cargo.site/w/1000/i/a0a36615cabaf4d60b365904da61ac8de42373140a8e7bec73d1a5f2cc59fe9f/garden-5.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/40130d8155919cd97b92558e6f87548e98f0a986a830e38263e71d3f87c778b0/skatepark2punkt0-1.png" data-mid="228619292" border="0" src="https://freight.cargo.site/w/1000/i/40130d8155919cd97b92558e6f87548e98f0a986a830e38263e71d3f87c778b0/skatepark2punkt0-1.png" />Skatepark Zellerau 2.0Nicklas Lutz&nbsp; In unserem Kurs Place Making Place habe ich mich für ein Upgrade des Skateparks an den Zellerauer Mainwiesen entschieden. Ziel war es, einen Ort zu schaffen, der Skateboardern, Familien und Kindern gleichermaßen gerecht wird und eine friedliche Koexistenz ermöglicht. Mein Konzept kombiniert sowohl ästhetische als auch funktionale Elemente. Im Mittelpunkt steht der überdachte Chillout-Bereich mit Sitzgelegenheiten, einem Wasserspender und ausreichend Schatten an heißen Tagen. Diese Elemente sorgen dafür, dass sich nicht nur Skater, sondern auch Familien mit ihren Kindern wohlfühlen. Ein Kernelement, das mir besonders wichtig war, ist die spielerische Abgrenzung zwischen der Skatefläche und den Aufenthaltsbereichen. Geländer mit durchbrochenen Elementen ermöglichen es Kindern, das Geschehen auf dem Skatepark sicher zu beobachten, ohne die befahrbare Fläche zu betreten. So wird die Sicherheit erhöht, während der Bereich optisch offen und einladend bleibt. Ergänzt wird das Design durch eine Tafel mit klar, aber locker formulierten Regeln, die das harmonische Miteinander fördern sollen. Materialien wie Holz, kombiniert mit hellen, offenen Strukturen, verleihen dem Bereich eine freundliche Atmosphäre, die Bewegung, Kommunikation und Entspannung gleichermaßen unterstützt. Das Ergebnis ist ein Skatepark, der über die eigentliche Nutzung hinausgeht und zu einem Treffpunkt für Menschen mit unterschiedlichen Bedürfnissen wird – ein Ort, an dem Skater und Familien in entspannter Atmosphäre zusammenkommen, interagieren und kommunizieren können. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/38fb738fdbda49e11095387bf35584198f00eec99867492165edd61142155abb/skatepark2punkt0-2.png" data-mid="228619293" border="0" src="https://freight.cargo.site/w/1000/i/38fb738fdbda49e11095387bf35584198f00eec99867492165edd61142155abb/skatepark2punkt0-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02a46d6d8c65931a87af5afd3ef5ecd3febab260176b08fcd6d01f9891a9daf5/skatepark2punkt0-5.png" data-mid="228619296" border="0" src="https://freight.cargo.site/w/1000/i/02a46d6d8c65931a87af5afd3ef5ecd3febab260176b08fcd6d01f9891a9daf5/skatepark2punkt0-5.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1af801a5e00e4cf36b68dd71d488eb83605cc616a35f9d4a89834661c0b1f75b/skatepark2punkt0-3.png" data-mid="228619294" border="0" src="https://freight.cargo.site/w/1000/i/1af801a5e00e4cf36b68dd71d488eb83605cc616a35f9d4a89834661c0b1f75b/skatepark2punkt0-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/781ca76f0a4f9bc93f231bbf7416b0f11979fdf06b10621b1b2320c0f3c93ea7/skatepark2punkt0-4.png" data-mid="228619295" border="0" src="https://freight.cargo.site/w/1000/i/781ca76f0a4f9bc93f231bbf7416b0f11979fdf06b10621b1b2320c0f3c93ea7/skatepark2punkt0-4.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9ee2ddd08453bd855a3da0510c8a73fd8329f84fec7c713d26315abb8897944c/ToolsOfProtest-1.png" data-mid="228619316" border="0" src="https://freight.cargo.site/w/1000/i/9ee2ddd08453bd855a3da0510c8a73fd8329f84fec7c713d26315abb8897944c/ToolsOfProtest-1.png" />Tools of Protest Lucca Kreuzer, Luisa Thomsen, Tim Smits&nbsp; Das Projekt Tools of Protest beschäftigt sich mit Protest als wichtige Partizipationsform in einer funktionierenden Demokratie. Diverse Gegenstände, die für verschiedene Formen des Protestes stehen, sind in drei verschiedenen Werkzeugkoffern angeordnet. Die Koffer machen ein Spektrum an Illegalität sowie gesellschaftlicher Akzeptanz der verschiedenen Protestformen auf: von harmlosen und allgemein akzeptierten Formen wie das einfache Demonstrieren bis zu destruktiven Arten des Meinungsausdrucks wie das Werfen von Steinen. Durch das provokatives Darstellen auch weniger akzeptierten Protestformen soll ein gesellschaftlicher Dialog entstehen. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/899d46e2c4ef36294af74162a8c702db7a6ae1502e1af6c5d54af64abb31246b/ToolsOfProtest-2.png" data-mid="228619317" border="0" src="https://freight.cargo.site/w/1000/i/899d46e2c4ef36294af74162a8c702db7a6ae1502e1af6c5d54af64abb31246b/ToolsOfProtest-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bb37dc420729815fcf82135f4c4d440dcd7b1cc9e7b230a5473e0fe12e00cdd0/ToolsOfProtest-4.png" data-mid="228619319" border="0" src="https://freight.cargo.site/w/1000/i/bb37dc420729815fcf82135f4c4d440dcd7b1cc9e7b230a5473e0fe12e00cdd0/ToolsOfProtest-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/66e4bead6f262b090951724018529b5293c75d9cd2decca926edcb30c22cdf08/ToolsOfProtest-3.png" data-mid="228619318" border="0" src="https://freight.cargo.site/w/1000/i/66e4bead6f262b090951724018529b5293c75d9cd2decca926edcb30c22cdf08/ToolsOfProtest-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/37b3a506e990a441071f577f12775a6dc6338bd149676100a6672cec9009a8f2/AnOutsideSpace-1.png" data-mid="228619333" border="0" src="https://freight.cargo.site/w/1000/i/37b3a506e990a441071f577f12775a6dc6338bd149676100a6672cec9009a8f2/AnOutsideSpace-1.png" />An Outside Space Zeynep Aslı Kılıç In this project, it was aimed to find a solution for people who stay in student dormitories and do not have a place to sit and spend time outside their homes. Like a backyard. This movable, dismountable mobile structure is made of recycled plastic and solar panels. