https://digitalpractices.cargo.site fg.digital-practices Wed, 14 Jan 2026 13:10:55 +0000 https://digitalpractices.cargo.site en https://digitalpractices.cargo.site/About-1 Tue, 08 Aug 2023 05:13:01 +0000 fg.digital-practices https://digitalpractices.cargo.site/About-1 ↘Design for Digital Life and Knowledge Practices i . ABOUT ii.&nbsp;PROJECTS iii. NEWS <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/b6d26829f904172b96a720a96708b2d4302e76540071f8ff8208ea6bb4224f0e/Sloma1.jpg" data-mid="239520833" border="0" alt="ThuyVy Nguyen | SLOMA" data-caption="ThuyVy Nguyen | SLOMA" src="https://freight.cargo.site/w/1000/i/b6d26829f904172b96a720a96708b2d4302e76540071f8ff8208ea6bb4224f0e/Sloma1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5a5c85642ade986258f77c150da6baa2f64c7faa3ec7a11b237c9fcfec6d57b6/Luecke_FlorinaRall.png" data-mid="239520990" border="0" alt="Luecke | Florina Rall" data-caption="Luecke | Florina Rall" src="https://freight.cargo.site/w/1000/i/5a5c85642ade986258f77c150da6baa2f64c7faa3ec7a11b237c9fcfec6d57b6/Luecke_FlorinaRall.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2092f1cd31383bc29c10435d12a772209f839cf3e9296bfdce76dc610d4c5df7/PrismOfFate_AmireKoncici-PiperSyester-TaylorOwen.png" data-mid="239521050" border="0" alt="Prism of Fate | Amire Koncici, Piper Syester, Taylor Owen" data-caption="Prism of Fate | Amire Koncici, Piper Syester, Taylor Owen" src="https://freight.cargo.site/w/1000/i/2092f1cd31383bc29c10435d12a772209f839cf3e9296bfdce76dc610d4c5df7/PrismOfFate_AmireKoncici-PiperSyester-TaylorOwen.png" /> <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/acd97e49d80572595f18fe235ef6bec370a7b34abb441a58cbae54236e1c7062/Skygge_NicoleJansen-JosefineHolmer.jpg" data-mid="239520981" border="0" alt="SKYGGE | Nicole Jansen, Josefine Holmer" data-caption="SKYGGE | Nicole Jansen, Josefine Holmer" src="https://freight.cargo.site/w/1000/i/acd97e49d80572595f18fe235ef6bec370a7b34abb441a58cbae54236e1c7062/Skygge_NicoleJansen-JosefineHolmer.jpg" /> <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/fe17da741ff436804da16525f167ef5369052a2f351c22fcb5cbdf82743efb94/Yaced_PaulinaJouaux-Lauren-McDonald-RosemaryGomez.jpg" data-mid="239521051" border="0" alt="Paulina Jouaux, Lauren McDonald, Rosemary Gomez | Yaced" data-caption="Paulina Jouaux, Lauren McDonald, Rosemary Gomez | Yaced" src="https://freight.cargo.site/w/1000/i/fe17da741ff436804da16525f167ef5369052a2f351c22fcb5cbdf82743efb94/Yaced_PaulinaJouaux-Lauren-McDonald-RosemaryGomez.jpg" /> &nbsp; ↘ ABOUT Design for digital life and knowledge practices, or Digital Practices for short, focuses on the ubiquitous and in many ways invisible interfaces between people, a community or a society and the digital. In the spirit of embodiment, the conviction that knowledge and consciousness require bodies, our relationship to technology will be discussed through student projects from the fields of graphic, product, exhibition and interaction design, among others. Special attention is paid to neo-analogue interaction. A symbiosis of code, material and form through which physical and digital events are interdependent. In order to create not only plausible but also desirable concepts (encorporating visions of the future), the prototype is at the methodological centre of the trained design process: The prototype as a mediator between the designer and ~ the context, the concept, the project partners, the users, the stakeholders and much more. ↘ PROJECTS <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1f528e062ac3348bbee80bc284d6cd4d50b6ced21378d88058c11d620b525249/vertical_keyvisual.png" data-mid="252023057" border="0" src="https://freight.cargo.site/w/1000/i/1f528e062ac3348bbee80bc284d6cd4d50b6ced21378d88058c11d620b525249/vertical_keyvisual.png" />Siebensachen Winter&nbsp;Term 2025/26 <img width="1980" height="1076" width_o="1980" height_o="1076" data-src="https://freight.cargo.site/t/original/i/9489269c25e5509e334c0868932e2606533df76fb0827a0a7ff2cc5ea3b90572/ThumbnailEatWorkSleep-2.jpg" data-mid="252023065" border="0" src="https://freight.cargo.site/w/1000/i/9489269c25e5509e334c0868932e2606533df76fb0827a0a7ff2cc5ea3b90572/ThumbnailEatWorkSleep-2.jpg" />Eat.Work.Sleep. Winter&nbsp;Term 2025/26 <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/710d041a8dac89c42808756d2a37e846ba52441278da1f47d587551bd41e249e/4000Miles3-WebTeaser.png" data-mid="236632443" border="0" src="https://freight.cargo.site/w/1000/i/710d041a8dac89c42808756d2a37e846ba52441278da1f47d587551bd41e249e/4000Miles3-WebTeaser.png" />4000 Miles (3): Malleability of Space and Time Summer Term 2025 <img width="1500" height="844" width_o="1500" height_o="844" data-src="https://freight.cargo.site/t/original/i/f964408c7251952d7478eb6bee34d995ae0e69fb0565eceb853ab512407e1503/DoNothingMachines-WebTeaser.png" data-mid="236632764" border="0" src="https://freight.cargo.site/w/1000/i/f964408c7251952d7478eb6bee34d995ae0e69fb0565eceb853ab512407e1503/DoNothingMachines-WebTeaser.png" />Do-Nothing-Machines Summer Term 2025 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d4ba9d90881f96396e7be82ecacedb74e402663309e9dd5b7311d74a17edde8d/4000Miles3-WebTeaser.jpg" data-mid="228377856" border="0" src="https://freight.cargo.site/w/1000/i/d4ba9d90881f96396e7be82ecacedb74e402663309e9dd5b7311d74a17edde8d/4000Miles3-WebTeaser.jpg" />4000 Miles (2): Closeness Across Distance Winter Term 2024/25 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b15e54b0e33832db9f70b34f4a15af8ea883b49dddce318d695a8408b599ae6a/PlaceMakingPlace-WebTeaser.png" data-mid="228377901" border="0" src="https://freight.cargo.site/w/1000/i/b15e54b0e33832db9f70b34f4a15af8ea883b49dddce318d695a8408b599ae6a/PlaceMakingPlace-WebTeaser.png" />Place-Making-Place Winter Term 2024/25 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/60281db0a02f1a82ab3da384dff51474298ebf50f26b5a3773949792e659d16a/_TeaserImage-AtTheTable.JPG" data-mid="217762678" border="0" data-no-zoom alt="&copy; Judith Glaser" data-caption="© Judith Glaser" src="https://freight.cargo.site/w/1000/i/60281db0a02f1a82ab3da384dff51474298ebf50f26b5a3773949792e659d16a/_TeaserImage-AtTheTable.JPG" />At the Table? Summer Term 2024 <img width="1278" height="720" width_o="1278" height_o="720" data-src="https://freight.cargo.site/t/original/i/ec1d316c48d3912b4545002af4c437f232ac497a74ba2163c4b799d26d6e7e35/_KursKeyVisual.png" data-mid="215042831" border="0" data-no-zoom alt="&copy; Leonie Rossnagel, Lisa-Marie Schneider " data-caption="© Leonie Rossnagel, Lisa-Marie Schneider " src="https://freight.cargo.site/w/1000/i/ec1d316c48d3912b4545002af4c437f232ac497a74ba2163c4b799d26d6e7e35/_KursKeyVisual.png" />Speaking Gestures Summer Term 2024 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9b664e5c161910435184015a12b989c808688e715529f77d8687a4c7c2e70e49/SydneyCraig_wide.png" data-mid="199631780" border="0" data-no-zoom alt="&copy; Sydney Craig" data-caption="© Sydney Craig" src="https://freight.cargo.site/w/1000/i/9b664e5c161910435184015a12b989c808688e715529f77d8687a4c7c2e70e49/SydneyCraig_wide.png" />4000 Miles (1): Transcontinental Storytelling Winter Term 2023/24 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/580c6d359c23daff2e23ab957a7bdbbd0581f853d799e73664fab8d36037a7bf/hero-spur.jpg" data-mid="206577469" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/580c6d359c23daff2e23ab957a7bdbbd0581f853d799e73664fab8d36037a7bf/hero-spur.jpg" />SPUR Winter Term 2023/24 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5029facd32047ffee161ac69f269fdb3ad3b61368cabdad999b0b47c7904af87/timeTime.png" data-mid="199631403" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/5029facd32047ffee161ac69f269fdb3ad3b61368cabdad999b0b47c7904af87/timeTime.png" />Time, Time Summer Term 2023 ↘ NEWS 10.2025 4000 Miles (3): Virtual Tour available for Exhibition at Eskenazi Fine Arts Center, Indianapolis, USA ↗ 09.2025 4000 Miles (3) exhibition: Malleability of Time and Space showcased at Eskenazi Fine Arts Center, Indianapolis, IN, USA ↗ 06.2025 Publication: Paul, M., Valkova, N., Craig, S.W. and Glaser, J. (2025). Brewing Banter: Augmenting Intercontinental Studio Classes for Casual Communication. In Proceedings of the 2025 Conference on Creativity and Cognition (C&amp;C ’25). Association for Computing Machinery, New York, NY, USA, 750–761. https://doi.org/10.1145/3698061.3726953&nbsp;↗ 06.2025 4000 Miles showcased at Science4All 2025 ↗ 03.2025 4000 Miles (3): Malleability of Sapce and Time successfully lanched in Summer Term 2024/25 ↗ 02.2025re.form: neoanalog concept of master student Sarah Kiesewetter wins prize for outstanding theses from the Hans-Wilhelm Renkhoff Foundation&nbsp;↗ ↘ MORE NEWS https://digitalpractices.cargo.site/News Fri, 10 Jan 2025 15:12:36 +0000 fg.digital-practices https://digitalpractices.cargo.site/News ↘News10.2025 4000 Miles (3): Virtual Tour available for Exhibition at Eskenazi Fine Arts Center, Indianapolis, USA ↗ 09.2025 4000 Miles (3) exhibition: Malleability of Time and Space showcased at Eskenazi Fine Arts Center, Indianapolis, IN, USA ↗ 06.2025 Publication: Paul, M., Valkova, N., Craig, S.W. and Glaser, J. (2025). Brewing Banter: Augmenting Intercontinental Studio Classes for Casual Communication. In Proceedings of the 2025 Conference on Creativity and Cognition (C&amp;C ’25). Association for Computing Machinery, New York, NY, USA, 750–761. https://doi.org/10.1145/3698061.3726953&nbsp;↗ 06.2025 4000 Miles showcased at Science4All 2025 ↗ 03.2025 4000 Miles (3): Malleability of Sapce and Time successfully lanched in Summer Term 2024/25 ↗02.2025re.form: neoanalog concept of master student Sarah Kiesewetter wins prize for outstanding theses from the Hans-Wilhelm Renkhoff Foundation ↗ 02.2025 4000 Miles (2): Virtual Tour available for Exhibition at Faculty of Design Würzburg, Germany ↗ 01.20254000 Miles (2): Project showcased at Faculty of Design Würzburg, Germany ↗ 10.2024 Place-Making-Place: Workshop series on interventions into public space with artist Katharina Lüdicke ↗ 10.2024 4000 Miles (2): Closeness Across Distance successfully lanched in Winter Term 2024/25 ↗ 06.2024 4000 Miles: Intercontinental Education Project funded by the Bavarian State Ministry of Research and the Arts within the NewNormal initiative ↗ 03.2024 4000 Miles (1): Virtual Tour available for Exhibition at Marsh Gallery, Indianapolis, USA ↗ 02.2024 4000 Miles (1): Project showcased at Marsh Gallery, Indianapolis, USA ↗ 11.2023 SPUR: Workshop on 3D-Printing Ceramics with Designer Babette Wiezorek ↗ 10.2023 4000 Miles (1): Digital Practices starts Virtual Global Learning Exchange with Herron School of Art + Design ↗ https://digitalpractices.cargo.site/4000-Miles Tue, 14 May 2024 13:14:15 +0000 fg.digital-practices https://digitalpractices.cargo.site/4000-Miles ↘ 4000 MILESHybrid Practices for the Intercontinental Teaching of Design and Art Duration 01.06.25 –&nbsp; 31.05.2025 4000 Miles is an interdisciplinary research project that bridges two disciplines, in two languages, on two continents, in two time zones. The projects seeks to show how a sustainable practice of intercultural thinking and global cooperation can be realised by means of a blended learning approach. Using the example of higher education in design and art, 4000 Miles aims to explore digital and material practices within asynchronous co-creation processes. To this end, lecturers form an international partnership and implement art and design studio classes that will take place within the institutions curriculum. Goals 4000 Miles focusses on students and lecturers needs alike. Students should be enabled to build intercultural communication skills, to foster self-organisation and to gain confidence in moving between analogue and digital (design) practices. Lecturer should be supported with focus on building functional teams, maintaining a sense of presence within asynchronous learning processes as well as in the publication of hybrid results. In order to develop the finely tuned hybrid learning environment envisioned, methodological and technical explorations will be tested and evaluated in the teaching practice of multiple iterations of studio classes. OER 4000 Miles: Collaborative International Art and Design Education <img width="1870" height="1014" width_o="1870" height_o="1014" data-src="https://freight.cargo.site/t/original/i/f9c6c7649cf2980247fd5430df1f9c67f49b421716cea7ca29b49ddb2bf7561b/Cover-4000Miles-OER.png" data-mid="235825016" border="0" src="https://freight.cargo.site/w/1000/i/f9c6c7649cf2980247fd5430df1f9c67f49b421716cea7ca29b49ddb2bf7561b/Cover-4000Miles-OER.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2498ba43076aaba27090741c1e9eb5cbef525fdbac72afbae7c9c36c919183bb/workshop1-3.jpeg" data-mid="222622120" border="0" alt="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." data-caption="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." src="https://freight.cargo.site/w/1000/i/2498ba43076aaba27090741c1e9eb5cbef525fdbac72afbae7c9c36c919183bb/workshop1-3.jpeg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d3a4d3ee98ce18c06dfd9f781ebfd12195a42b5f1386a63ca0a7f2566c849f8a/workshop1-2.jpeg" data-mid="222622119" border="0" alt="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." data-caption="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." src="https://freight.cargo.site/w/1000/i/d3a4d3ee98ce18c06dfd9f781ebfd12195a42b5f1386a63ca0a7f2566c849f8a/workshop1-2.jpeg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/88d8d94445a459dd0efa82508b2d6eddb648180a7bd8676d381b9a9c3f3787b9/workshop1-1.jpeg" data-mid="222622118" border="0" alt="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." data-caption="Impressions from the co-creation workshop in July at the IU Europe Gateway in Berlin." src="https://freight.cargo.site/w/1000/i/88d8d94445a459dd0efa82508b2d6eddb648180a7bd8676d381b9a9c3f3787b9/workshop1-1.jpeg" /> <img width="1279" height="720" width_o="1279" height_o="720" data-src="https://freight.cargo.site/t/original/i/53dfffcfed60f674e3b5b19ca46b3b92f382c6f96d3630547a4e04c3fa164c3a/4000Miles2-2.JPG" data-mid="222622115" border="0" alt="Hybrid team work practices at studio class 4000 Miles (2) &ndash; Closeness across Distance." data-caption="Hybrid team work practices at studio class 4000 Miles (2) – Closeness across Distance." src="https://freight.cargo.site/w/1000/i/53dfffcfed60f674e3b5b19ca46b3b92f382c6f96d3630547a4e04c3fa164c3a/4000Miles2-2.JPG" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/369929f372cb88894a52af6989bda357c40dab7cf0ebb4a4a2567b245d0d7687/4000Miles2-1.JPG" data-mid="222622111" border="0" alt="Hybrid team work practices at studio class 4000 Miles (2) &ndash; Closeness across Distance." data-caption="Hybrid team work practices at studio class 4000 Miles (2) – Closeness across Distance." src="https://freight.cargo.site/w/1000/i/369929f372cb88894a52af6989bda357c40dab7cf0ebb4a4a2567b245d0d7687/4000Miles2-1.JPG" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/359236ab428b7f9c43853782e6120a3b2fc2f4946b4aa496a13483999354103b/4000miles-virtual-exhibition.png" data-mid="226145867" border="0" alt="Virtual Tour available for 4000 Miles (2) exhibition at Faculty for Design W&uuml;rzburg " data-caption="Virtual Tour available for 4000 Miles (2) exhibition at Faculty for Design Würzburg " src="https://freight.cargo.site/w/1000/i/359236ab428b7f9c43853782e6120a3b2fc2f4946b4aa496a13483999354103b/4000miles-virtual-exhibition.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5d8b0d68bae2ae8ed0c4629b8f94163d9562debcbcdbb03b721ab5d7c287e354/4000Miles-Science4All2025.JPG" data-mid="235005780" border="0" alt="Poster Presentation at Science4All 2025, W&uuml;rzburg" data-caption="Poster Presentation at Science4All 2025, Würzburg" src="https://freight.cargo.site/w/1000/i/5d8b0d68bae2ae8ed0c4629b8f94163d9562debcbcdbb03b721ab5d7c287e354/4000Miles-Science4All2025.JPG" /> ↘ACTIVITIES 10.2025 4000 Miles (3): Virtual Tour available for Exhibition at Eskenazi Fine Arts Center, Indianapolis, USA ↗ 09.2025 4000 Miles (3) exhibition: Malleability of Time and Space showcased at Eskenazi Fine Arts Center, Indianapolis, IN, USA ↗ 06.2025 Publication:&nbsp;Paul, M., Valkova, N., Craig, S.W. and Glaser, J. (2025). Brewing Banter: Augmenting Intercontinental Studio Classes for Casual Communication. In Proceedings of the 2025 Conference on Creativity and Cognition (C&amp;C ’25). Association for Computing Machinery, New York, NY, USA, 750–761. https://doi.org/10.1145/3698061.3726953&nbsp;↗ 06.2025 4000 Miles showcased at Science4All 2025 ↗ 05.2025 Funded Project End 4000 Miles 03.2025 Studio Class 4000 Miles (3) – Mallebility of Time and Space successfully launched in Summer Term 2025 ↗ 03.2025 Peer-review workshop conducted with VGLE educators at Herron School of Art + Design, Indianapolis ↗ 02.2025 4000 Miles (2): Virtual Tour available for Exhibition at Faculty of Design Würzburg, Germany ↗ 01.20254000 Miles (2): Project showcased at Faculty of Design Würzburg, Germany&nbsp;↗ 11.2024Paul and Valkova holding lecture on 4000 Miles at interdisciplinary degree programme Digital Society&nbsp;↗ 10.2024Craig, Datta and Glaser hosting workshop Conneting Distances at IVEC 2024 conference&nbsp;↗10.2024 Studio Class 4000 Miles (2) – Closeness Across Distance successfully launched in Winter Term 2024/25 ↗ 07.2024Co-creation workshop conducted with experts from industry, administration and others at the IU Europe Gateway ↗ 06.2024Funded Project Start 4000 Miles&nbsp;02.2024Funding Granted to 4000 Miles by Bavarian State Ministry of Research and the Arts&nbsp;↗10.2023 Test balloon successfully launched: studio class 4000 Miles (1) – Transcontinental Storytelling took place in Winter Term 23/24 ↗ ↘PARTNERS Faculty of Design Würzburg As a representative of the University of Applied Science Würzburg-Schweinfurt (THWS) ↗, the consortium will be headed by Prof. Judith Glaser. As a interaction designer and researcher Glasers interest lies on processes of “oscillating” between digital and analogue practice. <img width="300" height="159" width_o="300" height_o="159" data-src="https://freight.cargo.site/t/original/i/bee12dbb7487d02a3ad8c15219a8d9aeb919546436f3bc0709b374c3ac05106b/logo-fg-sw.png" data-mid="210897762" border="0" data-scale="6" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/300/i/bee12dbb7487d02a3ad8c15219a8d9aeb919546436f3bc0709b374c3ac05106b/logo-fg-sw.png" />&nbsp; &nbsp;&nbsp; <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/a664ea0c6c0b0b7c7a99f8827e07ce46c601a05ef5fa03f8c95e3e13602698ee/JudithGlaser-rund.png" data-mid="210886147" border="0" data-scale="24" src="https://freight.cargo.site/w/300/i/a664ea0c6c0b0b7c7a99f8827e07ce46c601a05ef5fa03f8c95e3e13602698ee/JudithGlaser-rund.png" /> Prof. Judith Glaser&nbsp;↗ Herron School of Art+ Design The counterpart of Prof. Judith Glaser in In the United States at Herron School of Art+Design (Indiana University)&nbsp;↗ is Prof. Sydney Craig. Craigs research focuses on introducing virtual global learning projects into the curriculum for first-year students to install a global mindset early in their academic careers. <img width="715" height="91" width_o="715" height_o="91" data-src="https://freight.cargo.site/t/original/i/45ca8d0002674e4a57204f510b70f4b1473751eed4e6c746a2b54b6ea31073cf/Logo-IU-sw.png" data-mid="210891574" border="0" data-scale="3" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/715/i/45ca8d0002674e4a57204f510b70f4b1473751eed4e6c746a2b54b6ea31073cf/Logo-IU-sw.png" /> <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/a3355bfc03c0af967e779e0c6e330a3e961034e501ff71e13b0641c68a5b9a14/SydneyCraig-rund.png" data-mid="210886351" border="0" data-scale="23" src="https://freight.cargo.site/w/300/i/a3355bfc03c0af967e779e0c6e330a3e961034e501ff71e13b0641c68a5b9a14/SydneyCraig-rund.png" /> Prof. Sydney Craig ↗ IDIS The In-Institute for Design and Information System ​(IDIS) ↗ focuses on applied, interdisciplinary research in the field of digital information and communication media and works on inter- and transdisciplinary topics from the fields of computer science and communication design. <img