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dea9ffa33979adb3fb4164c9d9f12af8f90b1399875056a9534be4d4c907ba4d/AnOutsideSpace-2.png" data-mid="228619334" border="0" src="https://freight.cargo.site/w/1000/i/dea9ffa33979adb3fb4164c9d9f12af8f90b1399875056a9534be4d4c907ba4d/AnOutsideSpace-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8bfee86e31eceddd7f587e11eff61b7c0e2b4073e80aba0dc7a69314cf1368bd/AnOutsideSpace-3.gif" data-mid="228619332" border="0" src="https://freight.cargo.site/w/1000/i/8bfee86e31eceddd7f587e11eff61b7c0e2b4073e80aba0dc7a69314cf1368bd/AnOutsideSpace-3.gif" /> https://digitalpractices.cargo.site/At-the-Table Thu, 04 Jul 2024 14:45:09 +0000 fg.digital-practices https://digitalpractices.cargo.site/At-the-Table ↘ AT THE TABLE?Wine, insects and peasant protests. Food shapes not only our biological bodies, but also regional and national identities. As a cultural technique, food plays an essential role in shaping social relations; fields, feedlots and plantations characterise landscapes. The way we produce and consume food plays a key role in shaping our everyday world. At the same time, there are increasing challenges to our food system: loss of biodiversity, climate change, water scarcity, inequitable global distribution of resources and hunger. These issues are fuelling a global and controversial discourse about the needs, habits and values embedded in our food systems. The fact is that our diet is undergoing technological and social change: insect proteins, meat from 3D printers, veganism, virtual beers with friends – the way we grow, produce, distribute, perceive and eat is changing radically in some areas. In At the table? we took a practical look at the current situation surrounding our food. We traced the paths of our food from cultivation to consumption and looked for opportunities to intervene in existing processes. We unterstood eating as a cultural technique, as a holistic experience, as a collective ritual. How can design help to change our food system? What might alternative ways of growing, producing, distributing and consuming food look like? What cultural and sensory aspects of food could be designed with global justice and regional identity in mind? What about the social aspects of food sourcing and preparation? What potential does ›the digital‹ hold for rhythms and rituals around food and eating? The course included an excursion to the Schenk Winery&nbsp;↗ in Randesacker. We would like to thank Thomas Schenk for his open and heart warming insight into their production. We would also like to thank cacao entrepreneur and activist&nbsp;Lydia Amenyaglo&nbsp;↗ for her amazing insight into the work of the Ghana Food Movement&nbsp;↗. The full talk is available here&nbsp;↗. Supervision Prof. Judith Glaser Summer Term 2024 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9a1a6b8165dd7c7380154757a7574c9cced4aa35c061a30a3724e8014dbe41dc/Key-Visual.png" data-mid="217198424" border="0" alt="&copy; Tabea Krause" data-caption="© Tabea Krause" src="https://freight.cargo.site/w/1000/i/9a1a6b8165dd7c7380154757a7574c9cced4aa35c061a30a3724e8014dbe41dc/Key-Visual.png" />LABSHITabea Krause&nbsp; We all love fish but...what do we do if fish stocks continue to decline? What alternatives would become an option in future?The current situation of the fish population in our ocean has led me to this product. Labshi is the representation of fish that is artificially produced in the laboratory. A food of the future. The product is intended to make people aware of the current, worrying situation of overfishing and declining in fish stocks. It is to be understood as a possible consumption of our excessive consumption of wild fish. Labshi could soon become a reality. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/521b0d6d51afa45ce138c8c1bbfea2c8c327f383feb872aeceb4d7da98a65f64/Bild-1.png" data-mid="217199562" border="0" alt="&copy; Tabea Krause" data-caption="© Tabea Krause" src="https://freight.cargo.site/w/1000/i/521b0d6d51afa45ce138c8c1bbfea2c8c327f383feb872aeceb4d7da98a65f64/Bild-1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e8660d858c52a3f9db4e379589db8a86d70f800950cc5920fd1d2f040c5b3358/Zeichenflche-1.jpg" data-mid="217199591" border="0" alt="&copy; Tabea Krause" data-caption="© Tabea Krause" src="https://freight.cargo.site/w/1000/i/e8660d858c52a3f9db4e379589db8a86d70f800950cc5920fd1d2f040c5b3358/Zeichenflche-1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b1596a87e57e4492c9821aff878c9bf7127cc2b08e0fb664b674163c71ae866e/KEYVISUAL.jpg" data-mid="217199949" border="0" alt="&copy; Minola Hergett" data-caption="© Minola Hergett" src="https://freight.cargo.site/w/1000/i/b1596a87e57e4492c9821aff878c9bf7127cc2b08e0fb664b674163c71ae866e/KEYVISUAL.jpg" />home to goMinola Hergett&nbsp; home to go is a service, that makes it possible to preserve the flavour of home while cooking by combining beloved recipes with the voices and stories of home. With the help of interactive recipe elements, which store the recipes in a spoken version on an NFC chip, you can cook the dishes accompanied and enjoy the familiar voices and memories. Via the website, home to go guides you step by step through the process of creating your own recipe element. Detailed instructions with tips are provided for the recording part in the form of a recording guide. Afterwards the development of the recipe element begins: The audio file sent in is edited to provide the best possible accompaniment for cooking. The finished audio file and the list of ingredients are installed on an NFC chip in the element, so that the data can be called up later by simply holding it up to a smartphone. As a final step, a miniature model is generated from the photos of the dish, which sits on the element. This allows the modules to be kept apart and also has a decorative function. home to go wraps the finalized element when it is ready and sends it to the desired address. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/0fab60db389df09b773a4218eb818219d06d676cb2365f43b347f305f986f43f/1_ELEMENTE.jpg" data-mid="217199976" border="0" alt="&copy; Minola Hergett" data-caption="© Minola Hergett" src="https://freight.cargo.site/w/1000/i/0fab60db389df09b773a4218eb818219d06d676cb2365f43b347f305f986f43f/1_ELEMENTE.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/29d05ff03adcbdbffda483901deb092196e17a46c59c2ead61685be3092ff002/3_Aufnahmeguide.jpg" data-mid="217199977" border="0" alt="&copy; Minola Hergett" data-caption="© Minola Hergett" src="https://freight.cargo.site/w/1000/i/29d05ff03adcbdbffda483901deb092196e17a46c59c2ead61685be3092ff002/3_Aufnahmeguide.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0a2b819c63b2dd8657c3d712a3762bd7b051489ddac963d9619d5533f1897643/key-visual-cropped.jpg" data-mid="217665719" border="0" alt="&copy; Lea Geldmacher, Henriette Hack" data-caption="© Lea Geldmacher, Henriette Hack" src="https://freight.cargo.site/w/1000/i/0a2b819c63b2dd8657c3d712a3762bd7b051489ddac963d9619d5533f1897643/key-visual-cropped.jpg" />Ferment EckLea Geldmacher, Henriette Hack&nbsp; Fermentation brings people together and creates communities. In our Ferment Eck project, we explore how fermenting food not only creates healthy products, but also builds a strong sense of community. Sharing knowledge, recipes, fermentation spin-offs and experiences creates a network of people who support and inspire each other. Our Ferment Eck promotes traditional and sustainable methods and shows how working and learning together creates connections that go far beyond fermentation. Our Ferment Eck is a meeting place for the community to exchange ideas. It is a place to share, there are recipes to take away in the form of flyers, a magazine, as well as our fermentations and a tasting speed dating video to watch. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/71142b16e8b5e91402f6840b5b9191bb5863c6a5aeec8b0f9eb1885e4cea0d07/PrintCropped2.jpg" data-mid="217665744" border="0" alt="&copy; Lea Geldmacher, Henriette Hack" data-caption="© Lea Geldmacher, Henriette Hack" src="https://freight.cargo.site/w/1000/i/71142b16e8b5e91402f6840b5b9191bb5863c6a5aeec8b0f9eb1885e4cea0d07/PrintCropped2.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/9c08e5211be244653a4376e938f152b9c2ad8be1655d52d46b32f9062b688a3e/fermentcropped.jpg" data-mid="217665721" border="0" alt="&copy; Lea Geldmacher, Henriette Hack" data-caption="© Lea Geldmacher, Henriette Hack" src="https://freight.cargo.site/w/1000/i/9c08e5211be244653a4376e938f152b9c2ad8be1655d52d46b32f9062b688a3e/fermentcropped.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/4a48a7d074c805013b81b97042e0152ead1d4a7ec516c70416b4b7c698d546d9/PrintCropped.jpg" data-mid="217665745" border="0" alt="&copy; Lea Geldmacher, Henriette Hack" data-caption="© Lea Geldmacher, Henriette Hack" src="https://freight.cargo.site/w/1000/i/4a48a7d074c805013b81b97042e0152ead1d4a7ec516c70416b4b7c698d546d9/PrintCropped.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/85570d6d03277115c32b0039e27816765ca5cb834e2d74017046d5a4a0d590f2/Webdoku4.jpg" data-mid="217235438" border="0" alt="&copy; Paul Schulz" data-caption="© Paul Schulz" src="https://freight.cargo.site/w/1000/i/85570d6d03277115c32b0039e27816765ca5cb834e2d74017046d5a4a0d590f2/Webdoku4.jpg" />FalTablePaul Schulz Picnics are a social event. They bring people together and into nature, and encourage conscious eating. FalTable creates a surface that can be used as a dining table or a base for board games, making the picnic experience easier and more enjoyable. When folded flat, the picnic table is very compact, lightweight and easy to carry and store. When unfolded, it offers maximum stability and a large table surface. The social aspect of the picnic is reflected in the table's modularity. By combining several FalTables, you can create individual shapes, a long table or a round table. The materials used offer the properties needed to enable the folding mechanism. A fabric tape connects the different multi-wall sheets and ensures flexibility and strength while covering sharp edges. The magnetic handle makes the design portable and easy to handle, while also holding the surface plate in place.&nbsp; <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/68973f0139f82a70c91ab840942eb6b2b34dfb511877653f30a8b1a7ea8fe682/Webdoku3.jpg" data-mid="217234818" border="0" alt="&copy; Paul Schulz" data-caption="© Paul Schulz" src="https://freight.cargo.site/w/1000/i/68973f0139f82a70c91ab840942eb6b2b34dfb511877653f30a8b1a7ea8fe682/Webdoku3.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/4ac73804ee4dcb009e0b650dd964f97a39214a9b21fc0b66a1233d5848ffc7f6/Webdoku8.jpg" data-mid="217235627" border="0" alt="&copy; Paul Schulz" data-caption="© Paul Schulz" src="https://freight.cargo.site/w/1000/i/4ac73804ee4dcb009e0b650dd964f97a39214a9b21fc0b66a1233d5848ffc7f6/Webdoku8.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/0db75f185330742ecf0afb92ae4bab829acd191d62b71a3f5e2f41e51f57c87c/Webdoku5.jpg" data-mid="217235499" border="0" alt="&copy; Paul Schulz" data-caption="© Paul Schulz" src="https://freight.cargo.site/w/1000/i/0db75f185330742ecf0afb92ae4bab829acd191d62b71a3f5e2f41e51f57c87c/Webdoku5.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/b4af0368605d311a62fca48ee020741abfa4601b7e9aa055f638d7c618e682d2/Webdoku1.jpg" data-mid="217234853" border="0" alt="&copy; Paul Schulz" data-caption="© Paul Schulz" src="https://freight.cargo.site/w/1000/i/b4af0368605d311a62fca48ee020741abfa4601b7e9aa055f638d7c618e682d2/Webdoku1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a844ea80287768c8aa9447b12b3b3de6f11afa63c1d1a6eb3d278e4d38a825d6/Key_Visual_Cantina.png" data-mid="217666683" border="0" alt="&copy; Katja Almeida-Dehesa, Lorenz Schneider" data-caption="© Katja Almeida-Dehesa, Lorenz Schneider" src="https://freight.cargo.site/w/1000/i/a844ea80287768c8aa9447b12b3b3de6f11afa63c1d1a6eb3d278e4d38a825d6/Key_Visual_Cantina.png" />Cantina Katja Almeida-Dehesa, Lorenz Schneider We, Katja and Lorenz, eat regularly in the canteen, pick up our food from the serving counter and then put our tray on the return conveyor, where it travels off into the unknown without us. So, we wondered what happens at the end of the conveyor belt tunnel. Who cuts, slices and tastes our food every day? And above all: how do these people manage to cook starters, a salad bar, five hot meals and desserts for hundreds of hungry stomachs every day without anyone going away empty-handed? To find out, we visited the Mensateria Hubland Nord and the kitchen at Würzburg University Hospital. We also had the opportunity to interview the kitchen manager of the Würzburg Institute for the Blind, whose kitchen is currently being renovated. The resulting installation invites you to discover the world of the canteen kitchens through an interactive and visually exciting experience. Inspired by the everyday tray rack, pushing a tray leads to the playback of three different videos showing our experiences in the canteen kitchens. Hanging above the tray rack are kitchen towels with photos from the canteen kitchen - both of the appliances and the people who work there. We used the cyanotype process for the photo printing so that the images embed themselves in the fabric like stains. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/29b8e981538c8c834084f1a20ae4e314dba4d8a90ec6f51e38b100ba9ba14030/1_Bild_links_oben.png" data-mid="217666692" border="0" alt="&copy; Katja Almeida-Dehesa, Lorenz Schneider" data-caption="© Katja Almeida-Dehesa, Lorenz Schneider" src="https://freight.cargo.site/w/1000/i/29b8e981538c8c834084f1a20ae4e314dba4d8a90ec6f51e38b100ba9ba14030/1_Bild_links_oben.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/703b09ed71d855d568eb2f867d10122485612eb53300074f78df4a16bcc7f663/2_Bild_links_unten.png" data-mid="217666690" border="0" alt="&copy; Katja Almeida-Dehesa, Lorenz Schneider" data-caption="© Katja Almeida-Dehesa, Lorenz Schneider" src="https://freight.cargo.site/w/1000/i/703b09ed71d855d568eb2f867d10122485612eb53300074f78df4a16bcc7f663/2_Bild_links_unten.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/b802355b870b51683b5b40723d35dd1528e13e9d39f0146befadfaec0f167a7d/3_Bild_rechts_oben.png" data-mid="217666696" border="0" alt="&copy; Katja Almeida-Dehesa, Lorenz Schneider" data-caption="© Katja Almeida-Dehesa, Lorenz Schneider" src="https://freight.cargo.site/w/1000/i/b802355b870b51683b5b40723d35dd1528e13e9d39f0146befadfaec0f167a7d/3_Bild_rechts_oben.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a74a2c6ac08b798e330324a8385f02b2a5f0f294c8c7fadac208983100368f2c/4_Bild_rechts_unten.png" data-mid="217666689" border="0" alt="&copy; Katja Almeida-Dehesa, Lorenz Schneider" data-caption="© Katja Almeida-Dehesa, Lorenz Schneider" src="https://freight.cargo.site/w/1000/i/a74a2c6ac08b798e330324a8385f02b2a5f0f294c8c7fadac208983100368f2c/4_Bild_rechts_unten.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a2530aed0b412fd2fccb02600a1a603a5bef360177b1bc606d9486c74a686a78/Keyvisual.jpg" data-mid="217666755" border="0" alt="&copy; Julia Baisch" data-caption="© Julia Baisch" src="https://freight.cargo.site/w/1000/i/a2530aed0b412fd2fccb02600a1a603a5bef360177b1bc606d9486c74a686a78/Keyvisual.jpg" />VersaJulia Baisch&nbsp; Lots of people, few seating options? Every larger shared flat is familiar with this problem when friends come to visit and it's not uncommon to suddenly find yourself sitting on crates of beer because there are no more chairs. Versa is a modular and DIY-friendly bench system, designed for quick assembly and easy, space-saving storage in small apartments. The focus is on the metal legs, the seat plate can be made yourself as a DIY to save money and give free rein to your own creativity. Organic shapes, crazy colors or the old top from the shelf? You can use almost anything. Nonetheless, tops can also be purchased in different shapes and materials. The feet are available in a total of four colors. Versa stands for versatility. Decide for yourself between high-quality furniture or a combined and personalized DIY project. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a7c4f6effa8374a7760531d83785463dbaad19b69f6130b166eb39e8fabed48b/Visual4.jpg" data-mid="217666760" border="0" alt="&copy; Julia Baisch" data-caption="© Julia Baisch" src="https://freight.cargo.site/w/1000/i/a7c4f6effa8374a7760531d83785463dbaad19b69f6130b166eb39e8fabed48b/Visual4.jpg" /> <img width="5334" height="3000" width_o="5334" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3098a9fce8f93b0d896ee89ec3a48e18ae56e28e3d770152b269677389bc4a25/Fotos-Abgabe_Zeichenflche-1.png" data-mid="217666758" border="0" alt="&copy; Julia Baisch" data-caption="© Julia Baisch" src="https://freight.cargo.site/w/1000/i/3098a9fce8f93b0d896ee89ec3a48e18ae56e28e3d770152b269677389bc4a25/Fotos-Abgabe_Zeichenflche-1.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e334ddb2268213362751a4aee9d4ccb0f11a86d9c0bc6b1fee9f6adfd41b8568/webdoku_keyvisual_amelie.png" data-mid="217666764" border="0" alt="&copy; Amelie Deimel" data-caption="© Amelie Deimel" src="https://freight.cargo.site/w/1000/i/e334ddb2268213362751a4aee9d4ccb0f11a86d9c0bc6b1fee9f6adfd41b8568/webdoku_keyvisual_amelie.png" />VISCOSAmelie Deimel&nbsp; »If nature is understood as a fiction - whether as a desire for continuity and coherence, or as the idea that something completely different exists - then the question of how nature shapes design, i.e. the shaping of the human environment, also arises anew. If nature is not something given from the outset, but a product, even a projection of humanity, something that industrialisation has brought about in the first place, then it can also be understood as design. The fact that nature can be represented, that it can be depicted as an image, text or sign system, also contains the possibility that it can be changed and manipulated. Seen in this way, design and nature are interdependent. If we are unable to treat nature as we find it without causing lasting damage, why should we be any better at manipulating it? It seems to make more sense to be inspired by the 'model of nature' with its formal, structural and constructive laws and to respect them in order to find innovative answers.« (Museum für Gestaltung Zürich: Nature Design) The work deals with the formal aesthetics of slime from a metaphorical point of view. The starting point of my approach was the keeping of a laboratory diary, supplemented by ideas, associations and perceptions. Microscopies, photographs and sketches support the work, which is brought together graphically in a magazine collection. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/ca333dffb75a718a5866d621a5db08f2994595864dc4c5a12045635df824cb84/webdoku_bild-1_amelie.png" data-mid="217666765" border="0" alt="&copy; Amelie Deimel" data-caption="© Amelie Deimel" src="https://freight.cargo.site/w/1000/i/ca333dffb75a718a5866d621a5db08f2994595864dc4c5a12045635df824cb84/webdoku_bild-1_amelie.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/8744fd9939ef2116160425a61b12c8a5590f2f1702195a1e3671ee7bcd3c95ef/Visual1.jpg" data-mid="217666948" border="0" alt="&copy; Amelie Deimel" data-caption="© Amelie Deimel" src="https://freight.cargo.site/w/1000/i/8744fd9939ef2116160425a61b12c8a5590f2f1702195a1e3671ee7bcd3c95ef/Visual1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2de68901bb91f847ed80a1a1b09b1b6d597f1bf16a9853d58cba0eae95ca31e2/key-visual.png" data-mid="217667151" border="0" alt="&copy; Nicole Healy" data-caption="© Nicole Healy" src="https://freight.cargo.site/w/1000/i/2de68901bb91f847ed80a1a1b09b1b6d597f1bf16a9853d58cba0eae95ca31e2/key-visual.png" />IgittNicole Healy&nbsp; »The elementary pattern of disgust is a closeness which isn't wanted.« Winfred Menninghaus Disgust is a basic human emotion. I was interested in the individual, subjective, but also highly culturally determined character of disgust. I started to observe and document the everyday encounters I had with this emotion. An interesting statement I came across was the idea that you have to try a food eight to sixteen times until you like it. Because of that I started a self-experiment, which I documented in photographs, texts and illustrations. Parallel to that I continued my research to look at the impact and the background of disgust. The change from a useful healthy protection to a dangerous distinction in the form of racism or xenophobia was very interesting to me. My project is a personal journey about my impressions, experiences and learnt facts about disgust. I chose to work completely analogue and my book is divided in three different parts. The first part is a theoretical examination in the form of texts and associative drawings where I looked at different topics like: Is disgust a conservative emotion? The change of disgust throughout our lives, disgust and morals, disgust and racism, the difference between disgust and anxiety, context, connotation, existential disgust and more. The second part is a reflection of my personal everyday encounters with disgust. The third part is a self-experiment, in which I tried for about three weeks to get used to the taste of capers. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/06496fa780c148a17a726060d763bfbcce38d57d733146842a0bcac28036abcf/aquarell.png" data-mid="217667152" border="0" alt="&copy; Nicole Healy" data-caption="© Nicole Healy" src="https://freight.cargo.site/w/1000/i/06496fa780c148a17a726060d763bfbcce38d57d733146842a0bcac28036abcf/aquarell.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a77c08a40ed2f1d333cc36b9878f3538188385f14fde4b3f2c1235a7524b7be8/mockup-buchseiten-close-up.png" data-mid="217667180" border="0" alt="&copy; Nicole Healy" data-caption="© Nicole Healy" src="https://freight.cargo.site/w/1000/i/a77c08a40ed2f1d333cc36b9878f3538188385f14fde4b3f2c1235a7524b7be8/mockup-buchseiten-close-up.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/12d5922ddd97ad1e057568884edf7fc81d167f2be91462d7f5104da272bde949/mockup-buchseiten.png" data-mid="217667153" border="0" alt="&copy; Nicole Healy" data-caption="© Nicole Healy" src="https://freight.cargo.site/w/1000/i/12d5922ddd97ad1e057568884edf7fc81d167f2be91462d7f5104da272bde949/mockup-buchseiten.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/60b4ec539408c4236d105182b29e6231082ab52e54bbeb9307384f6c3b6abaa5/Visual1.jpg" data-mid="217667186" border="0" alt="&copy; Nicole Healy" data-caption="© Nicole Healy" src="https://freight.cargo.site/w/1000/i/60b4ec539408c4236d105182b29e6231082ab52e54bbeb9307384f6c3b6abaa5/Visual1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b0ddeb33da12ab9d898dbbcf39088bf3fb2b8e06f744c3ca3db05158d6a168e2/KeyVisual1.jpg" data-mid="217668433" border="0" alt="&copy; Daniel Heilmann" data-caption="© Daniel Heilmann" src="https://freight.cargo.site/w/1000/i/b0ddeb33da12ab9d898dbbcf39088bf3fb2b8e06f744c3ca3db05158d6a168e2/KeyVisual1.jpg" />Brutzel BettyDaniel Heilmann&nbsp; Barbecuing in the summer is freedom. A freedom that is often denied to people living in cities. A lack of green spaces and their own barbecue or occupied public barbecue areas are the cause. The Brutzel Betty rental barbecue system provides a remedy and revolutionises the barbecue experience in cities. The rental grill box comes complete with barbecue tongs, cutlery and plates for four people, making it possible to start barbecuing on the spur of the moment without a lot of hassle or rubbish. Brutzel Betty is complemented by rental stations and a corresponding app. The stations will be permanently installed at various frequented locations in public spaces such as parks. Brutzelt Bettys can be picked up and returned at these stations. It will also be possible to buy coal and dispose of waste and hot ash from the barbecue at the stations. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/b528702924973fbbbd63a137fb971b9935dc064eb47ac9eed885489ed6664997/Visual2.jpg" data-mid="217668496" border="0" alt="&copy; Daniel Heilmann" data-caption="© Daniel Heilmann" src="https://freight.cargo.site/w/1000/i/b528702924973fbbbd63a137fb971b9935dc064eb47ac9eed885489ed6664997/Visual2.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5665474b34ad80e0b1cf2d64aba6152be1e54b3bbeaf775dfc7cd1600ce564cf/Visual1.jpg" data-mid="217668494" border="0" alt="&copy; Daniel Heilmann" data-caption="© Daniel Heilmann" src="https://freight.cargo.site/w/1000/i/5665474b34ad80e0b1cf2d64aba6152be1e54b3bbeaf775dfc7cd1600ce564cf/Visual1.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/ca37d15ad366b4b4ebbc9abd283d8fcbca62c5e7c09a6ed565b4e535d557aaab/Visual4.jpg" data-mid="217668499" border="0" alt="&copy; Daniel Heilmann" data-caption="© Daniel Heilmann" src="https://freight.cargo.site/w/1000/i/ca37d15ad366b4b4ebbc9abd283d8fcbca62c5e7c09a6ed565b4e535d557aaab/Visual4.