width="1406" height="655" width_o="1406" height_o="655" data-src="https://freight.cargo.site/t/original/i/1b65cd4d45f62566acf747fe42f0695837b1a9aa3faa7e621cb6a20b74de7c58/id23_idis-thws_logo_100pt_de_black.png" data-mid="213625452" border="0" data-scale="6" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/1b65cd4d45f62566acf747fe42f0695837b1a9aa3faa7e621cb6a20b74de7c58/id23_idis-thws_logo_100pt_de_black.png" /> <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/16c1d11c487aafa0bcf1e36f5b89e04a6aaf6f3c4569c950aee4f6ce9cfa893c/MarinusPaul-rund.png" data-mid="222624697" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/16c1d11c487aafa0bcf1e36f5b89e04a6aaf6f3c4569c950aee4f6ce9cfa893c/MarinusPaul-rund.png" />Marinus Paul&nbsp;↗ <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/496eddda30bffe833747f5c66a92059c9fa2c7bfcc1ff82bdc397228488cc0e9/NataliaValkova-rund.png" data-mid="222624698" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/496eddda30bffe833747f5c66a92059c9fa2c7bfcc1ff82bdc397228488cc0e9/NataliaValkova-rund.png" />Natalia Valkova&nbsp;↗ Indiana University Gateway in Berlin The IU Europe Gateway ↗ promotes collaborative international scientific exchange and intercultural online learning between IU faculty/students and their peers in Europe and contributes its experience in conducting virtual exchanges to this project, as well as infrastructure and a broad network&nbsp;of local and international contacts. <img width="698" height="400" width_o="698" height_o="400" data-src="https://freight.cargo.site/t/original/i/27942b4753094626e7b2b86fa5a1ff657dff1365a4410c39276b5dbbcbee2b13/logo-indiana-gateway-sw.png" data-mid="215914843" border="0" data-scale="8" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/698/i/27942b4753094626e7b2b86fa5a1ff657dff1365a4410c39276b5dbbcbee2b13/logo-indiana-gateway-sw.png" /> <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/1e601826c56806f3593edc854081d40c12cd0f474115d125490d72d93563d9c3/KatrinVoelkner-rund.png" data-mid="213575605" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/1e601826c56806f3593edc854081d40c12cd0f474115d125490d72d93563d9c3/KatrinVoelkner-rund.png" /> Dr. Katrin Völkner <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/bf4bb3e1ebbb5951438aaf19967d13d16ec5b241dfa673d907f7cc7bbc925be9/AnnabellTuerk-rund.png" data-mid="213575606" border="0" data-scale="51" data-no-zoom src="https://freight.cargo.site/w/300/i/bf4bb3e1ebbb5951438aaf19967d13d16ec5b241dfa673d907f7cc7bbc925be9/AnnabellTuerk-rund.png" /> &nbsp; Annabell Türk Previous Members <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/76983f213b2f8866ab10673b8da956e3fa6094e89fbc299190ca9ba7ed1dba92/MeldaAhmetoglu-rund.png" data-mid="213961554" border="0" data-scale="51" src="https://freight.cargo.site/w/300/i/76983f213b2f8866ab10673b8da956e3fa6094e89fbc299190ca9ba7ed1dba92/MeldaAhmetoglu-rund.png" /> Melda Ahmetoglu&nbsp;↗ <img width="297" height="297" width_o="297" height_o="297" data-src="https://freight.cargo.site/t/original/i/ec052e2b0c65af8ccfd70dcb0ee38163ed5112ff9eaf3c64d2d416489de3655f/EmmaSchuepfer-rund.png" data-mid="215914862" border="0" data-scale="51" src="https://freight.cargo.site/w/297/i/ec052e2b0c65af8ccfd70dcb0ee38163ed5112ff9eaf3c64d2d416489de3655f/EmmaSchuepfer-rund.png" /> Emma Schüpfer ↘ SPONSORS This research project is funded by Bavarian State Ministry of Research and the Arts&nbsp;↗&nbsp; <img width="718" height="127" width_o="718" height_o="127" data-src="https://freight.cargo.site/t/original/i/288e81abd37daeb7fc5aa9efbaf3e4d003c9f290316870455bc9225cc67f8b5e/LogoStaatsministerium-sw.png" data-mid="210889786" border="0" data-scale="6" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/718/i/288e81abd37daeb7fc5aa9efbaf3e4d003c9f290316870455bc9225cc67f8b5e/LogoStaatsministerium-sw.png" /> In cooperation with vbw –&nbsp;Bavarian Industry Association&nbsp;↗ <img width="1738" height="691" width_o="1738" height_o="691" data-src="https://freight.cargo.site/t/original/i/de0fc5cb7fdaf2280097bd0dcaeeb59febcdd60442de0b11f5a22448784538c3/logo-vbw_18_KA_UR_2ZK_sw.jpeg" data-mid="213961920" border="0" data-scale="7" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/de0fc5cb7fdaf2280097bd0dcaeeb59febcdd60442de0b11f5a22448784538c3/logo-vbw_18_KA_UR_2ZK_sw.jpeg" /> https://digitalpractices.cargo.site/Privacy-Policy Tue, 08 Aug 2023 05:13:01 +0000 fg.digital-practices https://digitalpractices.cargo.site/Privacy-Policy ↘PRIVACY POLICY Datenschutzerklärung Prof. Judith Glaser ↗ Technical University of Applied Science Würzburg-SchweinfurtFaculty of Design Würzburg Sanderheinrichsleitenweg 20 97074 Würzburg Telephone: +49 931 35 11 93 02 E-Mail: judith.glaser@thws.de Ich freue mich über Ihr Interesse an dieser Homepage. Datenschutz hat einen besonders hohen Stellenwert für mich. Eine Nutzung der Internetseiten von Judith Glaser ist grundsätzlich ohne jede Angabe personenbezogener Daten möglich. Sofern eine betroffene Person besondere Services über meine Internetseite in Anspruch nehmen möchte, könnte jedoch eine Verarbeitung personenbezogener Daten erforderlich werden. Ist die Verarbeitung personenbezogener Daten erforderlich und besteht für eine solche Verarbeitung keine gesetzliche Grundlage, holen ich generell eine Einwilligung der betroffenen Person ein. Die Verarbeitung personenbezogener Daten, beispielsweise des Namens, der Anschrift, E-Mail-Adresse oder Telefonnummer einer betroffenen Person, erfolgt stets im Einklang mit der Datenschutz-Grundverordnung und in Übereinstimmung mit den für Judith Glaser geltenden landesspezifischen Datenschutzbestimmungen. Mittels dieser Datenschutzerklärung möchte ich die Öffentlichkeit über Art, Umfang und Zweck der von uns erhobenen, genutzten und verarbeiteten personenbezogenen Daten informieren. Ferner werden betroffene Personen mittels dieser Datenschutzerklärung über die ihnen zustehenden Rechte aufgeklärt. Judith Glaser hat als für die Verarbeitung Verantwortlicher zahlreiche technische und organisatorische Maßnahmen umgesetzt, um einen möglichst lückenlosen Schutz der über diese Internetseite verarbeiteten personenbezogenen Daten sicherzustellen. Dennoch können Internetbasierte Datenübertragungen grundsätzlich Sicherheitslücken aufweisen, sodass ein absoluter Schutz nicht gewährleistet werden kann. Aus diesem Grund steht es jeder betroffenen Person frei, personenbezogene Daten auch auf alternativen Wegen, beispielsweise telefonisch, an uns zu übermitteln. BegriffsbestimmungenDie Datenschutzerklärung von Judith Glaser beruht auf den Begrifflichkeiten, die durch den Europäischen Richtlinien- und Verordnungsgeber beim Erlass der Datenschutz-Grundverordnung (DS-GVO) verwendet wurden. Meine Datenschutzerklärung soll sowohl für die Öffentlichkeit als auch für meine Kunden und Geschäftspartner einfach lesbar und verständlich sein. Um dies zu gewährleisten, möchten wir vorab die verwendeten Begrifflichkeiten erläutern.Ich verwende in dieser Datenschutzerklärung unter anderem die folgenden Begriffe: Personenbezogene DatenPersonenbezogene Daten sind alle Informationen, die sich auf eine identifizierte oder identifizierbare natürliche Person (im Folgenden „betroffene Person“) beziehen. Als identifizierbar wird eine natürliche Person angesehen, die direkt oder indirekt, insbesondere mittels Zuordnung zu einer Kennung wie einem Namen, zu einer Kennnummer, zu Standortdaten, zu einer Online-Kennung oder zu einem oder mehreren besonderen Merkmalen, die Ausdruck der physischen, physiologischen, genetischen, psychischen, wirtschaftlichen, kulturellen oder sozialen Identität dieser natürlichen Person sind, identifiziert werden kann. Betroffene PersonBetroffene Person ist jede identifizierte oder identifizierbare natürliche Person, deren personenbezogene Daten von dem für die Verarbeitung Verantwortlichen verarbeitet werden. VerarbeitungVerarbeitung ist jeder mit oder ohne Hilfe automatisierter Verfahren ausgeführte Vorgang oder jede solche Vorgangsreihe im Zusammenhang mit personenbezogenen Daten wie das Erheben, das Erfassen, die Organisation, das Ordnen, die Speicherung, die Anpassung oder Veränderung, das Auslesen, das Abfragen, die Verwendung, die Offenlegung durch Übermittlung, Verbreitung oder eine andere Form der Bereitstellung, den Abgleich oder die Verknüpfung, die Einschränkung, das Löschen oder die Vernichtung. Einschränkung der VerarbeitungEinschränkung der Verarbeitung ist die Markierung gespeicherter personenbezogener Daten mit dem Ziel, ihre künftige Verarbeitung einzuschränken. ProfilingProfiling ist jede Art der automatisierten Verarbeitung personenbezogener Daten, die darin besteht, dass diese personenbezogenen Daten verwendet werden, um bestimmte persönliche Aspekte, die sich auf eine natürliche Person beziehen, zu bewerten, insbesondere, um Aspekte bezüglich Arbeitsleistung, wirtschaftlicher Lage, Gesundheit, persönlicher Vorlieben, Interessen, Zuverlässigkeit, Verhalten, Aufenthaltsort oder Ortswechsel dieser natürlichen Person zu analysieren oder vorherzusagen. PseudonymisierungPseudonymisierung ist die Verarbeitung personenbezogener Daten in einer Weise, auf welche die personenbezogenen Daten ohne Hinzuziehung zusätzlicher Informationen nicht mehr einer spezifischen betroffenen Person zugeordnet werden können, sofern diese zusätzlichen Informationen gesondert aufbewahrt werden und technischen und organisatorischen Maßnahmen unterliegen, die gewährleisten, dass die personenbezogenen Daten nicht einer identifizierten oder identifizierbaren natürlichen Person zugewiesen werden. Verantwortlicher oder für die Verarbeitung VerantwortlicherVerantwortlicher oder für die Verarbeitung Verantwortlicher ist die natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle, die allein oder gemeinsam mit anderen über die Zwecke und Mittel der Verarbeitung von personenbezogenen Daten entscheidet. Sind die Zwecke und Mittel dieser Verarbeitung durch das Unionsrecht oder das Recht der Mitgliedstaaten vorgegeben, so kann der Verantwortliche beziehungsweise können die bestimmten Kriterien seiner Benennung nach dem Unionsrecht oder dem Recht der Mitgliedstaaten vorgesehen werden. AuftragsverarbeiterAuftragsverarbeiter ist eine natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle, die personenbezogene Daten im Auftrag des Verantwortlichen verarbeitet. EmpfängerEmpfänger ist eine natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle, der personenbezogene Daten offengelegt werden, unabhängig davon, ob es sich bei ihr um einen Dritten handelt oder nicht. Behörden, die im Rahmen eines bestimmten Untersuchungsauftrags nach dem Unionsrecht oder dem Recht der Mitgliedstaaten möglicherweise personenbezogene Daten erhalten, gelten jedoch nicht als Empfänger. DritterDritter ist eine natürliche oder juristische Person, Behörde, Einrichtung oder andere Stelle außer der betroffenen Person, dem Verantwortlichen, dem Auftragsverarbeiter und den Personen, die unter der unmittelbaren Verantwortung des Verantwortlichen oder des Auftragsverarbeiters befugt sind, die personenbezogenen Daten zu verarbeiten. EinwilligungEinwilligung ist jede von der betroffenen Person freiwillig für den bestimmten Fall in informierter Weise und unmissverständlich abgegebene Willensbekundung in Form einer Erklärung oder einer sonstigen eindeutigen bestätigenden Handlung, mit der die betroffene Person zu verstehen gibt, dass sie mit der Verarbeitung der sie betreffenden personenbezogenen Daten einverstanden ist. Name und Anschrift des für die Verarbeitung VerantwortlichenVerantwortlicher im Sinne der Datenschutz-Grundverordnung, sonstiger in den Mitgliedstaaten der Europäischen Union geltenden Datenschutzgesetze und anderer Bestimmungen mit datenschutzrechtlichem Charakter ist: Prof. Judith Glaser&nbsp; Technical University of Applied Science Würzburg-SchweinfurtFaculty of Design WürzburgSanderheinrichsleitenweg 2097074 WürzburgTelephone: +49 931 35 11 93 02E-Mail: judith.glaser@thws.de Erfassung von allgemeinen Daten und InformationenDie Internetseite von Judith Glaser erfasst mit jedem Aufruf der Internetseite durch eine betroffene Person oder ein automatisiertes System eine Reihe von allgemeinen Daten und Informationen. Diese allgemeinen Daten und Informationen werden in den Logfiles des Servers gespeichert. Erfasst werden können die (1) verwendeten Browsertypen und Versionen, (2) das vom zugreifenden System verwendete Betriebssystem, (3) die Internetseite, von welcher ein zugreifendes System auf unsere Internetseite gelangt (sogenannte Referrer), (4) die Unterwebseiten, welche über ein zugreifendes System auf unserer Internetseite angesteuert werden, (5) das Datum und die Uhrzeit eines Zugriffs auf die Internetseite, (6) eine Internet-Protokoll-Adresse (IP-Adresse), (7) der Internet-Service-Provider des zugreifenden Systems und (8) sonstige ähnliche Daten und Informationen, die der Gefahrenabwehr im Falle von Angriffen auf unsere informationstechnologischen Systeme dienen.Bei der Nutzung dieser allgemeinen Daten und Informationen zieht Judith Glaser keine Rückschlüsse auf die betroffene Person. Diese Informationen werden vielmehr benötigt, um (1) die Inhalte unserer Internetseite korrekt auszuliefern, (2) die Inhalte unserer Internetseite sowie die Werbung für diese zu optimieren, (3) die dauerhafte Funktionsfähigkeit unserer informationstechnologischen Systeme und der Technik unserer Internetseite zu gewährleisten sowie (4) um Strafverfolgungsbehörden im Falle eines Cyberangriffes die zur Strafverfolgung notwendigen Informationen bereitzustellen. Diese anonym erhobenen Daten und Informationen werden durch die Judith Glaser daher einerseits statistisch und ferner mit dem Ziel ausgewertet, den Datenschutz und die Datensicherheit in unserem Unternehmen zu erhöhen, um letztlich ein optimales Schutzniveau für die von uns verarbeiteten personenbezogenen Daten sicherzustellen. Die anonymen Daten der Server-Logfiles werden getrennt von allen durch eine betroffene Person angegebenen personenbezogenen Daten gespeichert. Routinemäßige Löschung und Sperrung von personenbezogenen DatenDer für die Verarbeitung Verantwortliche verarbeitet und speichert personenbezogene Daten der betroffenen Person nur für den Zeitraum, der zur Erreichung des Speicherungszwecks erforderlich ist oder sofern dies durch den Europäischen Richtlinien- und Verordnungsgeber oder einen anderen Gesetzgeber in Gesetzen oder Vorschriften, welchen der für die Verarbeitung Verantwortliche unterliegt, vorgesehen wurde. Entfällt der Speicherungszweck oder läuft eine vom Europäischen Richtlinien- und Verordnungsgeber oder einem anderen zuständigen Gesetzgeber vorgeschriebene Speicherfrist ab, werden die personenbezogenen Daten routinemäßig und entsprechend den gesetzlichen Vorschriften gesperrt oder gelöscht. Rechte der betroffenen PersonRecht auf BestätigungJede betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber eingeräumte Recht, von dem für die Verarbeitung Verantwortlichen eine Bestätigung darüber zu verlangen, ob sie betreffende personenbezogene Daten verarbeitet werden. Möchte eine betroffene Person dieses Bestätigungsrecht in Anspruch nehmen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Recht auf AuskunftJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, jederzeit von dem für die Verarbeitung Verantwortlichen unentgeltliche Auskunft über die zu seiner Person gespeicherten personenbezogenen Daten und eine Kopie dieser Auskunft zu erhalten. Ferner hat der Europäische Richtlinien- und Verordnungsgeber der betroffenen Person Auskunft über folgende Informationen zugestanden: Die VerarbeitungszweckeDie Kategorien personenbezogener Daten, die verarbeitet werden die Empfänger oder Kategorien von Empfängern, gegenüber denen die personenbezogenen Daten offengelegt worden sind oder noch offengelegt werden, insbesondere bei Empfängern in Drittländern oder bei internationalen Organisationen falls möglich die geplante Dauer, für die die personenbezogenen Daten gespeichert werden, oder, falls dies nicht möglich ist, die Kriterien für die Festlegung dieser Dauer das Bestehen eines Rechts auf Berichtigung oder Löschung der sie betreffenden personenbezogenen Daten oder auf Einschränkung der Verarbeitung durch den Verantwortlichen oder eines Widerspruchsrechts gegen diese Verarbeitung. Das Bestehen eines Beschwerderechts bei einer Aufsichtsbehörde wenn die personenbezogenen Daten nicht bei der betroffenen Person erhoben werden: Alle verfügbaren Informationen über die Herkunft der Daten Das Bestehen einer automatisierten Entscheidungsfindung einschließlich Profiling gemäß Artikel 22 Abs.1 und 4 DS-GVO und — zumindest in diesen Fällen — aussagekräftige Informationen über die involvierte Logik sowie die Tragweite und die angestrebten Auswirkungen einer derartigen Verarbeitung für die betroffene Person. Ferner steht der betroffenen Person ein Auskunftsrecht darüber zu, ob personenbezogene Daten an ein Drittland oder an eine internationale Organisation übermittelt wurden. Sofern dies der Fall ist, so steht der betroffenen Person im Übrigen das Recht zu, Auskunft über die geeigneten Garantien im Zusammenhang mit der Übermittlung zu erhalten. Möchte eine betroffene Person dieses Auskunftsrecht in Anspruch nehmen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Recht auf BerichtigungJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, die unverzügliche Berichtigung sie betreffender unrichtiger personenbezogener Daten zu verlangen. Ferner steht der betroffenen Person das Recht zu, unter Berücksichtigung der Zwecke der Verarbeitung, die Vervollständigung unvollständiger personenbezogener Daten — auch mittels einer ergänzenden Erklärung — zu verlangen.Möchte eine betroffene Person dieses Berichtigungsrecht in Anspruch nehmen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Recht auf Löschung (Recht auf Vergessen werden) Jede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, von dem Verantwortlichen zu verlangen, dass die sie betreffenden personenbezogenen Daten unverzüglich gelöscht werden, sofern einer der folgenden Gründe zutrifft und soweit die Verarbeitung nicht erforderlich ist: Die personenbezogenen Daten wurden für solche Zwecke erhoben oder auf sonstige Weise verarbeitet, für welche sie nicht mehr notwendig sind.Die betroffene Person widerruft ihre Einwilligung, auf die sich die Verarbeitung gemäß Art. 6 Abs. 1 Buchstabe a DS-GVO oder Art. 9 Abs. 2 Buchstabe a DS-GVO stützte, und es fehlt an einer anderweitigen Rechtsgrundlage für die Verarbeitung.Die betroffene Person legt gemäß Art. 21 Abs. 1 DS-GVO Widerspruch gegen die Verarbeitung ein, und es liegen keine vorrangigen berechtigten Gründe für die Verarbeitung vor, oder die betroffene Person legt gemäß Art. 21 Abs. 2 DS-GVO Widerspruch gegen die Verarbeitung ein. Die personenbezogenen Daten wurden unrechtmäßig verarbeitet. Die Löschung der personenbezogenen Daten ist zur Erfüllung einer rechtlichen Verpflichtung nach dem Unionsrecht oder dem Recht der Mitgliedstaaten erforderlich, dem der Verantwortliche unterliegt.Die personenbezogenen Daten wurden in Bezug auf angebotene Dienste der Informationsgesellschaft gemäß Art. 8 Abs. 1 DS-GVO erhoben.Sofern einer der oben genannten Gründe zutrifft und eine betroffene Person die Löschung von personenbezogenen Daten, die bei Judith Glaser gespeichert sind, veranlassen möchte, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Judith Glaser wird veranlassen, dass dem Löschverlangen unverzüglich nachgekommen wird. Wurden die personenbezogenen Daten von Judith Glaser öffentlich gemacht und ist unser Unternehmen als Verantwortlicher gemäß Art. 17 Abs. 1 DS-GVO zur Löschung der personenbezogenen Daten verpflichtet, so trifft Judith Glaser unter Berücksichtigung der verfügbaren Technologie und der Implementierungskosten angemessene Maßnahmen, auch technischer Art, um andere für die Datenverarbeitung Verantwortliche, welche die veröffentlichten personenbezogenen Daten verarbeiten, darüber in Kenntnis zu setzen, dass die betroffene Person von diesen anderen für die Datenverarbeitung Verantwortlichen die Löschung sämtlicher Links zu diesen personenbezogenen Daten oder von Kopien oder Replikationen dieser personenbezogenen Daten verlangt hat, soweit die Verarbeitung nicht erforderlich ist. Judith Glaser wird im Einzelfall das Notwendige veranlassen. Recht auf Einschränkung der VerarbeitungJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, von dem Verantwortlichen die Einschränkung der Verarbeitung zu verlangen, wenn eine der folgenden Voraussetzungen gegeben ist: Die Richtigkeit der personenbezogenen Daten wird von der betroffenen Person bestritten, und zwar für eine Dauer, die es dem Verantwortlichen ermöglicht, die Richtigkeit der personenbezogenen Daten zu überprüfen.Die Verarbeitung ist unrechtmäßig, die betroffene Person lehnt die Löschung der personenbezogenen Daten ab und verlangt stattdessen die Einschränkung der Nutzung der personenbezogenen Daten.Der Verantwortliche benötigt die personenbezogenen Daten für die Zwecke der Verarbeitung nicht länger, die betroffene Person benötigt sie jedoch zur Geltendmachung, Ausübung oder Verteidigung von Rechtsansprüchen. Die betroffene Person hat Widerspruch gegen die Verarbeitung gem. Art. 21 Abs. 1 DS-GVO eingelegt und es steht noch nicht fest, ob die berechtigten Gründe des Verantwortlichen gegenüber denen der betroffenen Person überwiegen. Sofern eine der oben genannten Voraussetzungen gegeben ist und eine betroffene Person die Einschränkung von personenbezogenen Daten, die bei Judith Glaser gespeichert sind, verlangen möchte, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Judith Glaser wird die Einschränkung der Verarbeitung veranlassen. Recht auf DatenübertragbarkeitJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, die sie betreffenden personenbezogenen Daten, welche durch die betroffene Person einem Verantwortlichen bereitgestellt wurden, in einem strukturierten, gängigen und maschinenlesbaren Format zu erhalten. Sie hat außerdem das Recht, diese Daten einem anderen Verantwortlichen ohne Behinderung durch den Verantwortlichen, dem die personenbezogenen Daten bereitgestellt wurden, zu übermitteln, sofern die Verarbeitung auf der Einwilligung gemäß Art. 6 Abs. 1 Buchstabe a DS-GVO oder Art. 9 Abs. 2 Buchstabe a DS-GVO oder auf einem Vertrag gemäß Art. 6 Abs. 1 Buchstabe b DS-GVO beruht und die Verarbeitung mithilfe automatisierter Verfahren erfolgt, sofern die Verarbeitung nicht für die Wahrnehmung einer Aufgabe erforderlich ist, die im öffentlichen Interesse liegt oder in Ausübung öffentlicher Gewalt erfolgt, welche dem Verantwortlichen übertragen wurde.Ferner hat die betroffene Person bei der Ausübung ihres Rechts auf Datenübertragbarkeit gemäß Art. 20 Abs. 1 DS-GVO das Recht, zu erwirken, dass die personenbezogenen Daten direkt von einem Verantwortlichen an einen anderen Verantwortlichen übermittelt werden, soweit dies technisch machbar ist und sofern hiervon nicht die Rechte und Freiheiten anderer Personen beeinträchtigt werden. Zur Geltendmachung des Rechts auf Datenübertragbarkeit kann sich die betroffene Person jederzeit an Judith Glaser wenden. Recht auf WiderspruchJede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, aus Gründen, die sich aus ihrer besonderen Situation ergeben, jederzeit gegen die Verarbeitung sie betreffender personenbezogener Daten, die aufgrund von Art. 6 Abs. 1 Buchstaben e oder f DS-GVO erfolgt, Widerspruch einzulegen. Dies gilt auch für ein auf diese Bestimmungen gestütztes Profiling. Judith Glaser verarbeitet die personenbezogenen Daten im Falle des Widerspruchs nicht mehr, es sei denn, er kann zwingende schutzwürdige Gründe für die Verarbeitung nachweisen, die den Interessen, Rechten und Freiheiten der betroffenen Person überwiegen, oder die Verarbeitung dient der Geltendmachung, Ausübung oder Verteidigung von Rechtsansprüchen. Verarbeitet Judith Glaser personenbezogene Daten, um Direktwerbung zu betreiben, so hat die betroffene Person das Recht, jederzeit Widerspruch gegen die Verarbeitung der personenbezogenen Daten zum Zwecke derartiger Werbung einzulegen. Dies gilt auch für das Profiling, soweit es mit solcher Direktwerbung in Verbindung steht. Widerspricht die betroffene Person gegenüber Judith Glaser der Verarbeitung für Zwecke der Direktwerbung, so wird Judith Glaser die personenbezogenen Daten nicht mehr für diese Zwecke verarbeiten. Zudem hat die betroffene Person das Recht, aus Gründen, die sich aus ihrer besonderen Situation ergeben, gegen die sie betreffende Verarbeitung personenbezogener Daten, die bei Judith Glaser zu wissenschaftlichen oder historischen Forschungszwecken oder zu statistischen Zwecken gemäß Art. 89 Abs. 1 DS-GVO erfolgen, Widerspruch einzulegen, es sei denn, eine solche Verarbeitung ist zur Erfüllung einer im öffentlichen Interesse liegenden Aufgabe erforderlich. Zur Ausübung des Rechts auf Widerspruch kann sich die betroffene Person direkt an Judith Glaser oder einen Mitarbeiter wenden. Der betroffenen Person steht es ferner frei, im Zusammenhang mit der Nutzung von Diensten der Informationsgesellschaft, ungeachtet der Richtlinie 2002/58/EG, ihr Widerspruchsrecht mittels automatisierter Verfahren auszuüben, bei denen technische Spezifikationen verwendet werden Automatisierte Entscheidungen im Einzelfall einschließlich Profiling. Jede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, nicht einer ausschließlich auf einer automatisierten Verarbeitung — einschließlich Profiling — beruhenden Entscheidung unterworfen zu werden, die ihr gegenüber rechtliche Wirkung entfaltet oder sie in ähnlicher Weise erheblich beeinträchtigt, sofern die Entscheidung (1) nicht für den Abschluss oder die Erfüllung eines Vertrags zwischen der betroffenen Person und dem Verantwortlichen erforderlich ist, oder (2) aufgrund von Rechtsvorschriften der Union oder der Mitgliedstaaten, denen der Verantwortliche unterliegt, zulässig ist und diese Rechtsvorschriften angemessene Maßnahmen zur Wahrung der Rechte und Freiheiten sowie der berechtigten Interessen der betroffenen Person enthalten oder (3) mit ausdrücklicher Einwilligung der betroffenen Person erfolgt. Ist die Entscheidung (1) für den Abschluss oder die Erfüllung eines Vertrags zwischen der betroffenen Person und dem Verantwortlichen erforderlich oder (2) erfolgt sie mit ausdrücklicher Einwilligung der betroffenen Person, trifft Judith Glaser angemessene Maßnahmen, um die Rechte und Freiheiten sowie die berechtigten Interessen der betroffenen Person zu wahren, wozu mindestens das Recht auf Erwirkung des Eingreifens einer Person seitens des Verantwortlichen, auf Darlegung des eigenen Standpunkts und auf Anfechtung der Entscheidung gehört. Möchte die betroffene Person Rechte mit Bezug auf automatisierte Entscheidungen geltend machen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden.Recht auf Widerruf einer datenschutzrechtlichen Einwilligung. Jede von der Verarbeitung personenbezogener Daten betroffene Person hat das vom Europäischen Richtlinien- und Verordnungsgeber gewährte Recht, eine Einwilligung zur Verarbeitung personenbezogener Daten jederzeit zu widerrufen. Möchte die betroffene Person ihr Recht auf Widerruf einer Einwilligung geltend machen, kann sie sich hierzu jederzeit an einen Mitarbeiter des für die Verarbeitung Verantwortlichen wenden. Rechtsgrundlage der VerarbeitungArt. 6 I lit. a DS-GVO dient unserem Unternehmen als Rechtsgrundlage für Verarbeitungsvorgänge, bei denen wir eine Einwilligung für einen bestimmten Verarbeitungszweck einholen. Ist die Verarbeitung personenbezogener Daten zur Erfüllung eines Vertrags, dessen Vertragspartei die betroffene Person ist, erforderlich, wie dies beispielsweise bei Verarbeitungsvorgängen der Fall ist, die für eine Lieferung von Waren oder die Erbringung einer sonstigen Leistung oder Gegenleistung notwendig sind, so beruht die Verarbeitung auf Art. 6 I lit. b DS-GVO. Gleiches gilt für solche Verarbeitungsvorgänge die zur Durchführung vorvertraglicher Maßnahmen erforderlich sind, etwa in Fällen von Anfragen zur unseren Produkten oder Leistungen. Unterliegt unser Unternehmen einer rechtlichen Verpflichtung durch welche eine Verarbeitung von personenbezogenen Daten erforderlich wird, wie beispielsweise zur Erfüllung steuerlicher Pflichten, so basiert die Verarbeitung auf Art. 6 I lit. c DS-GVO. In seltenen Fällen könnte die Verarbeitung von personenbezogenen Daten erforderlich werden, um lebenswichtige Interessen der betroffenen Person oder einer anderen natürlichen Person zu schützen. Dies wäre beispielsweise der Fall, wenn ein Besucher in unserem Betrieb verletzt werden würde und daraufhin sein Name, sein Alter, seine Krankenkassendaten oder sonstige lebenswichtige Informationen an einen Arzt, ein Krankenhaus oder sonstige Dritte weitergegeben werden müssten. Dann würde die Verarbeitung auf Art. 6 I lit. d DS-GVO beruhen. Letztlich könnten Verarbeitungsvorgänge auf Art. 6 I lit. f DS-GVO beruhen. Auf dieser Rechtsgrundlage basieren Verarbeitungsvorgänge, die von keiner der vorgenannten Rechtsgrundlagen erfasst werden, wenn die Verarbeitung zur Wahrung eines berechtigten Interesses unseres Unternehmens oder eines Dritten erforderlich ist, sofern die Interessen, Grundrechte und Grundfreiheiten des Betroffenen nicht überwiegen. Solche Verarbeitungsvorgänge sind uns insbesondere deshalb gestattet, weil sie durch den Europäischen Gesetzgeber besonders erwähnt wurden. Er vertrat insoweit die Auffassung, dass ein berechtigtes Interesse anzunehmen sein könnte, wenn die betroffene Person ein Kunde des Verantwortlichen ist (Erwägungsgrund 47 Satz 2 DS-GVO). Berechtigte Interessen an der Verarbeitung, die von dem Verantwortlichen oder einem Dritten verfolgt werden Basiert die Verarbeitung personenbezogener Daten auf Artikel 6 I lit. f DS-GVO ist unser berechtigtes Interesse die Durchführung unserer Geschäftstätigkeit zugunsten des Wohlergehens all unserer Mitarbeiter und unserer Anteilseigner. Dauer, für die die personenbezogenen Daten gespeichert werdenDas Kriterium für die Dauer der Speicherung von personenbezogenen Daten ist die jeweilige gesetzliche Aufbewahrungsfrist. Nach Ablauf der Frist werden die entsprechenden Daten routinemäßig gelöscht, sofern sie nicht mehr zur Vertragserfüllung oder Vertragsanbahnung erforderlich sind.Gesetzliche oder vertragliche Vorschriften zur Bereitstellung der personenbezogenen Daten; Erforderlichkeit für den Vertragsabschluss; Verpflichtung der betroffenen Person, die personenbezogenen Daten bereitzustellen; mögliche Folgen der Nichtbereitstellung. Wir klären Sie darüber auf, dass die Bereitstellung personenbezogener Daten zum Teil gesetzlich vorgeschrieben ist (z.B. Steuervorschriften) oder sich auch aus vertraglichen Regelungen (z.B. Angaben zum Vertragspartner) ergeben kann. Mitunter kann es zu einem Vertragsschluss erforderlich sein, dass eine betroffene Person uns personenbezogene Daten zur Verfügung stellt, die in der Folge durch uns verarbeitet werden müssen. Die betroffene Person ist beispielsweise verpflichtet uns personenbezogene Daten bereitzustellen, wenn unser Unternehmen mit ihr einen Vertrag abschließt. Eine Nichtbereitstellung der personenbezogenen Daten hätte zur Folge, dass der Vertrag mit dem Betroffenen nicht geschlossen werden könnte.Vor einer Bereitstellung personenbezogener Daten durch den Betroffenen muss sich der Betroffene an einen unserer Mitarbeiter wenden. Unser Mitarbeiter klärt den Betroffenen einzelfallbezogen darüber auf, ob die Bereitstellung der personenbezogenen Daten gesetzlich oder vertraglich vorgeschrieben oder für den Vertragsabschluss erforderlich ist, ob eine Verpflichtung besteht, die personenbezogenen Daten bereitzustellen, und welche Folgen die Nichtbereitstellung der personenbezogenen Daten hätte. Bestehen einer automatisierten Entscheidungsfindung. Als verantwortungsbewusste Institution verzichten wir auf eine automatische Entscheidungsfindung oder ein Profiling. Diese Datenschutzerklärung wurde durch den Datenschutzerklärungs-Generator der DGD Deutsche Gesellschaft für Datenschutz GmbH, die als Externer Datenschutzbeauftragter Hof ↗&nbsp;tätig ist, in Kooperation mit dem Anwalt für Datenschutzrecht Christian Solmecke&nbsp;↗ erstellt. Rechtlicher HinweisDiese Seiten enthalten Links zu externen Webseiten Dritter, auf deren Inhalte ich keinen Einfluss habe. Deshalb kann ich für diese fremden Inhalte auch keine Gewähr übernehmen. Für die Inhalte der verlinkten Seiten ist stets der jeweilige Anbieter oder Betreiber der Seiten verantwortlich. Die verlinkten Seiten wurden zum Zeitpunkt der Verlinkung auf mögliche Rechtsverstöße überprüft. Rechtswidrige Inhalte waren zum Zeitpunkt der Verlinkung nicht erkennbar. Eine permanente inhaltliche Kontrolle der verlinkten Seiten ist jedoch ohne konkrete Anhaltspunkte einer Rechtsverletzung nicht zumutbar. Bei bekannt werden von Rechtsverletzungen werde ich derartige Links umgehend entfernen. Quelle: eRecht24.de https://digitalpractices.cargo.site/siebensachen Wed, 14 Jan 2026 13:10:55 +0000 fg.digital-practices https://digitalpractices.cargo.site/siebensachen ↘ SiebensachenThings and invisible things. »I said I’d take the fountain pen, but I never used it. It has a super-thick nib, which is typical of my father — he liked things to be flashy and super-thick. The letters ‘a’ and ‘e’ are almost completely filled with ink. Then I went to Karstadt and asked how much it would cost to replace the nib with an M. The saleswoman said, ‘160 marks.’ I asked how much the whole fountain pen would cost. She replied, “380 marks.” Gulp! I would never buy a fountain pen for 380 marks. But I kept it anyway. I thought, ‘It’s a good fountain pen. Now you have it, and it belonged to Dad.’ But it has a thin nib now. This is my nib now; it’s one that I can write with. I can’t write with the other one — the thick nib. I thought it would be a shame to just leave this valuable fountain pen lying around unused. So I decided to use it too « — Adolf Loos &amp; Franz Glück (1) They are there. Often unnoticed. Yet, helpful. They are the things in everyday life that we have become so accustomed to that we no longer even notice them. Little things. Our favourite things. They are so commonplace that we almost forget they were once designed. They are so commonplace that we almost forget to ask whether they could be designed differently! So what are the stories told by the things around us? About ourselves? About themselves? About others? When Lucius Burckhardt writes that design is invisible, he is not referring to the most comfortable use of a design, but to its social context: after all, what use is the most beautiful tram if it does not run at night? According to this understanding, designers should not solely strive to adorn the most functional object with formal criteria of beauty. Rather, they should aim to create designs »that are capable of consciously taking into account invisible overall systems consisting of objects and interpersonal relationships « (2). (1) Loos, A. und Glück F. (1962) Von einem armen reichen Mann – Sämtliche Schriften in zwei Bänden, 1.Bd., Verlag Herold, p 203. Translated from German by means of DeepL (2) Burckhardt, L. (2012) Design ist unsichtbar. In Design ist unsichtbar – Entwurf, Gesellschaft &amp; Pädagogik, Martin Schmitz Verlag, p. 25.&nbsp;This foundation class (3. semester) focuses on everyday objects and their seemingly invisible framework conditions. Step by step. Hands-on approach from exploring a context to the final design. No prior knowledge of three-dimensional design was required. Students had a wide range of media to choose from. Nevertheless, students explored how to develop and communicate design solutions using various digital and analogue prototyping techniques. Aspects of manufacturing, usability and product life cycles has been addressed. To this end, the class took a closer look at plywood (Formholz). An excursion to the Kohl veneer factory in Karlstadt, as well hands-on experience with workshop master Steffen Töpfer ↗ has been conducted. Supervision Prof. Judith Glaser Winter Term 2025/26 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/36025e7db9f929ca93c6da80bb04cbdf2013e5b2bbd4d1d39f3a6fbcd491eaf5/moe_key.jpg" data-mid="251394335" border="0" src="https://freight.cargo.site/w/1000/i/36025e7db9f929ca93c6da80bb04cbdf2013e5b2bbd4d1d39f3a6fbcd491eaf5/moe_key.jpg" />möCarlotta Pühler mö stands for slowing down, personalisation and intimacy. It is an adaptable object that blends with its user. As a personal companion for everyday life, mö creates a small, private space for eating, working, reading, drawing or relaxing. Thanks to its lightweight, compact design, it is highly versatile and enables you to spend quality time alone, regardless of location or situation. The design was inspired by a common scenario: eating on the sofa after a long, stressful day. This small personal pleasure is often felt as improvised or restrictive with conventional furniture. Attempting to place a side table on one's lap revealed that existing objects do not respond to the body and its needs.&nbsp; This gave rise to the central question: could the form of the object adapt to the person rather than the other way around?During the design process, the idea emerged to create an object that would conform to the individual user's body and become part of it. The shape of the user's lap formed the basis for the subsequent design, resulting in a piece of furniture that prioritises closeness, comfort and personal rituals. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8837e09cf63b2749fb65b0d284ee4f3578da0521d574c577618831a32cd7dc55/moe_1.jpg" data-mid="251394720" border="0" src="https://freight.cargo.site/w/1000/i/8837e09cf63b2749fb65b0d284ee4f3578da0521d574c577618831a32cd7dc55/moe_1.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3567b125c5d349c1d9ea636dc71ce2089805153ed0a19a594520880430e537d8/moe_2.jpg" data-mid="251394723" border="0" src="https://freight.cargo.site/w/1000/i/3567b125c5d349c1d9ea636dc71ce2089805153ed0a19a594520880430e537d8/moe_2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f5105608cc679b94f9b845ec7cd49db1c76168a2c2369469087a4080047ff5b9/moe_3.jpg" data-mid="251394725" border="0" src="https://freight.cargo.site/w/1000/i/f5105608cc679b94f9b845ec7cd49db1c76168a2c2369469087a4080047ff5b9/moe_3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e5fff5138d45dcdff1a36af7125bf95cb8252f1c7efce66c7066c507ae59c3a5/moe_4.jpg" data-mid="251394728" border="0" src="https://freight.cargo.site/w/1000/i/e5fff5138d45dcdff1a36af7125bf95cb8252f1c7efce66c7066c507ae59c3a5/moe_4.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d0cbfbc64d202ad4541e5501dbf92c2049f5cfadbd7144fb829d2789f0d6adbe/jackewiehose_key.jpg" data-mid="251394751" border="0" src="https://freight.cargo.site/w/1000/i/d0cbfbc64d202ad4541e5501dbf92c2049f5cfadbd7144fb829d2789f0d6adbe/jackewiehose_key.jpg" />Jacke wie HoseEmma Hartmann Ist dir Jacke wie Hose, was du trägst? The clothes you wear all day long should simply work for you in every way. My project began as a thought experiment based on the idea that nobody really knows how to visualise this concept. The result is a comfortable, durable, cool and versatile garment. Although it is shaped like a pair of trousers, it can quickly be transformed into a jacket by unzipping the zips. The mesh inserts in the accent colour that are revealed when this happens are integral to the jacket’s design. Thanks to its outdoor-inspired material properties, it is lightweight and can easily be used to protect yourself against the weather and prying eyes. The idea of 'less is more' is embodied by the fact that Jacke wie Hose can be worn as both a top and bottoms. Jacke wie Hose is sometimes a jacket, sometimes trousers, and always both at the same time. It’s a garment that defies categorisation. Why not just wear it? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/708b1ea2c6c3b8c0a0298e1cf8102502491ae234ecc441507f48b081c8e0fb8c/jackewiehose_2.jpg" data-mid="251394985" border="0" src="https://freight.cargo.site/w/1000/i/708b1ea2c6c3b8c0a0298e1cf8102502491ae234ecc441507f48b081c8e0fb8c/jackewiehose_2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4f0f4f735543f8b5caa53504ba89e5108ba0f3001831293fa5ac98a7cfe96ad2/jackewiehose.gif" data-mid="251394991" border="0" src="https://freight.cargo.site/w/1000/i/4f0f4f735543f8b5caa53504ba89e5108ba0f3001831293fa5ac98a7cfe96ad2/jackewiehose.