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f62e25c4023684720d3ccb1cf611a4775c7c9d2565629412a6caa77c18f99f7a/Visual3.jpg" data-mid="217668497" border="0" alt="&copy; Daniel Heilmann" data-caption="© Daniel Heilmann" src="https://freight.cargo.site/w/1000/i/f62e25c4023684720d3ccb1cf611a4775c7c9d2565629412a6caa77c18f99f7a/Visual3.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7cd3b104b7eb18a367a7100d1e62d0dd42fd176c5d55baae178463c345251dc0/zutisch_keyvisual_lea-kruse.jpg" data-mid="217668589" border="0" alt="&copy; Lea Kruse" data-caption="© Lea Kruse" src="https://freight.cargo.site/w/1000/i/7cd3b104b7eb18a367a7100d1e62d0dd42fd176c5d55baae178463c345251dc0/zutisch_keyvisual_lea-kruse.jpg" />Ora et LaboraLea Kruse&nbsp; The photo project Ora et Labora documents the sustainable and self-sufficient practices of a monastery that lives by the motto ›Pray and work‹. This project highlights how the monks maintain a self-sufficient lifestyle through a combination of prayer and hard work. Photographs show the monks working in the fields, where they practice organic farming to grow their food. The images illustrate the cultivation of vegetables, fruits, and herbs, as well as the raising of livestock such as chickens and goats. A special focus is on traditional crafts, such as beekeeping, bread baking, and cheese making, which not only contribute to self-sufficiency but also preserve ancient techniques. In addition to agricultural and craftwork, the project also documents the spiritual side of monastic life. Pictures of prayer sessions, meditation, and communal worship convey how spiritual practice and physical labor are in harmony. The photographs show how the monks, through their lifestyle, leave a minimal ecological footprint and promote a sustainable way of life. Ora et Labora captures the harmony between man and nature and illustrates how traditional ways of life and sustainable practices can endure in the modern world. This photo project offers an inspiring glimpse into a community characterized by simplicity, mindfulness, and respect for creation. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e779847a8469334977a0627660e9f847c8fbf49b3451809e7e8fc87213ce6ace/ba_semester-4_so-se-2024_3d_zutisch_dokumentation4.jpg" data-mid="217668590" border="0" alt="&copy; Lea Kruse" data-caption="© Lea Kruse" src="https://freight.cargo.site/w/1000/i/e779847a8469334977a0627660e9f847c8fbf49b3451809e7e8fc87213ce6ace/ba_semester-4_so-se-2024_3d_zutisch_dokumentation4.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/677105b21092a3372aca057b4e22123fd758aeb151189125747b93d6dc21b312/ba_semester-4_so-se-2024_3d_zutisch_dokumentation2.jpg" data-mid="217668592" border="0" alt="&copy; Lea Kruse" data-caption="© Lea Kruse" src="https://freight.cargo.site/w/1000/i/677105b21092a3372aca057b4e22123fd758aeb151189125747b93d6dc21b312/ba_semester-4_so-se-2024_3d_zutisch_dokumentation2.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/967b8ebd0696a77d87669594c3a5d280d70a5d6b05cd4abfb40cee67572b5167/ba_semester-4_so-se-2024_3d_zutisch_dokumentation3.jpg" data-mid="217668593" border="0" alt="&copy; Lea Kruse" data-caption="© Lea Kruse" src="https://freight.cargo.site/w/1000/i/967b8ebd0696a77d87669594c3a5d280d70a5d6b05cd4abfb40cee67572b5167/ba_semester-4_so-se-2024_3d_zutisch_dokumentation3.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/b521f4e6b40899b93645eec66048d5dc552ff13f72903ed7a0f09a602941fbfd/ba_semester-4_so-se-2024_3d_zutisch_dokumentation5.jpg" data-mid="217668591" border="0" alt="&copy; Lea Kruse" data-caption="© Lea Kruse" src="https://freight.cargo.site/w/1000/i/b521f4e6b40899b93645eec66048d5dc552ff13f72903ed7a0f09a602941fbfd/ba_semester-4_so-se-2024_3d_zutisch_dokumentation5.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4995a2ce1e9c68aa02b74ae878125139355ddb1d090f920d9142f060df856094/KeyVisual.jpg" data-mid="217668794" border="0" alt="&copy; Shannon Kruse" data-caption="© Shannon Kruse" src="https://freight.cargo.site/w/1000/i/4995a2ce1e9c68aa02b74ae878125139355ddb1d090f920d9142f060df856094/KeyVisual.jpg" />Der KüchentischShannon Kruse&nbsp; The kitchen table's multi-purpose role as worktop, workbench, chopping board, sewing table and social gathering place has diminished over the last century. With better living conditions and more spacious living areas, the one place where everyone gathered in the evening was divided between the study, workshop, bedroom and living room. In five categories, The Kitchen Table zine series focuses on the kitchen table as more than just a piece of furniture. In separate series, the zines deal with the form, the objects on it, the table surfaces and traces of use, memories that take place at the kitchen table, and the table as a place of exchange from a feminist perspective. It is intended to be a collection of the kitchen table as a multi-functional object and a place of gathering, raising awareness of the importance of this multifaceted piece of furniture. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/b9034bb5c8c0d612fcef171289d604661efff5c4cbf2c6068a0b6bb9c7b68650/zu_tisch_online_doku_kuechentisch_shannon_kruse2.png" data-mid="217668795" border="0" alt="&copy; Shannon Kruse" data-caption="© Shannon Kruse" src="https://freight.cargo.site/w/1000/i/b9034bb5c8c0d612fcef171289d604661efff5c4cbf2c6068a0b6bb9c7b68650/zu_tisch_online_doku_kuechentisch_shannon_kruse2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4723e8011b12ff4a590f104e1bd86f8282d7311c8e43c6215c119e1595a82720/Key_Visual_PaulaAppel.png" data-mid="217199660" border="0" alt="&copy; Paula Appel" data-caption="© Paula Appel" src="https://freight.cargo.site/w/1000/i/4723e8011b12ff4a590f104e1bd86f8282d7311c8e43c6215c119e1595a82720/Key_Visual_PaulaAppel.png" />Vood.Paula Appel In recent years, vegan diets have become increasingly popular for ethical, health and environmental reasons. The decision to adopt a vegan lifestyle is often based on animal welfare, health benefits such as reduced risk of heart disease and diabetes, and a positive impact on the environment through reduced resource consumption and greenhouse gas emissions. Vood. is more than just a vegan product - it is a brand for sustainability, health and ethics. The aim is to make the vegan lifestyle more accessible and attractive. We want to encourage people to eat less meat and more plant-based food without coercion. Vood. offers sustainable and nutritious alternatives to conventional foods that have the same taste and nutrients as meat products. The mission is to combine enjoyment with a sense of responsibility. Vood. shows that vegan food can be healthy, ethical and delicious. To build a community that values conscious eating and works towards a better future. Vood. stands for quality, sustainability and joie de vivre - a little bit of a better world in every bite. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/6fc715ed0783ee4c15aa5d0d285c369a7a764e97d660a230ceff6547045e19e9/Montageflache_PaulaAppel.png" data-mid="217199661" border="0" alt="&copy; Paula Appel" data-caption="© Paula Appel" src="https://freight.cargo.site/w/1000/i/6fc715ed0783ee4c15aa5d0d285c369a7a764e97d660a230ceff6547045e19e9/Montageflache_PaulaAppel.png" /> <img width="1281" height="721" width_o="1281" height_o="721" data-src="https://freight.cargo.site/t/original/i/d711439a2c9eac4752dcbaf0919847e1cff9291503fdc677bb6ab1eb1689a1e5/Montageflache2_PaulaAppel-cropped.png" data-mid="217764143" border="0" src="https://freight.cargo.site/w/1000/i/d711439a2c9eac4752dcbaf0919847e1cff9291503fdc677bb6ab1eb1689a1e5/Montageflache2_PaulaAppel-cropped.png" /> https://digitalpractices.cargo.site/Speaking-Gestures Thu, 04 Jul 2024 12:42:56 +0000 fg.digital-practices https://digitalpractices.cargo.site/Speaking-Gestures ↘ SPEAKING GESTURES&nbsp;Advanced orientation in the Internet of Things »Are we really going to accept an Interface of The Future that is less expressive than a sandwich?« – Bret Victor (1) The objects in our everyday lives are becoming increasingly intelligent and autonomous. They are networked – exchanging, collecting and processing data – all in the background. Mark Weiser predicted in 1991 that computing power would become »so ubiquitous that no one will notice their presence« (2). As the power of technical systems increases, communication with the outside world is often reduced to the display of discrete system states in the form of icons, lights and (warning) sounds. At the human level, subtle gestures and movements, such as the tilt of the head, the wrinkling of the nose or the slump of the shoulders, often allow us to anticipate the intention or state of mind of our counterpart and, ultimately, to cooperate. Speaking Gestures examines the qualities that posture, movement, small and large gestures have to offer to communicate with our environment. The project experimentally explores the extent to which animation principles such as Disney, physical analogies and other forms of non-verbal communication can be used to build on intrinsic behavioural patterns and design meaningful interactions with smart objects and autonomous systems. In addition to the identification and definition of appropriate application areas, the design of processes and interaction scenarios has been specifically investigated. (1) Victor, B. (2011).&nbsp;The Future of Interaction Design ↗ Visited: 21.02.2024(2) Weiser, M. (1991). The Computer for the 21st Century. Scientific American, 265(3), S. 94. SupervisionProf. Erich Schöls&nbsp;↗ Prof. Judith Glaser Summer Term 2024 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a531d90d352712f7221cc7fc8b87b702dd04078d373ef155ac0467b9817a9d4a/teil_des_schwarms_elias_hansbauer_key_visual.jpg" data-mid="215914307" border="0" alt="&copy; Elias Hansbauer" data-caption="© Elias Hansbauer" src="https://freight.cargo.site/w/1000/i/a531d90d352712f7221cc7fc8b87b702dd04078d373ef155ac0467b9817a9d4a/teil_des_schwarms_elias_hansbauer_key_visual.jpg" /> Teil des Schwarms Elias Hansbauer ↗ Jeder weiß, wie man mit einem Hund oder einer Katze durch Sprache und Gestik interagiert, doch niemand macht sich Gedanken, welche Gesten man benutzen würde, um sich einen Fisch oder einem Schwarm anzunähern. Mit diesen spannenden Gedanken habe ich mich experimentell und prozessorientiert auseinandergesetzt. Daraus entstanden ist das visuelle Erlebnis Teil des Schwarms, aufgebaut in p5.js mit Handtracking Einbindung und Boids Simulation.Teil des Schwarms ist ein interaktives Experiment, das die Interaktion zwischen Mensch und algorithmischem Schwarm erforscht. Das System nutzt Handtracking, um die Bewegungen und Gesten der Betrachtenden zu erkennen. Durch diese Gesten können Besucher:innen direkt das Verhalten und die Dynamik eines digitalen Schwarms beeinflussen. Das Projekt lädt dazu ein, die Komplexität und Schönheit von Schwarmintelligenz auf eine neue, interaktive Weise zu erleben. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/84f60c1f5e1e78334e69232888cdeaf36ad7f1460b113ce765829437ee5c437f/teil_des_schwarms_elias_hansbauer_bild_1.jpg" data-mid="215914304" border="0" alt="&copy; Elias Hansbauer" data-caption="© Elias Hansbauer" src="https://freight.cargo.site/w/1000/i/84f60c1f5e1e78334e69232888cdeaf36ad7f1460b113ce765829437ee5c437f/teil_des_schwarms_elias_hansbauer_bild_1.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/60857494abc7060f7b0c4c60ef2495bd86ca765fc32e425f4656723538f764ca/teil_des_schwarms_elias_hansbauer_bild_2.jpg" data-mid="215914305" border="0" alt="&copy; Elias Hansbauer" data-caption="© Elias Hansbauer" src="https://freight.cargo.site/w/1000/i/60857494abc7060f7b0c4c60ef2495bd86ca765fc32e425f4656723538f764ca/teil_des_schwarms_elias_hansbauer_bild_2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1320adf398c1491f0038ded4b2873312c8f59aa5690e7aecaa2c678f6494dea8/SchneiderRossnagelkey.png" data-mid="215042130" border="0" alt="&copy; Leonie Rossnagel, Lisa-Marie Schneider&nbsp;" data-caption="© Leonie Rossnagel, Lisa-Marie Schneider&nbsp;" src="https://freight.cargo.site/w/1000/i/1320adf398c1491f0038ded4b2873312c8f59aa5690e7aecaa2c678f6494dea8/SchneiderRossnagelkey.png" />Quest Leonie Rossnagel, Lisa-Marie Schneider&nbsp; »Interact with me and experience a new way of communication.