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6a3363298d16a4ea26085aa7aedc5619472824c302434cc1f7bbab6e9d86a942/staeck_key.jpg" data-mid="251395217" border="0" src="https://freight.cargo.site/w/1000/i/6a3363298d16a4ea26085aa7aedc5619472824c302434cc1f7bbab6e9d86a942/staeck_key.jpg" />staeckEmma Panitz We’ve all been there: you come home and throw your things down somewhere, and then, when you have to leave again, you can’t find anything. Staeck is all about reimagining the traditional coat rack. The question is, how do you manage to store your Siebensachen in a minimal amount of space? I’ve designed a coat rack with a modular system that can be customised to suit your needs. The 20 x 60 cm wooden board can be mounted on the wall either vertically or horizontally. Thanks to the grid, you can also combine multiple boards on the wall. This allows you to expand the coat rack system as needed. The grid itself consists of two rows, each with six sections. Each section has two holes positioned diagonally opposite each other. Wooden rods can be inserted into these holes to hang jackets, bags or similar items. The angled holes are designed to hold a thin wooden board in place. However, items such as letters can also be placed in between them. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0e0c1936cefa33834cfb7961b5065ca6289dc7669989cd4929bc4903fd2ee68d/staeck_4.jpg" data-mid="251395225" border="0" src="https://freight.cargo.site/w/1000/i/0e0c1936cefa33834cfb7961b5065ca6289dc7669989cd4929bc4903fd2ee68d/staeck_4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4e119fda111773618bd2609210852743525c9aa08e9c776a166baddf78ffd63f/staeck_2.jpg" data-mid="251395221" border="0" src="https://freight.cargo.site/w/1000/i/4e119fda111773618bd2609210852743525c9aa08e9c776a166baddf78ffd63f/staeck_2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/39b48f2c198393bdcddbece2a3602867aae0381081e2b4e763cd57e0c6714d96/creer_key.jpg" data-mid="251395255" border="0" src="https://freight.cargo.site/w/1000/i/39b48f2c198393bdcddbece2a3602867aae0381081e2b4e763cd57e0c6714d96/creer_key.jpg" />créer Ezo Gündogdu My grandma shaved her head. She wants big, colorful flowers to adorn her ears. Flowers wilt. Maybe that’s what makes them so special. Vanitas. Transience. Teaches us to let go. And to make room for a new beginning. Flowers wilt, but they sprout all the more beautifully from the earth the following year. We appreciate everything that has a foreseeable end much more. créer is French for »to create« . My grandma wanted flowers; I wanted to grant her wish. In a world of Temu and Shein, we don’t need even more disposable jewelry made from the cheapest materials and imported from China. The sustainable alternative: compostable, disposable jewelry that you can create at home using just a few ingredients. Every piece of jewelry is unique, tailored to your taste. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f2694263b346b7b4bade0c5ea717ed303efa10a3c93ad1a6e018b483a594def9/creer_6.jpg" data-mid="251395876" border="0" src="https://freight.cargo.site/w/1000/i/f2694263b346b7b4bade0c5ea717ed303efa10a3c93ad1a6e018b483a594def9/creer_6.jpg" /> <img width="1980" height="1114" width_o="1980" height_o="1114" data-src="https://freight.cargo.site/t/original/i/567fd11452c4fc2e37a9397fed2af4898915c8a2cbb7fd705a8f68a045ba4694/creer-4.jpg" data-mid="251953720" border="0" src="https://freight.cargo.site/w/1000/i/567fd11452c4fc2e37a9397fed2af4898915c8a2cbb7fd705a8f68a045ba4694/creer-4.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/25751dde43ff2f1bcfd7b7bd11d4c719e03fff4643c23d2edc03d48bd9c5e135/stillewasser_key.jpg" data-mid="251395887" border="0" src="https://freight.cargo.site/w/1000/i/25751dde43ff2f1bcfd7b7bd11d4c719e03fff4643c23d2edc03d48bd9c5e135/stillewasser_key.jpg" />stille wasserJonas Göbel stille wasser is a lamp that responds to touch and emotions. A focused light illuminates a shallow bowl filled with water, casting a harmonious play of light onto the surrounding space. When stressed, the mind becomes restless and the hands rarely stay still. Touching the water creates waves that are immediately transformed into visual patterns which allows tension to be released through movement. The interaction offers a moment of distraction, shifting attention away from racing thoughts. stille wasser is designed as a tool for slowing down. By interacting with the water, users can calm their thoughts, reduce stress, and gradually return to a state of focus and balance. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b028c9810beeab7a775a4fb8bfc5b24fcac34c3946d2cf238da4c09cd9dac48c/stillewasser_3.jpg" data-mid="251395927" border="0" src="https://freight.cargo.site/w/1000/i/b028c9810beeab7a775a4fb8bfc5b24fcac34c3946d2cf238da4c09cd9dac48c/stillewasser_3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5cd694316ce9e635fc238a89a9aeeb71b78a8f03420cddd81112eea11d0c02e3/stillewasser_1.jpg" data-mid="251952786" border="0" src="https://freight.cargo.site/w/1000/i/5cd694316ce9e635fc238a89a9aeeb71b78a8f03420cddd81112eea11d0c02e3/stillewasser_1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/74e67a59f6222a7478502911a1bbfe6b6228c4dd1627e071d9e4d25d4b531c20/stillewasser_2.jpg" data-mid="251395925" border="0" src="https://freight.cargo.site/w/1000/i/74e67a59f6222a7478502911a1bbfe6b6228c4dd1627e071d9e4d25d4b531c20/stillewasser_2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cddc179c98e18374c70c92525e4cd2fa1283e67a991e86003ba6fcf73219c9da/vertical_key.jpg" data-mid="251396116" border="0" src="https://freight.cargo.site/w/1000/i/cddc179c98e18374c70c92525e4cd2fa1283e67a991e86003ba6fcf73219c9da/vertical_key.jpg" />VerticaLaura Müller Vertica is a modular container system composed of three independent elements, designed for compact living environments and dense urban spaces. It responds to a present in which space is limited and must be used flexibly. Rather than occupying floor area, Vertica organizes space vertically. The individual containers can be stacked, separated, and recombined. This creates an organizational system that is not fixed but remains open and adaptable. Vertica brings together function, variety, and object character, understanding order as a fluid and evolving state. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b29b4710c95e30f7719bfd0c1cfbd60df4545d8f5dc2330d654bf992781db73/vertica_4.jpg" data-mid="251396288" border="0" src="https://freight.cargo.site/w/1000/i/1b29b4710c95e30f7719bfd0c1cfbd60df4545d8f5dc2330d654bf992781db73/vertica_4.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/950fca7c4def9b81148fd08b4767259d2c88c01619d59beb463828b79623e3db/vertica_2.jpg" data-mid="251396310" border="0" src="https://freight.cargo.site/w/1000/i/950fca7c4def9b81148fd08b4767259d2c88c01619d59beb463828b79623e3db/vertica_2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/442cae5d32f83c9870a6a5be511c387f9e796760fca1c1e59976ce293a781051/vertica_1.jpg" data-mid="251396316" border="0" src="https://freight.cargo.site/w/1000/i/442cae5d32f83c9870a6a5be511c387f9e796760fca1c1e59976ce293a781051/vertica_1.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d87e04df518bb01d7999748d2126ce1f80dcf522d8d1b0d8f095fa71d45099f9/vertica_3.gif" data-mid="252022729" border="0" src="https://freight.cargo.site/w/1000/i/d87e04df518bb01d7999748d2126ce1f80dcf522d8d1b0d8f095fa71d45099f9/vertica_3.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7de2f80c8eab90ca5eaa6c950aa61c296002184ea67fa8aafeffc962796e7b44/1X_Key.jpg" data-mid="251396358" border="0" src="https://freight.cargo.site/w/1000/i/7de2f80c8eab90ca5eaa6c950aa61c296002184ea67fa8aafeffc962796e7b44/1X_Key.jpg" />1·XLija Köllner 1 square. 4 straps. 6 holes. 1 square — X ways to use it. My possibilities. I take 1·X. I feel the fabric. I let the straps glide through my hands. I drape 1·X over myself. I wrap 1·X around myself. I tie 1·X in a knot. I sit on 1·X. Me and 1·X. My possibilities. I sense, I feel, I think, I see. I see my possibility, not in buying, but in appreciating, reinventing, and being creative. 1 square. 4 ribbons. 6 holes. 1 square, X ways to use it. My possibilities. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a5445b99a9464a19d63fa6efca8032a7bcf994e8f1843b1579c86aea4683558b/1X_2.jpg" data-mid="251396531" border="0" src="https://freight.cargo.site/w/1000/i/a5445b99a9464a19d63fa6efca8032a7bcf994e8f1843b1579c86aea4683558b/1X_2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/62aecf2e6d67e0b09a782a6fb0654dd224e77d4ee5f4b179e0fb57e05788b959/1X_1.jpg" data-mid="251396526" border="0" src="https://freight.cargo.site/w/1000/i/62aecf2e6d67e0b09a782a6fb0654dd224e77d4ee5f4b179e0fb57e05788b959/1X_1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3805a31473a9be86f59fe2cd1279a1bac284de51b4ef03c0ba599dec3ccc4a81/1X_3.jpg" data-mid="251396541" border="0" src="https://freight.cargo.site/w/1000/i/3805a31473a9be86f59fe2cd1279a1bac284de51b4ef03c0ba599dec3ccc4a81/1X_3.jpg" /><img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/5c8db4f42d4b4eceb3a8df552fdfd9a45dd31a4d955f0b68460b034af7909dd7/1X_Gif.gif" data-mid="251396544" border="0" src="https://freight.cargo.site/w/800/i/5c8db4f42d4b4eceb3a8df552fdfd9a45dd31a4d955f0b68460b034af7909dd7/1X_Gif.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ae18abd1ab0ceff162b9b3d9041410af3a2c6656f230e7f8f890c6f24a393260/clamped_key.jpg" data-mid="251396565" border="0" src="https://freight.cargo.site/w/1000/i/ae18abd1ab0ceff162b9b3d9041410af3a2c6656f230e7f8f890c6f24a393260/clamped_key.jpg" />(CLAMPED)Lucia Hofmann The coffee table explores the principle of clamping as a structural and design element. Inspired by the mechanics of a paper clip, it creates a connection in which stability is achieved not through fixed screw fastenings, but through tension. The tabletop is clamped between the table legs, thus forming the functional and visual centerpiece of the object. This open construction principle developes into a modular system. The tabletop and fabric pouch are interchangeable and not permanently fixed. The fabric pouch is attached to the table legs with buttons. The table is conceived less as a finished piece of furniture and more as a variable system that allows for change. Material, function, and use are deliberately left open and can be individually reconfigured by the user. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3a01aaedce953eac54f71ab547646c90d2c1916f386d1bd615a4a1f1bf98e64f/clamped_1.jpg" data-mid="251396830" border="0" src="https://freight.cargo.site/w/1000/i/3a01aaedce953eac54f71ab547646c90d2c1916f386d1bd615a4a1f1bf98e64f/clamped_1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/20321986396ac79bd9f93a94c7bac04400c8651d178eb0c7c139bed645048cd5/clamped_2.jpg" data-mid="251396836" border="0" src="https://freight.cargo.site/w/1000/i/20321986396ac79bd9f93a94c7bac04400c8651d178eb0c7c139bed645048cd5/clamped_2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5101428054e646678e6e2519c3d0e12b84ae52f86dc46f487a2f37b0be17e530/skrap_key.jpg" data-mid="251397228" border="0" src="https://freight.cargo.site/w/1000/i/5101428054e646678e6e2519c3d0e12b84ae52f86dc46f487a2f37b0be17e530/skrap_key.jpg" />SkräpLuisa Kahl Skräp, or in other words »Kram«,&nbsp; is a modular shelving system designed to store all the little things that accumulate in everyday life and often don’t have a designated place. Since items vary in shape and size, the system prioritises flexibility over rigid compartments. A clear grid forms the basic structure into which individual shelves can be freely inserted, moved or removed, all without the need for drilling, hammering or gluing.&nbsp; This allows for ever-changing compartment sizes, tailored to the specific contents. Starting with a simple base unit, a versatile organisation system emerges that can be reconfigured at any time. Skräp combines functionality with a playful design, turning storage into a personal creative process. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c3ef2c19671d5b28de084f9cd1e93c589826b5f656148548b8c676a761ff314e/skrap_2.jpg" data-mid="251397931" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c3ef2c19671d5b28de084f9cd1e93c589826b5f656148548b8c676a761ff314e/skrap_2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2947f70e562674464f0f0bff2f0ae08a0596f21a455ec87df4c943787200aaa4/skrap_3.jpg" data-mid="251397920" border="0" src="https://freight.cargo.site/w/1000/i/2947f70e562674464f0f0bff2f0ae08a0596f21a455ec87df4c943787200aaa4/skrap_3.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ca5045b59bbe832e0d3f73743217f2d7a56257bec716dba3c25e8b3668ae6f67/skrap_1.jpg" data-mid="251397942" border="0" src="https://freight.cargo.site/w/1000/i/ca5045b59bbe832e0d3f73743217f2d7a56257bec716dba3c25e8b3668ae6f67/skrap_1.jpg" /><img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/5d522b592d2fe2e70f029d7c16b4b76453c56480076492b3abf11e81cb6decf3/skrap_4.gif" data-mid="252022693" border="0" src="https://freight.cargo.site/w/800/i/5d522b592d2fe2e70f029d7c16b4b76453c56480076492b3abf11e81cb6decf3/skrap_4.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1a314d8da2dd26b85064a2ff99f168093ddd12aa7cad8efc3a1a850e356b3509/cliq_key.jpg" data-mid="251398072" border="0" src="https://freight.cargo.site/w/1000/i/1a314d8da2dd26b85064a2ff99f168093ddd12aa7cad8efc3a1a850e356b3509/cliq_key.jpg" />CLIQMaximilian Zeller We don’t want no smoke, we just CLIQ. CLIQ is metal cardholder built around a familiar motion: the unmistakable flip of a Zippo-style opening mechanism. Not because it is loud or dramatic, but because it is precise, satisfying, and impossible to resist repeating once you have tried it. Machined from metal, the cardholder has a clean, restrained form that lets the mechanism do the talking. The opening action introduces a small, deliberate pause between closed and open, a moment that turns a functional task into a tactile experience. It opens with intention, closes with confidence, and feels complete in both states. Aesthetically, the design balances sharp edges with controlled proportions, creating an object that looks composed even when doing nothing at all. When opened, the hinge and motion become part of the visual language: exposed, honest, and quietly mechanical. Beyond holding cards, the mechanism doubles as a discreet fidget. The flip is smooth, repeatable, and oddly calming, ideal for idle hands, overthinking minds, or anyone who appreciates well-engineered movement. It does not promise productivity, but it may improve meetings. In the end, this is not just a cardholder. It is a small object that combines structure, motion, and aesthetics into something you will use for your cards and keep flipping open for no practical reason at all. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3c31635f07cc7da2a49e4ddd22fe77b0c3931adb3525fa79904e87d0b07503b5/cliq_2.jpg" data-mid="251398703" border="0" src="https://freight.cargo.site/w/1000/i/3c31635f07cc7da2a49e4ddd22fe77b0c3931adb3525fa79904e87d0b07503b5/cliq_2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5b75f9827a04c3ff5bf7271cfe2fb60451bcb0e3369c5f830ba30bb4959dc832/cliq_1.jpg" data-mid="251398740" border="0" src="https://freight.cargo.site/w/1000/i/5b75f9827a04c3ff5bf7271cfe2fb60451bcb0e3369c5f830ba30bb4959dc832/cliq_1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/577914d3af4ce1584c70e1a4f543e86a0f3b86c1fe4db40ef4a2c0d6cdc62439/lagom_key.jpg" data-mid="251399006" border="0" src="https://freight.cargo.site/w/1000/i/577914d3af4ce1584c70e1a4f543e86a0f3b86c1fe4db40ef4a2c0d6cdc62439/lagom_key.jpg" />LAGOMPauline Haar We’ve all been there. You’re standing in the supermarket, thinking to yourself, »Crap!« – you have forgotten your shopping bag again. If you even have a purse with you, it can barely hold anything. So the stacking begins: With every item you add, your mobility becomes more restricted, and eventually you end up leaving some things behind altogether. The walk home? A nightmare! Wouldn't you rather just get a plastic bag for 50 cents? LAGOM is designed to solve this problem. It’s the bag that expands to fit its contents. It's stylish enough that you'll want to use it every day. It's designed so that you won't need another bag. It's perfect for spontaneous shopping trips or for being well-prepared for any situation. The name LAGOM comes from the Swedish word for »not too much and not too little«,&nbsp;in other words, »just right«. The bag embodies this principle perfectly, always adapting to its contents. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dd56f6fe9fdfc4b32d474301f4df5ddb06b27e7df1e112140f97b0a2aec6f26b/lagom_6.jpg" data-mid="251399247" border="0" src="https://freight.cargo.site/w/1000/i/dd56f6fe9fdfc4b32d474301f4df5ddb06b27e7df1e112140f97b0a2aec6f26b/lagom_6.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c82929be3ab908971a20b7acb22fd1f4e1376fdf9e513c23e3686600ef70c5b8/lagom_1.jpg" data-mid="251399189" border="0" src="https://freight.cargo.site/w/1000/i/c82929be3ab908971a20b7acb22fd1f4e1376fdf9e513c23e3686600ef70c5b8/lagom_1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0235252ef088ef57e7c4ef809f7b02c6020bbd909d7bb9e9e28f0757812a6674/lagom_3.jpg" data-mid="251399202" border="0" src="https://freight.cargo.site/w/1000/i/0235252ef088ef57e7c4ef809f7b02c6020bbd909d7bb9e9e28f0757812a6674/lagom_3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/52d0ff5a6f87bd5fd5dbc9e5f27a99e981987c1c5fd6c27dca2cb3adbbda9ad1/lagom_5.jpg" data-mid="251399205" border="0" src="https://freight.cargo.site/w/1000/i/52d0ff5a6f87bd5fd5dbc9e5f27a99e981987c1c5fd6c27dca2cb3adbbda9ad1/lagom_5.jpg" /> ↘ <img width="1980" height="1157" width_o="1980" height_o="1157" data-src="https://freight.cargo.site/t/original/i/be41a80c15b4ee5aa167676fafa2a2d66faf30ab822ea34d1acb488954a988b1/hochstapler-09.jpg" data-mid="251950404" border="0" src="https://freight.cargo.site/w/1000/i/be41a80c15b4ee5aa167676fafa2a2d66faf30ab822ea34d1acb488954a988b1/hochstapler-09.jpg" />HochstaplerGeorg Fittkau Hochstapler functions as a modular plug-in system. Its foundation is a minimalist s-shape. As the pattern repeats, the stack grows, and order emerges. Volume and surface area are created. Height meets width, and the design remains flexible. Colored bricks stabilize and define the structure. Remove a colored brick, and space opens up for the next module. Board by board.&nbsp; New pieces find their place wherever space becomes available. The building block shapes follow a grid that runs throughout the entire system. Variety emerges through combination and experimentation. No shape is final, every arrangement is open to expansion. Storage space is not planned, it grows. Add another one on top! <img width="1980" height="1114" width_o="1980" height_o="1114" data-src="https://freight.cargo.site/t/original/i/d3a7b53b3fb1b6b2920b9c66a22f705b030a031a8087bd94bc78cd962afff200/hochstapler-13.jpg" data-mid="251950417" border="0" src="https://freight.cargo.site/w/1000/i/d3a7b53b3fb1b6b2920b9c66a22f705b030a031a8087bd94bc78cd962afff200/hochstapler-13.jpg" /><img width="1980" height="1114" width_o="1980" height_o="1114" data-src="https://freight.cargo.site/t/original/i/a7f50b46efe4aef1364e08ca6cf74d1d532baf08097cc15c6d26a492d5e40b93/hochstapler-11.jpg" data-mid="251950465" border="0" src="https://freight.cargo.site/w/1000/i/a7f50b46efe4aef1364e08ca6cf74d1d532baf08097cc15c6d26a492d5e40b93/hochstapler-11.jpg" /> <img width="1980" height="1114" width_o="1980" height_o="1114" data-src="https://freight.cargo.site/t/original/i/517d3bb1d5b05abc067aa8df287294d664e3a8e6d17cd8f6c6b3e150ec775a66/hochstapler-12.jpg" data-mid="251950454" border="0" src="https://freight.cargo.site/w/1000/i/517d3bb1d5b05abc067aa8df287294d664e3a8e6d17cd8f6c6b3e150ec775a66/hochstapler-12.jpg" /><img width="1980" height="1112" width_o="1980" height_o="1112" data-src="https://freight.cargo.site/t/original/i/4265be26aa0abcf9902f8cbbd1640bb7b8db6bcda149efaa6e5a252f57ead3a8/hochstapler-14.jpg" data-mid="251950428" border="0" src="https://freight.cargo.site/w/1000/i/4265be26aa0abcf9902f8cbbd1640bb7b8db6bcda149efaa6e5a252f57ead3a8/hochstapler-14.jpg" /> https://digitalpractices.cargo.site/Eat-Work-Sleep Tue, 13 Jan 2026 07:58:01 +0000 fg.digital-practices https://digitalpractices.cargo.site/Eat-Work-Sleep ↘ Eat.Work.Sleep.DIY Campus (3): Winter Edition »Design begins with the understanding that the haphazard way in which elements have been formally brought together is no longer acceptable. […] Creative processes, as is slowly becoming apparent, always begin with confrontation of material things and the inadequacy of habits and routines.