« Gestures hold great significance in our society today. They are open to various interpretations and can have completely different meanings depending on the cultural context. In our increasingly digitalized world, gestures have remained an indispensable part of communication, which led to the invention of the smiley.&nbsp; Now, artificial intelligence (AI) has become an integral part of our digital world and thus our everyday lives. Where are its (own) gestures? What if communication happens differently from what we are used to? We wanted to create something that works entirely independently of our current gestures. Thus, Quest was born, bringing a new way of communication between AI and humans. <img width="1281" height="721" width_o="1281" height_o="721" data-src="https://freight.cargo.site/t/original/i/cecfab069afdd802f8fc1e9a6ff8a5c3402d3a14fad4c8459968c7c37fac4c6f/SchneiderRossnagel1.png" data-mid="215042129" border="0" alt="&copy; Leonie Rossnagel, Lisa-Marie Schneider&nbsp;" data-caption="© Leonie Rossnagel, Lisa-Marie Schneider&nbsp;" src="https://freight.cargo.site/w/1000/i/cecfab069afdd802f8fc1e9a6ff8a5c3402d3a14fad4c8459968c7c37fac4c6f/SchneiderRossnagel1.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/67b577e69ea2672e966eb37772c7932084e568046fa4730a91ebaaa72392910d/KeyVisual_jahreiss_lisa.jpg" data-mid="215042558" border="0" alt="&copy; Lisa Jahreiss" data-caption="© Lisa Jahreiss" src="https://freight.cargo.site/w/1000/i/67b577e69ea2672e966eb37772c7932084e568046fa4730a91ebaaa72392910d/KeyVisual_jahreiss_lisa.jpg" /> IkarusLisa Jahreiss&nbsp; Das Projekt Ikarus bewegt sich auf der Grenze zwischen Design und Kunst, indem es Gestensteuerung auf unkonventionelle Weise einsetzt. Inspiriert von den Gesten beim Rauchen einer Zigarette,&nbsp;werden diese Bewegungen in einen neuen Kontext gesetzt und durch drei experimentelle Drahtgestelle künstlerisch interpretiert. Diese Gestelle zwingen den Betrachter, bestimmte Gesten auszuführen,&nbsp;um die Interaktivität des Kunstwerks zu erleben.&nbsp;Jedes Drahtgestell ist mit Sensoren ausgestattet, die es ermöglichen, die projizierten Bilder in Echtzeit zu verändern. Diese Interaktivität lädt dazu ein, aktiv mit dem Kunstwerk zu interagieren und eigenen Bewegungen in abstrakte, visuelle Muster zu übersetzen. Die Drahtgestelle sind auf einer Stehle unter einem Moskitonetzzelt platziert, das als Projektionsfläche dient. Dadurch entsteht ein Raum, in dem die Projektion um die Person im Zelt herum passiert. Kunst und Technik verschmelzen hier, sodass die Schönheit der Gesten neu erfahrbar wird. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/fb6c447a254212ac728bf40252d8a38cce2ffb6d8d55b947ec1bc4edc39f7ae8/1_jahreiss_lisa.jpg" data-mid="215042551" border="0" alt="&copy; Lisa Jahreiss" data-caption="© Lisa Jahreiss" src="https://freight.cargo.site/w/1000/i/fb6c447a254212ac728bf40252d8a38cce2ffb6d8d55b947ec1bc4edc39f7ae8/1_jahreiss_lisa.jpg" /><img width="1281" height="721" width_o="1281" height_o="721" data-src="https://freight.cargo.site/t/original/i/916db5e23f33d0d501db716b67ac906d5047aa4a1ab220e51ecfb0cd130deff4/5_jahreiss.png" data-mid="215042553" border="0" alt="&copy; Lisa Jahreiss" data-caption="© Lisa Jahreiss" src="https://freight.cargo.site/w/1000/i/916db5e23f33d0d501db716b67ac906d5047aa4a1ab220e51ecfb0cd130deff4/5_jahreiss.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d04df7d01f63ecf56a5388c6802ec24c71d1707e5d17d8156c5eb8112b2cf1c8/4_jahreiss_lisa.jpg" data-mid="215042552" border="0" alt="&copy; Lisa Jahreiss" data-caption="© Lisa Jahreiss" src="https://freight.cargo.site/w/1000/i/d04df7d01f63ecf56a5388c6802ec24c71d1707e5d17d8156c5eb8112b2cf1c8/4_jahreiss_lisa.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e4725a16ee58140011e4ff107015110c31cc6166deba18aa25a1fd1191681f3e/Hauschildt-KeyVisual.png" data-mid="215042730" border="0" alt="&copy; Bjarne Hauschildt" data-caption="© Bjarne Hauschildt" src="https://freight.cargo.site/w/1000/i/e4725a16ee58140011e4ff107015110c31cc6166deba18aa25a1fd1191681f3e/Hauschildt-KeyVisual.png" /> Cybernetic Workstation Bjarne Hauschildt&nbsp; Ausgehend von der Frage wie eine Gestik des Computers aussehen kann, erkundet dieses in interdisziplinärer Kooperation entstandene Projekt theoretische Ansätze der Kybernetik und versucht herauszufinden welche Aspekte sie in einer, in ästhetischer Praxis begründeten, Untersuchung prägen. Das Objekt besteht aus einem digitalen Interface über das, in Konversation mit einer, Stafford Beer‘s Persönlichkeit nachahmenden KI verschiedene Interaktionen mit einigen physischen Elektrogeräten möglich sind. Ziel ist die niedrigschwellige Vorstellung von kybernetischen Ideen und systemischen Gedankengängen. Das Projekt ist maßgeblich von einer ersten, naiven Lesung der Texte von Stafford Beer, Gui Bonsiepe und Margaret Mead geprägt. Größter Dank geht an die Menschen außerhalb des Kontextes des Kurses, die das Projekt maßgeblich unterstützt und geprägt haben: Niyazi Ertut, Jakob Raue, Robin Jürgens, Lilly Achleitner, Marinus Paul. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5b0faae988e5a35d9002f787debc89fe0910280d1b62bb818c6cd9e8fe355f79/Hauschildt-Foto2.jpg" data-mid="215042728" border="0" alt="&copy; Bjarne Hauschildt" data-caption="© Bjarne Hauschildt" src="https://freight.cargo.site/w/1000/i/5b0faae988e5a35d9002f787debc89fe0910280d1b62bb818c6cd9e8fe355f79/Hauschildt-Foto2.jpg" /> <img width="1279" height="720" width_o="1279" height_o="720" data-src="https://freight.cargo.site/t/original/i/92f1764dfdb91c53c614a6ebf14a960cd213f6c5eda7facad849a1a9f190ff2c/Hauschildt-Foto1.jpg" data-mid="215042726" border="0" alt="&copy; Bjarne Hauschildt" data-caption="© Bjarne Hauschildt" src="https://freight.cargo.site/w/1000/i/92f1764dfdb91c53c614a6ebf14a960cd213f6c5eda7facad849a1a9f190ff2c/Hauschildt-Foto1.jpg" />