« (Petruschat, 2017, p. 17). We hacked and energised our campus.We sparked new ideas by asking:How do we want to work?How do we want to take breaks?How do we want to be? In this course, we took a meticulous, pragmatic, loving, critical and optimistic look at how we do things together. Furniture, products, services, events — anything goes. The important thing was that the community comes together. As always, the choice of media was free of choice. The students learned how to develop and communicate design solutions using various digital and analogue prototyping techniques.&nbsp; Petruschat, J. (2017). Wicked Problems. In Das Ungehorsam der Probleme: Bd. 1. Auflage. Form+Zweck Verlag. Translated from German with the help of DeepL DIY Campus is an initiative of Prof. Judith Glaser, Dr. Beatrice Barrois ↗ and Prof. Johanna Diehl ↗. Following the summer edition, which focused on outdoor spaces and was led by Prof. Johanna Diehl, the winter edition looks inward. Supervision Prof. Judith Glaser Winter Term 2025/26 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/381635ade43fb025e55db28d61454c331221275f271a6a57e38839c3a9c4aec1/akka_1.jpg" data-mid="251393428" border="0" src="https://freight.cargo.site/w/1000/i/381635ade43fb025e55db28d61454c331221275f271a6a57e38839c3a9c4aec1/akka_1.jpg" />akkaAmelie Neuhoff, Alisa Kober, Patricia Zadrima The project aimed to develop workspaces for the university that foster a sense of community, offer flexibility in use and make use of existing resources. The result is a modular workspace that transforms an existing metal shelf into a versatile workstation. A precisely fitting tabletop and simple magnetic fasteners come together to create a modular, mobile system that combines a desk and a workbench. This enables both focused and collaborative work and is tailored to the needs of design students.&nbsp; A central aspect of the project is reproducibility. Detailed instructions explain everyday use and how to replicate the design. akka is an open concept that encourages the sensible use of existing resources, increases the visibility of work, and strengthens university spaces as vibrant, collaborative workplaces. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7e721ef934a8b66be7dcec3eb43403c00e1c7c8b709d480d8707887d2225d967/akka_4.jpg" data-mid="251393494" border="0" src="https://freight.cargo.site/w/1000/i/7e721ef934a8b66be7dcec3eb43403c00e1c7c8b709d480d8707887d2225d967/akka_4.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ad7b90396ebf5a527e01bc2e40f94f7e9102f0bcae513e7d84f2bb36252253c7/akka_key.jpg" data-mid="251393463" border="0" src="https://freight.cargo.site/w/1000/i/ad7b90396ebf5a527e01bc2e40f94f7e9102f0bcae513e7d84f2bb36252253c7/akka_key.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f9745bdb9c891542ea95bc8dbf450646351dcc27f84a4763e75ecfed155dd5a3/akka_2.jpg" data-mid="251393511" border="0" src="https://freight.cargo.site/w/1000/i/f9745bdb9c891542ea95bc8dbf450646351dcc27f84a4763e75ecfed155dd5a3/akka_2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/13468590cbcdbe3d146efd78afbd876cde13f1b67fdf320f4883b3e3b7a5e5ba/akka_3.jpg" data-mid="251393522" border="0" src="https://freight.cargo.site/w/1000/i/13468590cbcdbe3d146efd78afbd876cde13f1b67fdf320f4883b3e3b7a5e5ba/akka_3.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4d1348f7b35c6a0dfdccc68f30478cf5bb502b0d63b7a1a6b7586891eb83da40/pulpi_key.jpg" data-mid="251393651" border="0" src="https://freight.cargo.site/w/1000/i/4d1348f7b35c6a0dfdccc68f30478cf5bb502b0d63b7a1a6b7586891eb83da40/pulpi_key.jpg" />PULPi 2.0Paul Schulz, Khalid Aldaba PULPi is a recycling campaign for our faculty. The project is based on PULPi 1.0 from SPUR&nbsp;︎︎︎. The objective of this project is to make our faculty more environmentally friendly and raise awareness for circularity, the waste we produce and the value it holds. PULPi is a playful intervention based on collaboration and circularity. Utilizing DIY production, it fosters connection to the object and enhances product longevity. The campaign features four different elements. Posters, INTERVENING in the waste behavior of students, encouraging them to separate their paper waste and offering directions to a COLLECTION point as well as a display of the final stationary product. Further INFORMATION on circularity, faculty waste statistics and upcoming workshops is offered through posters and PULPi’s own social media channel. All these processes are narrated by the mascot, that lives in the walls of the faculty and appears behind the posters, monitoring the behavior of students and staff. Finally, the recycled stationary containers are PRODUCED in a collaborative workshop format. Each participant can influence the structure and color of their container by choosing the material. Four different sizes of containers can be produced using modular molds. All variations can be stacked and combined freely. Once dried and documented, participants can collect their containers. If one should be damaged throughout its life, it can be brought to the next workshop to be rehydrated and pressed again. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ee830edaab2f0bd50a11eb0930877ac0d3e9714b919616de7538009a9def98ee/pulpi_3.jpg" data-mid="251393682" border="0" src="https://freight.cargo.site/w/1000/i/ee830edaab2f0bd50a11eb0930877ac0d3e9714b919616de7538009a9def98ee/pulpi_3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1f720a4663a38e613221bf8f84d737a5e3ed9a99174e6c47b9e43da0fdab20b1/pulpi_1.jpg" data-mid="251393717" border="0" src="https://freight.cargo.site/w/1000/i/1f720a4663a38e613221bf8f84d737a5e3ed9a99174e6c47b9e43da0fdab20b1/pulpi_1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c3de6bbdb909a7f551eff4ec5a5240d57925bb9497c167df84208ed9e9429246/pulpi_4.jpg" data-mid="251393730" border="0" src="https://freight.cargo.site/w/1000/i/c3de6bbdb909a7f551eff4ec5a5240d57925bb9497c167df84208ed9e9429246/pulpi_4.jpg" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/0f84411147f6d4b9b9bc235ea1239df3212429bfb0dc25ec939b45e6b10dc822/pulpi_5.jpg" data-mid="251393744" border="0" src="https://freight.cargo.site/w/1000/i/0f84411147f6d4b9b9bc235ea1239df3212429bfb0dc25ec939b45e6b10dc822/pulpi_5.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e6fdde0510136a96dbe5bbd3141628c120590f1a34747ac643288fa2eb5265d0/bude_key.jpg" data-mid="251393814" border="0" src="https://freight.cargo.site/w/1000/i/e6fdde0510136a96dbe5bbd3141628c120590f1a34747ac643288fa2eb5265d0/bude_key.jpg" />BudeLeonard Schorling, Jada Richardson This project visualizes ideas for a beloved communal space on our campus. The space was measured and then modeled in both cardboard and digitally. Different parameters like placement and scale were tested and must-haves like storage and a counter were defined. After testing multiple prototypes in this way, we opted for the panoramic bar concept, which takes into account the stunning view that is so defining for our campus. We focused on communicating the idea of a shared space, while structural details and construction will be managed in the upcoming DIY CAMPUS&nbsp;︎︎︎ classes. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/500837bca178f38ccc250437bb0a5e51cf88489bc61bb9e61002f04fff9519ab/bude_1.jpg" data-mid="251944526" border="0" src="https://freight.cargo.site/w/1000/i/500837bca178f38ccc250437bb0a5e51cf88489bc61bb9e61002f04fff9519ab/bude_1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/abc55de9112397fb4d5baae2ecd684445ce99324f8b490825dadbb507b9bf5c3/bude_2.jpg" data-mid="251393824" border="0" src="https://freight.cargo.site/w/1000/i/abc55de9112397fb4d5baae2ecd684445ce99324f8b490825dadbb507b9bf5c3/bude_2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4171fbd3b8c23a8cf1ce388214dd26ebef4c1967ff07f8d469060a44d21a5aa4/cafete_key.jpg" data-mid="251393854" border="0" src="https://freight.cargo.site/w/1000/i/4171fbd3b8c23a8cf1ce388214dd26ebef4c1967ff07f8d469060a44d21a5aa4/cafete_key.jpg" />How to CafeteLilli Pfundt, Ines Rückl, Charlotte Strobel Cafete has been a central part of student life at THWS for years. Organized entirely by students and driven by voluntary commitment, it provides self-made food and drinks at cultural and academic events, shaping campus life in meaningful ways. However, despite its strong impact, Cafete increasingly faced challenges: low visibility on campus, declining participation, and a lack of structured knowledge transfer within the team.
As the current Cafete head team, we asked ourselves how voluntary commitment could be enabled, supported, and made appealing again. Our response was a step-by-step process focused on visibility, accessibility, and self-empowerment. We strengthened Cafete’s presence through recognizable visual elements, such as signs in the kitchen space, branded aprons at events, add-on stickers for event communication, and consistent and updated documentation on the THWS website and social media.
At the core of the project lies How to Cafete, a playful, color-coded manual that documents and structures Cafete’s organizational, financial, and event-based knowledge.&nbsp; Existing in both analog and digital form, it serves as a manual, guide, workbook, and collective archive. Accessible to all THWS students via the e-learning platform and supported by QR-code touchpoints, How to Cafete lowers barriers to participation and ensures knowledge continuity.
This project lays the foundation for Cafete to grow sustainably, making voluntary commitment visible, accessible, and attractive once again. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3d0c76c9fd0d21db0636be2e22490e9ea6e52f0c6ea21509fbd075f86a0aab8a/cafete_1.jpg" data-mid="251393862" border="0" src="https://freight.cargo.site/w/1000/i/3d0c76c9fd0d21db0636be2e22490e9ea6e52f0c6ea21509fbd075f86a0aab8a/cafete_1.jpg" /> <img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/7eccd344abbc5379f22c920a267c79ae17cee142492fbcca21c95782da407b1d/cafete_ordner_druchblattern1280x720-ezgif.com-optimize.gif" data-mid="251385733" border="0" src="https://freight.cargo.site/w/800/i/7eccd344abbc5379f22c920a267c79ae17cee142492fbcca21c95782da407b1d/cafete_ordner_druchblattern1280x720-ezgif.com-optimize.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cd40de447b723fcbfbe0e5fdf052472e95e125f6fee38420cf9746cd76ea804e/fach_key.jpg" data-mid="251394182" border="0" src="https://freight.cargo.site/w/1000/i/cd40de447b723fcbfbe0e5fdf052472e95e125f6fee38420cf9746cd76ea804e/fach_key.jpg" />FACH: For a change of HeadspaceAmire Koncici Based on the observation that even breaks are often spent in front of a screen, FACH explores the role of digital technology in everyday student life. The project aims to facilitate brief, intentional offline moments that are easily accessible and can be seamlessly integrated into daily life. The project is designed as a modular analogue game system. Each box represents a distinct category and offers a clearly defined type of break, such as calming, playful, physical or thought-provoking. This enables students to select a break that aligns with their current mood or energy level. The system is open-ended and can be expanded with additional categories in the future. The boxes can be found in the Orange, an existing faculty relaxation and retreat space. Storing the boxes on Euro pallets creates a fixed, recognisable location for the project. At the same time, the pallets serve a dual purpose, functioning both as seating and storage. The boxes are kept easily accessible in their hollow spaces.Each compactly designed box contains all the necessary elements: a play surface, instructions and storage. This allows the activity to be moved to another location with minimal effort. The design enables flexible, uncomplicated breaks offline within the faculty’s daily routine. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9cb24592dcdc74cfe2e7855cf5a85b1bc7d23e8243794d20b8727c271be5732e/fach_3.jpg" data-mid="251394212" border="0" src="https://freight.cargo.site/w/1000/i/9cb24592dcdc74cfe2e7855cf5a85b1bc7d23e8243794d20b8727c271be5732e/fach_3.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1e0dc82c71eeb571184d1d5105d5c0fdd51ed8846b8a2f0d533967af6006d56e/fach_2.jpg" data-mid="251394197" border="0" src="https://freight.cargo.site/w/1000/i/1e0dc82c71eeb571184d1d5105d5c0fdd51ed8846b8a2f0d533967af6006d56e/fach_2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/08d8b766bc90f5f12810706972c5457133298661b85a05348e601952bf806995/pf26_key.jpg" data-mid="251394232" border="0" src="https://freight.cargo.site/w/1000/i/08d8b766bc90f5f12810706972c5457133298661b85a05348e601952bf806995/pf26_key.jpg" />PF26Florina Rall, Paul Schulz Light is arguably the most effective design element in shaping our living spaces. People structure their days around it; every room is transformed by the number of windows it has. It’s no coincidence, then, that ceiling lights are so maligned in the world of interior design. The PF26 is a lampshade with a laser-cut, plug-in design. During the design process, our primary goal was to create an affordable lamp that could be produced efficiently and in large quantities while remaining aesthetically pleasing. It was also intended to diffuse the light and enable indirect lighting in Room I.0.16, also known as the »Orange«. After considering various options, we chose 5 mm white corrugated cardboard for its significant stability gained through interlocking construction. Without any additional composite materials, the lamp can be recycled as quickly as it is assembled. Furthermore, as it is made up of two-dimensional pieces, it can be stored or shipped in a space-efficient manner when disassembled. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/20dbd74f3dd7efa6f34bd677e1c369e84cc6c9ea916c3157b887f48485db6e12/pf26_2.jpg" data-mid="251394257" border="0" src="https://freight.cargo.site/w/1000/i/20dbd74f3dd7efa6f34bd677e1c369e84cc6c9ea916c3157b887f48485db6e12/pf26_2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d2d12a5de6cdc72604d209370ff13f477470c71d62f88cae1ce9687970dadfbe/pf26_1.jpg" data-mid="251394270" border="0" src="https://freight.cargo.site/w/1000/i/d2d12a5de6cdc72604d209370ff13f477470c71d62f88cae1ce9687970dadfbe/pf26_1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e823eb83d9ec78df347db0685e4b3875cf81a0352d87c257f0f927295a2c031b/orange_key.jpg" data-mid="251394285" border="0" src="https://freight.cargo.site/w/1000/i/e823eb83d9ec78df347db0685e4b3875cf81a0352d87c257f0f927295a2c031b/orange_key.jpg" />OrangeFlorina Rall, ThuyVy Nguyen, Nour Abuzaid Room I.0.16 in the Fakultät Gestaltung , also known as the »Orange« , was set up two semesters ago. Unfortunately, it has mostly served as a storage room over the past few semesters. However here at the university we urgently require a space that provides an area for quiet contemplation and socialising. In this class, we asked ourselves: »How can we ensure that the Orange Room becomes a visible, well-used space for the majority of students?« In short: social design. Social design is far more than visual design. It is a participatory process that addresses complex social challenges. It focuses on the invisible aspects, the shaping of relationships, social structures and opportunities for participation, to create sustainable solutions. »Design is also what you don’t see.« (Walter De Silva) One surprising aspect of social design for us was the amount of structure behind a participatory space. This ensures that Orange is not just a semester project that fizzles out afterwards, but is established at the university for the long term. We developed a system for Orange consisting of events, community building and a visual identity/visibility strategy to create this long term impact. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2fd26daf49dc207524c325e80de387046d98f73cdf61106663533d8bbea76e60/orange_1.jpg" data-mid="251394293" border="0" src="https://freight.cargo.site/w/1000/i/2fd26daf49dc207524c325e80de387046d98f73cdf61106663533d8bbea76e60/orange_1.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/414b41d6bf84bd23a98b049403de301f0fbb101f7a2a18e4b95a53e0cfae2e63/orange_4.jpg" data-mid="251394301" border="0" src="https://freight.cargo.site/w/1000/i/414b41d6bf84bd23a98b049403de301f0fbb101f7a2a18e4b95a53e0cfae2e63/orange_4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/76fe80b90e735ffa1ce92e8d1d50c5fca2013becfbe5f7a9aedfeaa7b251c568/orange_3.jpg" data-mid="251394300" border="0" src="https://freight.cargo.site/w/1000/i/76fe80b90e735ffa1ce92e8d1d50c5fca2013becfbe5f7a9aedfeaa7b251c568/orange_3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a5658bb8ee465840f45d67cd0299f06440a07eca45c223e7e0bd5861e489bd02/orange_2.jpg" data-mid="251394297" border="0" src="https://freight.cargo.site/w/1000/i/a5658bb8ee465840f45d67cd0299f06440a07eca45c223e7e0bd5861e489bd02/orange_2.jpg" /> https://digitalpractices.cargo.site/Malleability-of-Time-Space Tue, 01 Jul 2025 12:24:10 +0000 fg.digital-practices https://digitalpractices.cargo.site/Malleability-of-Time-Space ↘ MALLEABILITY OF TIME AND SPACE&nbsp;4000 Miles (3) »If we want to examine the structure and quality of our life, we should turn to its time structures.« — Hartmut Rosa&nbsp; Time is a multifaceted concept grounded in the the physical world and elevated by the symbolic and philosophical ideas of mankind. It is an observation as well as a construct and a commodity. It forms a horizon of understanding where elements can form meaningful relationships. Time can also serve as a lens for evaluating social qualities. »Modernity is about the acceleration of time,« wrote Peter Conrad. In this context, the real-time of today’s data transmission is the result of a process that began with the invention of the clock. The fact that trading companies move their headquarters towards a server farm to be able to trade on the stock exchange a fraction of a tenth of a second faster than the competition shows that not even real-time is the same as real-time. The transmitters are accelerating: the vehicles – horse – railroad – airplane – telephone – Internet. The ranges are getting longer. Space got wiped out, and time got compressed. The concept of technical acceleration is omnipresent, as is its apparent counterpart, personal deceleration. In science and economics in particular, time is measured with a precision that is imperceptible to the human sensorium and correspondingly difficult to grasp. The idea of a fraction of a tenth of a second has little to do with one’s sense of time. Or does it? Can one consciously fall out of time? Sol (the Martian day) is 39 minutes and 35 seconds longer than on Earth. Consequently, would we have ‘gained’ time on Mars? What quality does time hold for individuals, communities, and society? 4000 Miles has evolved into a third iteration; it is a continuing collaborative project between Prof. Sydney Craig ↗, Herron School of Art and Design in Indiana, USA, and Prof. Judith Glaser, Faculty of Design Würzburg (THWS), Bavaria, Germany. These educators are pursuing high-impact practices for engaged learning as they develop intercultural, multi-disciplinary exchanges meant to encourage and embrace a global mindset. Students from both universities has been challenged to explore the concepts of time and space through object studies and creative problemsolving as they work in teams across 4000 miles and through a variety of art and design media. The project is part of the Virtual Global Learning Exchange (VGLE). &nbsp;The course culminated in a visual art and design exhibition ↗ at the Eskenazi Fine Arts Center, Indianapolis, USA. Take a virtual tour ↗. Summer Term 2025 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/47281ccb032db9106a48d4271d9672285f895ea175c13e41758a46af63676a39/2_yaced-key_visual_1920x1080px.png" data-mid="236927380" border="0" src="https://freight.cargo.site/w/1000/i/47281ccb032db9106a48d4271d9672285f895ea175c13e41758a46af63676a39/2_yaced-key_visual_1920x1080px.png" />yaced. Paulina Jouaux, Lauren McDonald, Rosemary Gomez&nbsp; In a world that is constantly changing, we need products that grow with us. Under the motto »Change is the only constant,« yaced was created: a modular bag that is flexible, adaptable, and sustainable. Straps, bag modules, and bottle holders can be removed, exchanged, or used separately. Further add-ons are planned, such as a removable wallet. This means that yaced can always be adapted to current needs. The material is intended to be particularly sustainable, which is why there are several samples of bioplastic that could be used as material for the bag. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/274491382bc0cd15bd67fa714e6bf940ec9bc81cca789a2a92ae4a90d735bb70/3_yaced_1920x1080px.jpg" data-mid="236927381" border="0" src="https://freight.cargo.site/w/1000/i/274491382bc0cd15bd67fa714e6bf940ec9bc81cca789a2a92ae4a90d735bb70/3_yaced_1920x1080px.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d35c5620e4731109255f49f8cb62650696aebc1805d5d4fc5483d84eafc3387/4_yaced-two-pictures_1920x1080px.jpg" data-mid="236927526" border="0" src="https://freight.cargo.site/w/1000/i/7d35c5620e4731109255f49f8cb62650696aebc1805d5d4fc5483d84eafc3387/4_yaced-two-pictures_1920x1080px.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f9ee80ba5972d381c7c0b9cf2a52a1ed812078f6a0917973c1c994f88cc54bce/5_yaced_1920x1080px.jpg" data-mid="236927382" border="0" src="https://freight.cargo.site/w/1000/i/f9ee80ba5972d381c7c0b9cf2a52a1ed812078f6a0917973c1c994f88cc54bce/5_yaced_1920x1080px.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c9434cd1da8be8a5c2161c5f4782d9c3495fe031d69d5fbd16a1a3270deb2740/6_yaced_1920x1080px.jpg" data-mid="236927383" border="0" src="https://freight.cargo.site/w/1000/i/c9434cd1da8be8a5c2161c5f4782d9c3495fe031d69d5fbd16a1a3270deb2740/6_yaced_1920x1080px.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8a467c2dad429d1ef31c8b953bee345217cffae60fe82e63db5b208175d650d4/amelie-keyvisual_01.png" data-mid="236630793" border="0" src="https://freight.cargo.site/w/1000/i/8a467c2dad429d1ef31c8b953bee345217cffae60fe82e63db5b208175d650d4/amelie-keyvisual_01.png" />Kinetic JoyrideCharlotte Andrews, Amelie Deimel, Ara Hillenberg&nbsp; »[…] but when a beginning is made— when the felicities of rapid motion have once been, though slightly, felt— it must be a very heavy set that does not ask for more.«&nbsp;— Jane Austen The new makes itself known to all our senses. As environments shift, we adapt—sometimes fully, often incompletely. Change demands we let go of pieces of ourselves. In unfamiliar surroundings, we search for something unmoving when all else is in motion: a foothold, a constant. Some changes arrive like distortions, rotations, or even disfigurements. Objects move, transform, disappear, reappear. We carry them forward—or leave them behind. The idea for Kinetic Joyride emerged from the merry-go-round: a symbol of life's dizzying pace. Our project is about change—how it touches the environment, how we respond, and how perception twists with speed. Immersion in the process of adaptation can yield a blurred, yet beautiful, image—a layered moment of reality and illusion. It is a portrait of the joy of reinvention, shadowed by a quiet yearning for stillness. Embroideries capture fleeting memories—echoes of places where we felt alive, at ease. Places that offered stability, even as they, too, continue to change. Through arbitrary juxtapositions, an interwoven image forms—one that reflects a shared sense of immersion. A rotating pentagonal mirror frame allows the viewer to modulate the speed—or pause it entirely. At the heart of Kinetic Joyride lies movement, fluidity, and a threefold dialogue: How do objects change when our surroundings change? And—do we move with them? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba420d1d6c95a1fcd13689c5dacc4f429d3a3d84f062ae7f3b48421c11ad2272/amelie-web-doku_03.png" data-mid="236630796" border="0" src="https://freight.cargo.site/w/1000/i/ba420d1d6c95a1fcd13689c5dacc4f429d3a3d84f062ae7f3b48421c11ad2272/amelie-web-doku_03.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/09f5e332c2b839c3b578987676a18bf73fcace11a4d61d493f6ec1788e050bdf/amelie-web-doku_01.png" data-mid="236630794" border="0" src="https://freight.cargo.site/w/1000/i/09f5e332c2b839c3b578987676a18bf73fcace11a4d61d493f6ec1788e050bdf/amelie-web-doku_01.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/06c8afcbfb429fada8044a7958cfe64513b469916d50c99197f8b427a39d3a8c/amelie-web-doku_02.png" data-mid="236630795" border="0" src="https://freight.cargo.site/w/1000/i/06c8afcbfb429fada8044a7958cfe64513b469916d50c99197f8b427a39d3a8c/amelie-web-doku_02.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/42448cc72b2a755c2e7b0254f98d882272c40ca31184279b200deaf8feb57821/amelie-web-doku_04.png" data-mid="236630797" border="0" src="https://freight.cargo.site/w/1000/i/42448cc72b2a755c2e7b0254f98d882272c40ca31184279b200deaf8feb57821/amelie-web-doku_04.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" data-mid="236630830" border="0" src="https://freight.cargo.site/w/1000/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" /> Where Childhood Hides Anna Heilmann, Isabella Freshour, Jenny Monroy, Mia Griffith This tent, sewn from many individual pieces of fabric, holds a deeply personal archive: each sheet carries several gel prints of childhood objects. From the outside, the prints remain invisible. To truly see them, visitors must step inside, peek through a sewn-in window, or even crawl in just like children exploring hidden places. Suspended in the center of the room, the tent invites quiet curiosity. Its minimal interior avoids distractions, leaving space for atmosphere, light, and reflection. More than just a shelter, it becomes a nostalgic vessel designed to awaken memories, associations, and a sense of shared past. By creating a space that must be physically entered, the project encourages visitors to connect with their own childhood and embark on a small journey through time. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" data-mid="236630830" border="0" src="https://freight.cargo.site/w/1000/i/86d472d07c5d2dba90171dd977dc1132328b1e21a48ccf453de4dc0348e2cfb3/anna-keyvisual.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dc849ca2df5f00459dc572a6cf1a5bcd2047956ce01a59c55d24bbb8336991e5/anna-web-doku1.png" data-mid="236630831" border="0" src="https://freight.cargo.site/w/1000/i/dc849ca2df5f00459dc572a6cf1a5bcd2047956ce01a59c55d24bbb8336991e5/anna-web-doku1.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1d8b141ffda3dd4b3928a42a36e33f5d3567f39bcbba2dbb3550489c84c6e9a2/AmireKoncici-KeyVisual.png" data-mid="236630811" border="0" src="https://freight.cargo.site/w/1000/i/1d8b141ffda3dd4b3928a42a36e33f5d3567f39bcbba2dbb3550489c84c6e9a2/AmireKoncici-KeyVisual.png" /> Prism of Fate Amire Koncici, Piper Syester, Taylor Owen&nbsp; The sculptural column tells the mythological concept of fate through three symbolic layers: Clotho in the birth of Erichthonius, Lachesis in Chronos, and Atropos in the fall of Icarus. Each layer of the column represents one of the three Moirai – the Greek goddesses of fate – and ties their function to a moment of mythological transformation: Clotho, the spinner of life’s thread, is embodied in the secretive and miraculous birth of Erichthonius, a figure born from earth and divine conflict. Lachesis, who measures the thread, is reflected in the abstract concept of Chronos – time as a force of order and duration. Finally, Atropos, who cuts the thread, appears in the fall of Icarus, symbolizing the inevitability of mortality and the limits of human ambition. Chromatic, mirror-like foil covers the surface of the sculpture, refracting light into constantly shifting colors. This visual element creates a changing experience depending on the viewer’s position and time of day, evoking the fragility, complexity, and changeability of fate. The material's reflectivity invites self-perception and introspection, placing the viewer within the narrative and questioning their own relationship to time and destiny. The sculptural form itself draws on the visual language of both classical columns and modern abstraction. It intertwines linear storytelling with a cyclical understanding of time – a temporal paradox in which beginnings and endings dissolve into one another. The column does not simply tell a story; it performs the mythic structure of fate through light, form, and symbolism. In doing so, it becomes a vessel for timeless questions: How is life shaped? Where does agency end and destiny begin? And can we ever truly step outside the thread that binds us? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/225d5f1439b94a369c1a0ebe1bb15a5870ecb13ac44b66001b06dcd5399d42a8/AmireKoncici-Web-Hochformate-neu.png" data-mid="236927318" border="0" src="https://freight.cargo.site/w/1000/i/225d5f1439b94a369c1a0ebe1bb15a5870ecb13ac44b66001b06dcd5399d42a8/AmireKoncici-Web-Hochformate-neu.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/81a4ce2a50624e79ae58d09e9531bb7832d89208321e1a665cd945610a227295/AmireKoncici-Web-Hochformate-Close-ups.png" data-mid="236927317" border="0" src="https://freight.cargo.site/w/1000/i/81a4ce2a50624e79ae58d09e9531bb7832d89208321e1a665cd945610a227295/AmireKoncici-Web-Hochformate-Close-ups.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" data-mid="236631682" border="0" src="https://freight.cargo.site/w/1000/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" />Spending TimePaul Schulz,&nbsp;Lanie Byers,&nbsp;Delane Sheets Time has absolute value. There is nothing more precious than time, and spending it with others is a privilege. Spending Time is an interactive object that uses sand as a metaphor for time. The objective of this game is to spend as much time together as possible. An eccentric funnel at the top is filled with sand. By rotating the funnel using the grip ring, you and your friends can control where the sand flows. A balanced plate at the bottom collects the sand. Your objective is to keep this plate balanced for as long as possible by adjusting the sand's flow. If the plate tips over, you can try to restore the balance or end the game. Spending time together is not just a side effect of the game, it is the objective itself. Spending Time wants you to appreciate the time people spend with you and to offer your time to others. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" data-mid="236631682" border="0" src="https://freight.cargo.site/w/1000/i/95bdbb3caf07ce17211d39fde0992d7a5c41ea6970e8ef39df16787ac3fcbaaf/Webdoku_Header.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/311237bced70c7d2c998e5d897549667978bac26c630359a9c43584a8113c4bc/Webdoku_Bild1.jpg" data-mid="236631679" border="0" src="https://freight.cargo.site/w/1000/i/311237bced70c7d2c998e5d897549667978bac26c630359a9c43584a8113c4bc/Webdoku_Bild1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/457eb20413b4a943b195e8b0ca50214d27c2b7fd828a57171a9d10329c1d2f7b/Webdoku_Bild2.jpg" data-mid="236631680" border="0" src="https://freight.cargo.site/w/1000/i/457eb20413b4a943b195e8b0ca50214d27c2b7fd828a57171a9d10329c1d2f7b/Webdoku_Bild2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c74b3c9c27eea281b3282b47566d6bb8956d79c9ac8a3cd2e030e21526610f37/Webdoku_Bild3.jpg" data-mid="236631681" border="0" src="https://freight.cargo.site/w/1000/i/c74b3c9c27eea281b3282b47566d6bb8956d79c9ac8a3cd2e030e21526610f37/Webdoku_Bild3.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" data-mid="236631721" border="0" src="https://freight.cargo.site/w/1000/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" />Fleeting Moments Sarah Hannemann, Mandy Rudel, Dani Frye, Kell Toles We worked with concepts relating to time and space. These terms stood in contrast to each other. Their abstraction created a kind of pattern that was brought together in a large-format tablecloth.
This carpet is complemented by cyanotypes, which also capture the theme of time and space. Collected everyday objects such as tickets, receipts or admission tickets are visible on the cyanotypes - traces of places where we have actually been. These objects document specific moments and refer to our personal movement through space and time. It is about capturing fleeting things and transient memories - transforming them into something permanent. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/96a90949868480628228e2958886d9e567df9304cd82c39efe7e25ab16e71f08/sarah-keyvisual.png" data-mid="236631720" border="0" src="https://freight.cargo.site/w/1000/i/96a90949868480628228e2958886d9e567df9304cd82c39efe7e25ab16e71f08/sarah-keyvisual.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4461a34a27df11b85afcca4dc74d1832cbb9e86ae1283e5969ada02d5edd48f5/sarah-web-doku3.png" data-mid="236631723" border="0" src="https://freight.cargo.site/w/1000/i/4461a34a27df11b85afcca4dc74d1832cbb9e86ae1283e5969ada02d5edd48f5/sarah-web-doku3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1cb498b58efef146ce4dd1170d5e37f9b3e71a69c8e4d66e7193ab32eed6d8b7/sarah-web-doku2.png" data-mid="236631722" border="0" src="https://freight.cargo.site/w/1000/i/1cb498b58efef146ce4dd1170d5e37f9b3e71a69c8e4d66e7193ab32eed6d8b7/sarah-web-doku2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" data-mid="236631721" border="0" src="https://freight.cargo.site/w/1000/i/a6b6b65f4c6a83dac00ce47417de18b299521ed1151554c74291c7b602bd5fc5/sarah-web-doku.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" data-mid="236928172" border="0" src="https://freight.cargo.site/w/1000/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" />vom nehmen und vom geben Liliane Sand, Lance Milam, Aaliyah Pipes This project is a poetic exploration of the invisible relationships that shape our existence between past and future, self and other, memory and possibility. This exchange, subtle yet ever-present, does not follow a linear path. It unfolds like a conversation: nonlinear, layered, and alive. It is a cycle of receiving and offering, of learning and letting go, of transformation across time. At the heart of the project lies the spiral, a symbol as ancient as it is universal. It speaks of growth and continuity, of motion without end, of beginnings that emerge from endings. The spiral becomes the visual and conceptual core of the work, capturing the quiet rhythm of change.To give this idea tangible form, the project turns to the most familiar of objects: cutlery. Forks, knives, and spoons, tools we touch daily, often without thought, are transformed into vessels of meaning. They become carriers of memory, gestures of care, and symbols of shared experience. The spiral is embedded into each object, not merely as ornament, but as an invocation: a reminder of our place in the ongoing flow of giving and receiving. This project raises questions about how we relate to the things we use and to the world we shape through them. It invites us to consider responsibility: not just for what we take, but for how we give back. It suggests that design is not only a matter of function or aesthetics, but of values, relationships, and intention. Each object becomes a touchpoint in a larger conversation, about memory, continuity, and the ways in which we leave traces in the world. Ultimately, vom nehmen und vom geben speaks to the profound truth that we are all part of a larger process: one that is dynamic, porous, and interdependent. In everything we do, we inherit, we alter, we pass on. So in this endless spiral of exchange: what does it mean to truly give? What do we carry forward, knowingly or not? And what remains of us in the hands of others, long after we are gone? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bbf24addcece5a5cbd9eaec2f11cd12a92afd257908c03b26fe0f0c3e2b956bb/Bild3_LilianeSand.jpg" data-mid="236928171" border="0" src="https://freight.cargo.site/w/1000/i/bbf24addcece5a5cbd9eaec2f11cd12a92afd257908c03b26fe0f0c3e2b956bb/Bild3_LilianeSand.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5556dd11fd3af0747b5a9efd038456db9e146e5b2d1d85694ce671f5daf0186a/Bild1_LilianeSand.jpg" data-mid="236928168" border="0" src="https://freight.cargo.site/w/1000/i/5556dd11fd3af0747b5a9efd038456db9e146e5b2d1d85694ce671f5daf0186a/Bild1_LilianeSand.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/513c715d7a7fb51a514d82dfc1caa6a12d4ed46862c218f1bf7bb6cc4988c531/Bild2_LilianeSand.jpg" data-mid="236928170" border="0" src="https://freight.cargo.site/w/1000/i/513c715d7a7fb51a514d82dfc1caa6a12d4ed46862c218f1bf7bb6cc4988c531/Bild2_LilianeSand.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" data-mid="236928172" border="0" src="https://freight.cargo.site/w/1000/i/23a09ee1d02f0ae4a98c8c6565b416dcf804844f8086ff7cd9527eb859829ca9/key_visual_LilianeSand.png" /> https://digitalpractices.cargo.site/DoNothingMachines Wed, 25 Jun 2025 08:31:59 +0000 fg.digital-practices https://digitalpractices.cargo.site/DoNothingMachines ↘ DO— NOTHING— MACHINESIn Praise of Idleness. Industrialised societies strive for productivity and efficiency. In these systems, doing nothing often has a bland aftertaste or is itself subject to a strict schedule. We mark time for relaxation in our calendars, monitor and optimise our sleep. Have we long forgotten the art of idleness, the dolce far niente – the sweet nothing? Between studies, work, family and self-expression, where is the freedom to simply be? The devaluation of idleness since the Reformation is a relatively recent development. In ancient times, idleness was considered a privilege of free citizens and the nobility, and essential for the development of art and culture. In the Middle Ages, the spiritual mystic Hildegard von Bingen even warned against excessive activity: »But man must beware of killing his body by too much work« (1). The Alcoa Solar Do-Nothing Machine by Ray and Charles Eames (1957) symbolises the explorations of this course. It was not designed to fulfil a ‘practical’ function (2). It is a fascinating dance of colour and movement with no utilitarian purpose – an ode to curiosity, playfulness and the joy of pure observation of movement. The machine challenges our conventional understanding of function and utility and reminds us that there is value in pure experience. In these unstructured moments of leisure, the mind can wander and creativity can flourish. From the aimless walk as an activity of intrinsic value, to the power nap and the sobremesa, the Spanish culture of resting after a meal (3), to procrastination, the course looked intensively at doing nothing, &nbsp;at leisure and at breaks and what they mean to us and our social interactions. In contrast to laziness (and doomscrolling), the projects are designed with and for the conscious decision to pause, perceive and reflect. (1) von Bingen, H. (2024) Heilige Inspiration in Weisheit der Welt (Band 23). (2) Neuhart, J., Neuhart, M., Rams, R. (1989) Teams Design. The Work of the Office of Charles and Ray Eams, New York. (3) Randolph, M. (2018)&nbsp;A uniquely Spanish part of the meal. www.bbc.com ↗ Accessed Februar 13,2025. Supervision Prof. Judith GlaserSummer Term 2025 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/950ac20e94473f718bb64ffde1fb74bc2acec9f7d009de272ed2c1c70b3952c2/Sloma_K_Key.png" data-mid="239540948" border="0" src="https://freight.cargo.site/w/1000/i/950ac20e94473f718bb64ffde1fb74bc2acec9f7d009de272ed2c1c70b3952c2/Sloma_K_Key.png" />SLOMAThuyVy Nguyen ›The relaxing coffee break for everyone.‹ Sloma is a coffee machine that turns coffee preparation into a mindful, relaxing experience. The design was created based on the idea that people with very different approaches to coffee could be connected by a shared device, mediating between functional simplicity and sensory experience. Sloma is aimed at people with no prior knowledge who usually consume coffee casually, as well as coffee fanatics with high standards of preparation and taste. Rather than focusing on technical complexity or pure efficiency, Sloma prioritises visibility, tranquillity and accessibility. Its transparent design allows you to see the brewing process directly. Two rotating water wheels direct the coffee into the cup, lending the process a meditative quality. The product is deliberately straightforward to use. The parts are easy to take apart and clean, and are made of single-origin materials. This makes Sloma sustainable and durable. Inspiration for the design came from a lamp and a water toy, whose clear movements were incorporated into the design. It provides a framework through which users can engage with their coffee routine at their own pace. Preparing coffee becomes the focus of the break. It's an invitation to slow down for everyone. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/37d7ed9b21de1057bd84be22c9057cbeb882d0f39adee5f2c967062ed70008f9/Sloma_K_1.png" data-mid="239540951" border="0" src="https://freight.cargo.site/w/1000/i/37d7ed9b21de1057bd84be22c9057cbeb882d0f39adee5f2c967062ed70008f9/Sloma_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/74e64f5398fae787f4c64009c1f905d3ea9442b610b078487d819650d2f002a7/Sloma_K_3.png" data-mid="239540953" border="0" src="https://freight.cargo.site/w/1000/i/74e64f5398fae787f4c64009c1f905d3ea9442b610b078487d819650d2f002a7/Sloma_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e8fc7a28809cd5c18242b1f5dd9ba538641cdcd0bb5ad474608c9e55c20d2057/Sloma_K_2.png" data-mid="239540954" border="0" src="https://freight.cargo.site/w/1000/i/e8fc7a28809cd5c18242b1f5dd9ba538641cdcd0bb5ad474608c9e55c20d2057/Sloma_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/9412a70f05b1ac86d2560bac480c27148def10d0a6b527e3a52a48ef8512435b/Sloma_K_4.png" data-mid="239540959" border="0" src="https://freight.cargo.site/w/1000/i/9412a70f05b1ac86d2560bac480c27148def10d0a6b527e3a52a48ef8512435b/Sloma_K_4.png" /> ↘<img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/57fe9a8be251b57fa8737b6f19cb89b3fdcdb85518127cd3881ca10875e322be/Luecke_K_Key.png" data-mid="239541109" border="0" src="https://freight.cargo.site/w/1000/i/57fe9a8be251b57fa8737b6f19cb89b3fdcdb85518127cd3881ca10875e322be/Luecke_K_Key.png" />LückeFlorina Rall&nbsp; Lücke's approach is to ›have less, do less‹. This is a bag that can be used both as a spacious bag for uni or school and also as a place to lie down. With a zip, any ›gap‹ in your day can be transformed into an opportunity to take a break. You can spontaneously ›do nothing‹ or carry less to ›do nothing‹. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/98f23a95af08b42060b3742d2e12ce519e37b2d7bf68c7cc9857f5da5d81f912/Luecke_K_1.png" data-mid="239541153" border="0" src="https://freight.cargo.site/w/1000/i/98f23a95af08b42060b3742d2e12ce519e37b2d7bf68c7cc9857f5da5d81f912/Luecke_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/92f9bd4316a28e91c587e9fb70bc64700afa6f3ba3c64527dfc3b88956a131f2/Luecke_K_3.png" data-mid="239541154" border="0" src="https://freight.cargo.site/w/1000/i/92f9bd4316a28e91c587e9fb70bc64700afa6f3ba3c64527dfc3b88956a131f2/Luecke_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e704bf43bd1e81dc7ff6c7ae72233c1d314567e8753d94422a36ea7f148bf981/Luecke_K_2.png" data-mid="239541155" border="0" src="https://freight.cargo.site/w/1000/i/e704bf43bd1e81dc7ff6c7ae72233c1d314567e8753d94422a36ea7f148bf981/Luecke_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/1386429de47513b5dbd36f6716d697d2426da90c4623e127ca267302ccc22e94/Luecke_K_4.png" data-mid="239541157" border="0" src="https://freight.cargo.site/w/1000/i/1386429de47513b5dbd36f6716d697d2426da90c4623e127ca267302ccc22e94/Luecke_K_4.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d5f05774a3ca5a0030876e8fc726c72a9a5acbbdc2141a2c3ea6a757f3a736b/Licht_K_Key.png" data-mid="239541164" border="0" src="https://freight.cargo.site/w/1000/i/7d5f05774a3ca5a0030876e8fc726c72a9a5acbbdc2141a2c3ea6a757f3a736b/Licht_K_Key.png" />Licht/SpielAmalia Kasdepke Licht/Spiel is an interactive light installation that brings playful breaks into the everyday routines of adults. Installed at bus stops – places where people frequently wait – it invites spontaneous interaction through projected games inspired by natural childhood phenomena like bubbles, puddles, or pinecones. The games are intuitive, seasonal, and adaptable to the number of people present. At night, the installation adds a second layer: soft light circles track individuals at the stop, enhancing both presence and safety. Licht/Spiel turns an ordinary waiting space into a moment of pause, reflection, and connection – without requiring effort, instructions, or prior intention. It offers a gentle reminder that playfulness doesn’t have to end with childhood, and that public space can be both functional and poetic. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/88076f93eb7c3ed859000025887b21d8e8383e37891fdbded47ed7ce3176106c/Licht_K_1.png" data-mid="239541165" border="0" src="https://freight.cargo.site/w/1000/i/88076f93eb7c3ed859000025887b21d8e8383e37891fdbded47ed7ce3176106c/Licht_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/c71c03246d6c18b6b6d6f00f79ea1a073b8c6d86fb3469b4804b04fbeceaae41/Licht_K_3.png" data-mid="239541175" border="0" src="https://freight.cargo.site/w/1000/i/c71c03246d6c18b6b6d6f00f79ea1a073b8c6d86fb3469b4804b04fbeceaae41/Licht_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/dd94f4578575d88d16bbf6fc5e85ff5b33bd431bd2d554dbca2c20f2e4e4a61f/Licht_K_2.png" data-mid="239541171" border="0" src="https://freight.cargo.site/w/1000/i/dd94f4578575d88d16bbf6fc5e85ff5b33bd431bd2d554dbca2c20f2e4e4a61f/Licht_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7470c28d0a3f63d9c517992cb0e31e330bb5e3dee9341d4560b8439fe50819cd/Header.jpg" data-mid="239541193" border="0" src="https://freight.cargo.site/w/1000/i/7470c28d0a3f63d9c517992cb0e31e330bb5e3dee9341d4560b8439fe50819cd/Header.jpg" />KriselJoy Rammig, Paul Schulz »Distraction is a strategy in Service of the work.« Rick Rubin, The Creative Act (2023) This project attempts to address the issue of mental blocks during creative work. Creativity cannot be forced, which can cause problems for professional creatives. We have observed and experienced that distraction can be an effective way of dealing with mental blocks. However, we live in a world of distractions, so the difficulty lies in finding the right distraction at the right time. Krisel is a tool that gently reminds you to reflect on where you are in your creative process without causing stress or time pressure, both of which are catalysts for mental blocks. It is deliberately analogue and counteracts the abundance of digital distractions that surround us. The object itself can be used as a haptic distraction or as a token to symbolically start or end a creative flow state. However, its main intention is to serve as a gentle reminder to take an early break and avoid getting stuck in a mental block. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/55f3a2414c87526d38e58df775840666e8bf56c2a783e08e4462baf77fe80a1f/Webdoku2.jpg" data-mid="239541199" border="0" src="https://freight.cargo.site/w/1000/i/55f3a2414c87526d38e58df775840666e8bf56c2a783e08e4462baf77fe80a1f/Webdoku2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9a955720cbf1688b6636a6fffbe0b29428fea369d9140f507456c7ae3a2c88a9/Webdoku3.jpg" data-mid="239541262" border="0" src="https://freight.cargo.site/w/1000/i/9a955720cbf1688b6636a6fffbe0b29428fea369d9140f507456c7ae3a2c88a9/Webdoku3.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2f85b779fbffbd02e1a2990b77be06df9c3ad452dd4d7536a669494547960fff/Webdoku1.jpg" data-mid="239541261" border="0" src="https://freight.cargo.site/w/1000/i/2f85b779fbffbd02e1a2990b77be06df9c3ad452dd4d7536a669494547960fff/Webdoku1.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/55718f4981e425e9dbfdcf606e071e3f14a6b65745b4e050bc25a5728928fdc7/Cenicero_K_Key.png" data-mid="239541269" border="0" src="https://freight.cargo.site/w/1000/i/55718f4981e425e9dbfdcf606e071e3f14a6b65745b4e050bc25a5728928fdc7/Cenicero_K_Key.png" />CENICEROMax Stroh This project addresses a common problem in modern working life. Short breaks at home or in the office often do not feel restful and usually end with people reaching for their mobile phones. The aim is to find a better alternative that effectively reduces stress. The central idea is to use Palo Santo wood during breaks. Also known as ›holy wood‹, Palo Santo has been used for thousands of years by indigenous South American peoples, such as the Incas, in spiritual and healing rituals. The aromatic smoke produced by burning or heating the wood is traditionally used for cleansing rooms energetically and dispelling negative energies. The wood's calming effect is attributed to its high limonene content, which has been proven to relieve stress and anxiety. The goal is to create a simple yet effective activity for breaks. It helps clear your head and improves concentration afterwards, providing a simple alternative to scrolling on your mobile phone. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/1ba8de358d9792b37136c5991385f05356a5e92be91a8449e1728a615e8bc9e1/Cenicero_K_1.png" data-mid="239541267" border="0" src="https://freight.cargo.site/w/1000/i/1ba8de358d9792b37136c5991385f05356a5e92be91a8449e1728a615e8bc9e1/Cenicero_K_1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/69bd87c9e012ae14d74381c59d297b965cc17f65ae74c698c5581e41f882cfed/Cenicero_K_2.png" data-mid="239541268" border="0" src="https://freight.cargo.site/w/1000/i/69bd87c9e012ae14d74381c59d297b965cc17f65ae74c698c5581e41f882cfed/Cenicero_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b1cef3cdfa71c76277e558b8c288282bf12d5e18dc4fed26cdb71fada2afc1ce/Skygge_K_Key.png" data-mid="239541291" border="0" src="https://freight.cargo.site/w/1000/i/b1cef3cdfa71c76277e558b8c288282bf12d5e18dc4fed26cdb71fada2afc1ce/Skygge_K_Key.png" />SKYGGENicole Jansen, Josefine Holmer Skygge was born out of a desire to provide people with a relaxing break from their everyday lives. Through conversations with various individuals, we identified the need for time out in green spaces. This inspired our goal of designing a tool that would enable people to take spontaneous, flexible breaks in the shade right in the city. We wanted to create a product that would be accessible to all, regardless of financial circumstances. This resulted in the concept of access points, where Skygge is made available to residents and visitors free of charge. Financed by local authorities and organisations, the city becomes more liveable for everyone. Using Skygge is quick and easy: simply scan the QR code at the access point to access the website and register for the rental system. Thanks to the electricity generated by solar panels, Skygge can also be used to charge electronic devices on the go. The web application visually conveys the Skygge experience with clear typography, easy-to-understand user guidance, and a consistent colour scheme. The brand thus conveys a feeling of summery lightness and simple handling. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2ad9bb0330543461cf4dca99d481fbaabaa4108ec0fb45c4cd416ab3e4dd2dba/Skygge_K_1.png" data-mid="239541287" border="0" src="https://freight.cargo.site/w/1000/i/2ad9bb0330543461cf4dca99d481fbaabaa4108ec0fb45c4cd416ab3e4dd2dba/Skygge_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/679ca9f5219feb0c6a3306e9c1e95d989844ad24c6baa987db8030d910fc04f4/Skygge_K_3.png" data-mid="239541289" border="0" src="https://freight.cargo.site/w/1000/i/679ca9f5219feb0c6a3306e9c1e95d989844ad24c6baa987db8030d910fc04f4/Skygge_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/cf4e362fa2d447e5bfb90a16cc5aa6d64da17bb3a2736f630bfd55b68092d2f3/Skygge_K_2.png" data-mid="239541288" border="0" src="https://freight.cargo.site/w/1000/i/cf4e362fa2d447e5bfb90a16cc5aa6d64da17bb3a2736f630bfd55b68092d2f3/Skygge_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5c1f5420e5c560e6976bf1ecc94c85bb4d171c916203d05d9284ea5c8c6d382b/Skygge_K_4.png" data-mid="239541290" border="0" src="https://freight.cargo.site/w/1000/i/5c1f5420e5c560e6976bf1ecc94c85bb4d171c916203d05d9284ea5c8c6d382b/Skygge_K_4.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/79c8ba182d848e8febd27a0f35af0a8cc5f3f39efff5b4e0489b1acb4d3bb3bf/Flare_K_Key.png" data-mid="239541346" border="0" src="https://freight.cargo.site/w/1000/i/79c8ba182d848e8febd27a0f35af0a8cc5f3f39efff5b4e0489b1acb4d3bb3bf/Flare_K_Key.png" />FlareJulia Dawn Tirol de Sousa Flare is a kinetic mobile that acts as a mindful timer for people with ADHD. It divides the day into 45-minute work sessions, each followed by a 10-minute break. At the end of each unit, a soft light comes on and the mobile starts to move. These calm movements encourage you to let your gaze wander, helping you to enter a meditative state. By focusing on Flare's gentle movements, users are encouraged to consciously disconnect from their mobile phones and external stimuli, creating a calm and grounded break between tasks. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/92466daab13ca2cb07879147b6377dc17f24361186cbe74d513d85b10b84cbee/Journey-TirolDeSousa.png" data-mid="242660362" border="0" src="https://freight.cargo.site/w/1000/i/92466daab13ca2cb07879147b6377dc17f24361186cbe74d513d85b10b84cbee/Journey-TirolDeSousa.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bcd1b30fcc7721eab49531e1d50626c0b1638f1a104aada38fc3a5f70f2cf59d/Flare_K_1.png" data-mid="239541335" border="0" src="https://freight.cargo.site/w/1000/i/bcd1b30fcc7721eab49531e1d50626c0b1638f1a104aada38fc3a5f70f2cf59d/Flare_K_1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/3450b590e18e2c17d21ddd060e01cd47d921fd627eb80642a3c12c40ea0b35c3/Flare_K_2.png" data-mid="239541343" border="0" src="https://freight.cargo.site/w/1000/i/3450b590e18e2c17d21ddd060e01cd47d921fd627eb80642a3c12c40ea0b35c3/Flare_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/61727b3911d61ae75e33c54f4e3f9966a5d44f57acc89bcf61dd23d969c93f47/Koerper_K_Key.png" data-mid="239541727" border="0" src="https://freight.cargo.site/w/1000/i/61727b3911d61ae75e33c54f4e3f9966a5d44f57acc89bcf61dd23d969c93f47/Koerper_K_Key.png" />Körperl(ich)Isabel Leganyi The starting point for my project was the question: How can I express the signals and sensations of my body and invite others to empathise with my physical experience and consciously perceive their own? I began with guided body meditations. As I tuned into these states, I drew intuitively and directly, without striving for perfection, but rather from the moment. The materials I used included wax crayons, paper, cardboard, and later also a hot glue gun and various textured surfaces. The original plan was to create a large canvas painting with haptic elements. But in the course of the process, I realised that the sketches, artefacts and fragments that emerged during the experimentation already had their own powerful expressiveness. Each drawing became an immediate imprint of a specific physical sensation: spontaneous, uncensored and direct. Instead of working towards a final piece, I consciously decided to collect these intuitive artefacts. The 30 finished drawings represent different states of my body, tension, lightness, pressure, flow – captured in the moment. In this project, I not only learned to feel my body more consciously, but also to actively use breaks by drawing in precisely these moments. Körperl(ich) invites us to refocus on feeling – away from constant thinking, towards the body. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a0cec65d028c66b674936c8fb65b2b0524bd533dfc9d370c7d0fb25840d08f4c/Koerper_K_2.png" data-mid="239541722" border="0" src="https://freight.cargo.site/w/1000/i/a0cec65d028c66b674936c8fb65b2b0524bd533dfc9d370c7d0fb25840d08f4c/Koerper_K_2.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/88b662c4fddc02962778187543ce1278486008e0ecea102b6e28a613e41b43d9/Koerper_K_1.png" data-mid="239541717" border="0" src="https://freight.cargo.site/w/1000/i/88b662c4fddc02962778187543ce1278486008e0ecea102b6e28a613e41b43d9/Koerper_K_1.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d5fb7fc7064252b375f6d2d15895410e8e7f7c14387eb3f02add692cb894ef33/Naehe_K_Key.png" data-mid="239542146" border="0" src="https://freight.cargo.site/w/1000/i/d5fb7fc7064252b375f6d2d15895410e8e7f7c14387eb3f02add692cb894ef33/Naehe_K_Key.png" />Entfernte NäheSebastian Meier Closeness, touch and affection are basic human needs. Yet in today's society, these needs are often met with prejudice, sexualisation and romanticisation. Touch is often only accepted and experienced in romantic sexual relationships, despite the fact that it could be so much more. During the development of a cuddle-object, I created various prototypes and experimented with different materials, sizes and fillings. Magnets sewn into the fingertips and the tops of the hands enable the cuddly toy's hands to interlock and hold each other. The teddy fleece provides structure and depth to the piece, and feels comfortable without being overly synthetic. Abstract patterns are incorporated into the connecting piece between the hands, tying in with the magazine's illustration style. The magazine explores topics such as the biological and psychological effects of touch, and provides an overview of interpersonal touch. It also questions learned rules, values, boundaries and spaces to raise awareness of ourselves and others. Uta Wagener's book Fühlen – Tasten – Begreifen (Feeling – Touching – Understanding) was central to this, providing the basis for the magazine's content accompanying the cuddle-object. As the topic also touches on very personal and intimate levels, I decided to explore it through my own lyrical texts, creating an emotional depth. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bccbaead415f6c73ed489a978e186a6014453863f88d077655430927919d1c4d/Naehe_K_1.png" data-mid="239542143" border="0" src="https://freight.cargo.site/w/1000/i/bccbaead415f6c73ed489a978e186a6014453863f88d077655430927919d1c4d/Naehe_K_1.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f587123f3121a35db8d785f3b01550145b9e4e39185be00dd63cd7b1ef0e62d7/Naehe_K_2.png" data-mid="239542145" border="0" src="https://freight.cargo.site/w/1000/i/f587123f3121a35db8d785f3b01550145b9e4e39185be00dd63cd7b1ef0e62d7/Naehe_K_2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1d4309b50268ca94875cf379ad83a63ba80bd7fb28ceff5a164d52a289bf9967/Kopfhoch_K_Key.png" data-mid="239542555" border="0" src="https://freight.cargo.site/w/1000/i/1d4309b50268ca94875cf379ad83a63ba80bd7fb28ceff5a164d52a289bf9967/Kopfhoch_K_Key.png" />kopfhochEmelie Glass This project explores the connection between observation, language, and imagination. Kopfhoch (Head Up) is a workshop box that encourages participants to find stories in the clouds and experience the playful, open-ended nature of writing. The starting point is the question: What happens when you see the sky not just as a weather phenomenon, but as a reflection of your inner life, memories, and imagination? The box is intended for writers, learners and storytellers, and can be used in German lessons as a creative introduction to literary writing, or in therapy as a reflective tool. It contains a magazine with five chapters (including ones on sky gods, clouds on other planets, and idioms related to the sky); cards with narrative prompts; visual cloud shapes that can be used to build narratives (based on methods such as narrative exposure therapy); and cloud Polaroids to inspire you. The box's design is clear and almost ethereal, and its approach is open: it does not seek to guide, but to accompany and make storytelling accessible. Thus, observing the sky becomes an invitation to tell stories, to remember and to transform. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f25d70777ba2f073c890d628381ce1eb07a94a2b1cce5e9f6f3e49e4dd8e259e/Kopfhoch_K_1.png" data-mid="239542545" border="0" src="https://freight.cargo.site/w/1000/i/f25d70777ba2f073c890d628381ce1eb07a94a2b1cce5e9f6f3e49e4dd8e259e/Kopfhoch_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/a460a5b4602cd73cb7ea17bdc24235b8488fa2bf0f9884bfa8f4ea0bb837a868/Kopfhoch_K_3.png" data-mid="239542554" border="0" src="https://freight.cargo.site/w/1000/i/a460a5b4602cd73cb7ea17bdc24235b8488fa2bf0f9884bfa8f4ea0bb837a868/Kopfhoch_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/c8cc61e540fff064a07849fe8b4c518ae4ab6124824798f2b8b8cdcae560d77f/Kopfhoch_K_2.png" data-mid="239542550" border="0" src="https://freight.cargo.site/w/1000/i/c8cc61e540fff064a07849fe8b4c518ae4ab6124824798f2b8b8cdcae560d77f/Kopfhoch_K_2.png" /> ↘ <img width="1920" height="1079" width_o="1920" height_o="1079" data-src="https://freight.cargo.site/t/original/i/3713b661a366eb0f3bb9af4bbd4c71e3a2f6fa84a1f5ec79d04f09924f67b2b7/webdoku-JuleDerra5.jpg" data-mid="242660578" border="0" src="https://freight.cargo.site/w/1000/i/3713b661a366eb0f3bb9af4bbd4c71e3a2f6fa84a1f5ec79d04f09924f67b2b7/webdoku-JuleDerra5.jpg" />EskapismusJule Derra Zwischen Traumwelt und Realität Escapism is the act of fleeing from reality, often by immersing oneself in books, films or stories. For a moment, we immerse ourselves in another world and leave everyday life behind. This is completely normal, and even healthy. Escapism can provide a retreat, inspiration and a creative space. However, in an increasingly digital world with constant sensory overload, we are drawn ever deeper into a maelstrom of other realities. Social media plays a dual role here: on the one hand, it overwhelms us with an endless stream of information; on the other hand, it offers us a refuge where we can immerse ourselves in the most bizarre online communities. Escapism has many beautiful, almost magical aspects. It nourishes artistic creation and opens doors to other worlds of thought and dreams. However, it is a delicate balance. How much escapism constitutes self-care, and at what point does it become an avoidance of responsibility? How much withdrawal is necessary, and how much is comfortable, or even selfish? I want to celebrate the optimistic, perhaps even naive, side of escapism, but also encourage reflection. We should reflect on our digital behaviour, our longings, and what it means today to really immerse ourselves. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eecf772e1b5123480be3d476a48e8af8c30ec83fea448922fe4580f1a47d72ac/Eskap_K_Key.png" data-mid="239543607" border="0" src="https://freight.cargo.site/w/1000/i/eecf772e1b5123480be3d476a48e8af8c30ec83fea448922fe4580f1a47d72ac/Eskap_K_Key.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/59a492690942951ab17005be12b94c7747ba2fdf3279404cdbb71b2ccaec8711/Eskap_K_2.png" data-mid="239543600" border="0" src="https://freight.cargo.site/w/1000/i/59a492690942951ab17005be12b94c7747ba2fdf3279404cdbb71b2ccaec8711/Eskap_K_2.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2113529827e60e49fcc4eb1f88e08b5e6dd8969696be01eb0acb626796d84e4d/Eskap_K_1.png" data-mid="239543592" border="0" src="https://freight.cargo.site/w/1000/i/2113529827e60e49fcc4eb1f88e08b5e6dd8969696be01eb0acb626796d84e4d/Eskap_K_1.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/445a13f177e68d03f15d7ce0abdc9424f3601d277225bde0dd3011af09a302ef/webdoku-JuleDerra4.jpg" data-mid="242660574" border="0" src="https://freight.cargo.site/w/1000/i/445a13f177e68d03f15d7ce0abdc9424f3601d277225bde0dd3011af09a302ef/webdoku-JuleDerra4.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a33830eb2d1f827d2606e8428db9bbb1619dff1403d6bbac66e443be14a5c59b/Lunalay_K_Key.png" data-mid="239544397" border="0" src="https://freight.cargo.site/w/1000/i/a33830eb2d1f827d2606e8428db9bbb1619dff1403d6bbac66e443be14a5c59b/Lunalay_K_Key.png" />LUNALAYKatharina Gorbach ›Switch the mood – keep the mode!‹ LUNALAY is an interactive lamp with three intuitive light modes to support the transition from day to night: Relaxing Mode, Reading Mode, and Sleeping Mode. The lighting promotes stillness, relaxation and calm, inviting you to disconnect from your everyday thoughts and ease into a restful state. Two rotatable spheres create a unique play of lights: One has a textured surface inspired by kaleidoscopes and creates warm ambient light patterns. The other has a smooth surface and provides neutral, focused reading light. A touch sensor on the base allows you to switch between modes. The light elements are modular, height-adjustable and replaceable. A ball joint enables the light to be focused as required for either direct or indirect illumination. Drawing inspiration from natural light phenomena, LUNALAY creates atmospheric effects on surrounding walls. The lenses of the spheres were 3D-printed and tested in multiple iterations to fine-tune the light effect and quality. Combining thoughtful design with calming visual effects, LUNALAY becomes a personal evening companion, providing more than just light – it is a gentle guide to sleep. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e3be25b8672370d288c93567695575702c32ea1506d54b4ffc2bdb2301290695/Lunalay_K_1.png" data-mid="239544384" border="0" src="https://freight.cargo.site/w/1000/i/e3be25b8672370d288c93567695575702c32ea1506d54b4ffc2bdb2301290695/Lunalay_K_1.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d7de25133b812ea54dce9c9511a3674605f10f2755c79d28bdca1e243457c147/Lunalay_K_3.png" data-mid="239544393" border="0" src="https://freight.cargo.site/w/1000/i/d7de25133b812ea54dce9c9511a3674605f10f2755c79d28bdca1e243457c147/Lunalay_K_3.png" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bdfc625f188c259fdd9d94ac5c449f5ae913c1273c02e02d9da32379ee3a3dbb/Lunalay_K_2.png" data-mid="239544389" border="0" src="https://freight.cargo.site/w/1000/i/bdfc625f188c259fdd9d94ac5c449f5ae913c1273c02e02d9da32379ee3a3dbb/Lunalay_K_2.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/95bf6d2ca2402f82d5257bcd64318706fd7b534339f9ce8c6a1c2435e1016e4b/Lunalay_K_4.png" data-mid="239544396" border="0" src="https://freight.cargo.site/w/1000/i/95bf6d2ca2402f82d5257bcd64318706fd7b534339f9ce8c6a1c2435e1016e4b/Lunalay_K_4.png" /> https://digitalpractices.cargo.site/Closeness-X-Distance Tue, 14 Jan 2025 15:27:47 +0000 fg.digital-practices https://digitalpractices.cargo.site/Closeness-X-Distance ↘ CLOSENESS ACROSS DISTANCE 4000 Miles (2) »We are like islands in the sea, separate on the surface but connected in the deep.«&nbsp;– William James, American Philosopher and Psychologist Feeling connected tethers humans to the the earth. We search for shared threads that tie us to one another as we cast our mighty nets in attempts to capture a sense of togetherness. This innate need to feel a sense of community and belonging has prompted technological advancements that help humans transcend obstacles like time and physical distances. The contemporary understanding of proximity and nearness reflects a cultural shift as community is no longer defined by place, and with technology, we are able to maintain personal contact and presence over vast distances. Existing solutions, such as messenger services and video conferencing systems,&nbsp; tend to focus on direct communication, primarily providing efficient and explicit exchange of information. However, social relationships require more subtle, versatile, and sensory ways of communicating and expressing emotions. (1) The concept of closeness can be examined figuratively and metaphorically, for it encompasses the following: (A) the state of being only a short distance or separation in terms of space or time; (B) the kind of affection or intimacy in a relationship; (C) the attentive and thorough way of being (2). Within the course, students explored these different lenses through observation, creativity, and artistic production. The aim was to explore and develop concepts that enable the maintenance of meaningful social relationships across spatial distances, which drive and strengthen participation, neighborliness, cooperation and solidarity within a transcontinental community. (1) BMBF. (2021, November 26) Bekanntmachung der Richtlinie zur Förderung von Projekten zum Thema „Nähe über Distanz – Mit interaktiven Technologien zwischenmenschliche Verbundenheit ermöglichen“. Bundesministerium für Bildung und Forschung ↗&nbsp; (2) Oxford Learner’s Dictionaries. (n.d.). Closeness. In www.oxfordlearnersdictionaries.com ↗ Retrieved September 4, 2024 The short term project is part of the Virtual Global Learning Exchange (VGLE). Bridging two institutions on two continents and two time zones, it aims to promote intercultural exchange and Blended Learning, focusing on linking physical and virtual learning environments for art and design practice. The teams consist of students of different senorities from the first to the seventh semester. The course culminated in a visual art and design exhibition ↗ at the Faculty of Design Würzburg. Take a virtual tour ↗.The course is a cooperation of Prof. Sydney Craig ↗ (Herron) and Prof. Judith Glaser.&nbsp; Winter Term 2023/24 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d707794000a3831b54dc66e4933220b2590e1f379f4b3768a7e12c174b12ec0b/DinnerTime-1.jpg" data-mid="227399568" border="0" src="https://freight.cargo.site/w/1000/i/d707794000a3831b54dc66e4933220b2590e1f379f4b3768a7e12c174b12ec0b/DinnerTime-1.jpg" />Dinner TimeRaquel Romero, Lea Geldmacher, Taya Johnson,&nbsp;Madisyn Bryant&nbsp; Whether it‘s a weekend brunch or a quick weeknight dinner, the benefits ofcoming Together around the table are undeniable. It strengthens our friendships, family connections and has a lot of positive effects on our wellbeing. The magazine Dinner Time features four unique dinners from different cultures around the world. While each meal and setting is different, they all have one thing in common: they bring people together. What food was on the table? Did each guest bring a dish? How was the Vibe of the dinner? What did they talk about? Each Team Member took photos of the dinner event and designed their own pages afterwards writing about the evening and the experience. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2486185d8cc3f78f321f6911faad43a5d28cd0ea0bc44ad4d7370dfed9006fc4/DinnerTime-3.png" data-mid="227400076" border="0" src="https://freight.cargo.site/w/1000/i/2486185d8cc3f78f321f6911faad43a5d28cd0ea0bc44ad4d7370dfed9006fc4/DinnerTime-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5409fa678797862daf66dee17f3d1103874deb68c793de4726aa9d9a2ba8d35a/DinnerTime-4.png" data-mid="227400077" border="0" src="https://freight.cargo.site/w/1000/i/5409fa678797862daf66dee17f3d1103874deb68c793de4726aa9d9a2ba8d35a/DinnerTime-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/493398c47e5821e86cd1affa1705dcd131236a2df3bc053054c9d7da81b36749/DinnerTime-2.png" data-mid="227400075" border="0" src="https://freight.cargo.site/w/1000/i/493398c47e5821e86cd1affa1705dcd131236a2df3bc053054c9d7da81b36749/DinnerTime-2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d77a19e00acf3885b8eb7d62636b9eef9fa556024c0f55d539b0c01da44830f/ASharedJourney-1.jpg" data-mid="228372411" border="0" src="https://freight.cargo.site/w/1000/i/7d77a19e00acf3885b8eb7d62636b9eef9fa556024c0f55d539b0c01da44830f/ASharedJourney-1.jpg" />A Shared Journey Mira Render, Isabel Leganyi, Anthony Stewart, Anastasia Gabidullina, Amberly Gonzalez&nbsp; Exploring the theme ›closeness across distance‹, the project blends the literal act of ›falling into place‹ with the figurative journey of finding belonging. Each piece reflects a unique and personal story of transition, exploring the emotional and physical journeys of moving from one place to another. As the pieces come together, they symbolize the shared experiences of navigating change, bridging cultural divides, and creating closeness despite distance. Created by students from two different continents, the puzzle reflects a collective narrative of unity through collaboration and serves as both a literal mechanism and a metaphor for finding connection. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/34875844f2624371792d8df3ab8835a9555a6d753e6c55edca807ca4f1085a1f/ASharedJourney-2.png" data-mid="228372940" border="0" src="https://freight.cargo.site/w/1000/i/34875844f2624371792d8df3ab8835a9555a6d753e6c55edca807ca4f1085a1f/ASharedJourney-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7c805e29f83c2a299d32d7a846619899c69babf62615c546b784efb5dc5642e7/ASharedJourney-3.png" data-mid="228372972" border="0" src="https://freight.cargo.site/w/1000/i/7c805e29f83c2a299d32d7a846619899c69babf62615c546b784efb5dc5642e7/ASharedJourney-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cca76e9e4ee31c8d5c490bd1b8a322dec1f38ca41ccd2a7edd91587e73a29623/Nostalgia-1.jpg" data-mid="228373464" border="0" src="https://freight.cargo.site/w/1000/i/cca76e9e4ee31c8d5c490bd1b8a322dec1f38ca41ccd2a7edd91587e73a29623/Nostalgia-1.jpg" />NostalgiaCelina Smidelius, Judith Beßendörfer, Sam Martinez, Kayla Evans, Jasmine Terrell »Nostalgia is a way of connecting our past to our present, offering warmth and familiarity in a changing world.« Our subproject, Nostalgia, revolves around the creation of a flipbook that explores the emotional depth of shared memories. Nostalgia is a powerful, universal experience that bridges generations and cultures, allowing individuals to reconnect with their past and find commonalities with others. By capturing moments that define childhood—music, outdoor play, media/TV shows, food, and the senses (smell, sight, taste, hearing, and touch)—we create a tangible representation of how memory shapes identity. This project is rooted in the idea that nostalgia fosters human connection, even across vast distances. While modern technology enables communication, it often lacks the sensory depth needed to evoke true emotional closeness. Through a playful and artistic approach, our flipbook highlights how simple, everyday experiences can trigger deep feelings of warmth, familiarity, and shared humanity. Each page invites the viewer to engage with textures, visuals, and themes that bring personal and collective memories to life. By translating nostalgia into a creative medium, we aim to demonstrate its role in shaping relationships, cultural heritage, and personal reflection. Regardless of where we grew up, childhood memories hold significance, reminding us that while we may be separated by geography, we remain deeply connected through the emotions that define us. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/58c95abb74f36c421f84d111863ef781a60da2f48a8e7b7817545f6b08c15a6f/Nostalgia-3.png" data-mid="228373463" border="0" src="https://freight.cargo.site/w/1000/i/58c95abb74f36c421f84d111863ef781a60da2f48a8e7b7817545f6b08c15a6f/Nostalgia-3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fb94f0867a8bdf352212b00abfb03ae924716bedcea69e853b9f724451f48185/Nostalgia-2.jpg" data-mid="228373465" border="0" src="https://freight.cargo.site/w/1000/i/fb94f0867a8bdf352212b00abfb03ae924716bedcea69e853b9f724451f48185/Nostalgia-2.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8a863872c4f81915bcbe89e1b05046578d3a90bd60f1abaef3ac23402b2078db/PulseOfUs-1.jpg" data-mid="228375307" border="0" src="https://freight.cargo.site/w/1000/i/8a863872c4f81915bcbe89e1b05046578d3a90bd60f1abaef3ac23402b2078db/PulseOfUs-1.jpg" />Pulse of UsAnna Kremzer, Kata Kozák, Carmen González Castilla, Philip Hedges, Sam Rittenberry Pulse of Us is an interactive project that represents the idea of emotional closeness between people across the globe. Addressing the growing presence of video surveillance, the project investigates how shared emotions can create a sense of connection. To demonstrate its functionality, the project focuses on six core emotions: anger, happiness, sadness, surprise, fear, and disgust. Using facial recognition technology, the project captures and interprets emotional expressions, translating them into abstract visual shapes that represent emotional exchanges. These visuals are then displayed in real-time, enabling participants to connect through shared emotions, even at a distance. Pulse of Us explores the intersection of technology, emotion, and connection, encouraging a deeper understanding of our shared humanity. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b78d48f2363137dc9758a449e23d78d467dcc901619367551a4ea045128d43e3/PulseOfUs-2.jpg" data-mid="228375309" border="0" src="https://freight.cargo.site/w/1000/i/b78d48f2363137dc9758a449e23d78d467dcc901619367551a4ea045128d43e3/PulseOfUs-2.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/14a4379b2d06c503f5943574a932d2de6ac223df787ee228e0651a388a68f18c/PulseOfUs-4.png" data-mid="229255670" border="0" src="https://freight.cargo.site/w/1000/i/14a4379b2d06c503f5943574a932d2de6ac223df787ee228e0651a388a68f18c/PulseOfUs-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fb50a828be991a3b67b3eb82725a03b9f67bd4cc34db856537ea7c2ff6f9fe06/PulseOfUs-3.jpg" data-mid="228375311" border="0" src="https://freight.cargo.site/w/1000/i/fb50a828be991a3b67b3eb82725a03b9f67bd4cc34db856537ea7c2ff6f9fe06/PulseOfUs-3.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f81f69b521ccf8cd6cef8a4975c917084a980bdffd2b02ab145044ea969e1285/Weltschmerz-1.png" data-mid="228378445" border="0" src="https://freight.cargo.site/w/1000/i/f81f69b521ccf8cd6cef8a4975c917084a980bdffd2b02ab145044ea969e1285/Weltschmerz-1.png" />WeltschmerzShannon Kruse, Paula Appel, Cara Clark, Kyleigh Long, Mike Mabes&nbsp; Visualizing Collective Sorrow Weltschmerz is a german word for the experience of melancholy and weariness towards the state of the world. It refers to the emotional weight that comes from comparing the world as it is with an idealized version of how it could be. In today’s digital age, this feeling is often amplified by the constant flow of news and media, leaving many overwhelmed or disheartened by global events. In times of war, climate crisis, rising numbers of femicides, right wing politicians gaining power Weltschmerz can arise quickly. But how do people experience Weltschmerz? What emotions does it evoke? And how do they perceive the world in its current state? This Project is an attempt to visualize Weltschmerz as collective sorrow. We asked people to choose one emoji to represent their feelings and write a short explanation why they chose this specific emoji. These collected responses formed the basis of our project – a mobile that brings the abstract concept of Weltschmerz into a physical, moving form. The answers are as diverse as the feeling itself. The hanging mobile shows the collected emojis translated into symbols that show Weltschmerz in all its facets – sadness and helplessness as well as feelings of hope and longing. We aim to visualize the emotional state of our time, making the intangible experience of world-weariness both visible and tangible. The result is a constantly shifting representation of collective emotions, reflecting how Weltschmerz moves through and shapes our perception of the world. We invite you to think and explore your own experience of Weltschmerz. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dd405e0bc4b705a5c51b893a7d765d83e46e456f61d19c7d6301996b27380295/Weltschmerz-2.png" data-mid="228378446" border="0" src="https://freight.cargo.site/w/1000/i/dd405e0bc4b705a5c51b893a7d765d83e46e456f61d19c7d6301996b27380295/Weltschmerz-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cdf3d4678121e00f188a9b7e0b82f52238777ab105d01975cd91c07b2dfc6d22/weltschmerz-4.jpg" data-mid="228603723" border="0" src="https://freight.cargo.site/w/1000/i/cdf3d4678121e00f188a9b7e0b82f52238777ab105d01975cd91c07b2dfc6d22/weltschmerz-4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6111a9377acb3b9165042a23be7cdf89212fb2f59bf8c587e9f6ca6d12923985/weltschmerz-5.png" data-mid="228603724" border="0" src="https://freight.cargo.site/w/1000/i/6111a9377acb3b9165042a23be7cdf89212fb2f59bf8c587e9f6ca6d12923985/weltschmerz-5.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/63a6d2080ad5630c294e68346bf90d7090a1881416066f6c1e554f832014a2c2/weltschmerz-7.gif" data-mid="228603725" border="0" src="https://freight.cargo.site/w/1000/i/63a6d2080ad5630c294e68346bf90d7090a1881416066f6c1e554f832014a2c2/weltschmerz-7.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5f978540f2146d627359843b4e2403f53f2e8f80b7df9534d13f950bdc495c3c/ParallelWorlds-1.png" data-mid="228725662" border="0" src="https://freight.cargo.site/w/1000/i/5f978540f2146d627359843b4e2403f53f2e8f80b7df9534d13f950bdc495c3c/ParallelWorlds-1.png" />ParallelWorldsBawi Sul, Jordan Cornelius, Varinia Koenig, Ananda Aldonza This project aims to reflect the importance of memories and experiences that connect us with others. Each square on the scarf symbolizes a significant moment, while the colors represent different aspects of life: pets, achievements, love, family, childhood, and more. The more squares the scarf has, the greater the number of accumulated experiences, turning it into a tangible symbol of the emotional and personal richness of its owner. Each fragment tells a story, highlighting the value of the connections and moments that shape our lives. &nbsp; <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4788b09b507577dff941ebcba2b12d665f910f3370814d3a7ec0d0f811e51981/ParallelWorlds-2.png" data-mid="228725663" border="0" src="https://freight.cargo.site/w/1000/i/4788b09b507577dff941ebcba2b12d665f910f3370814d3a7ec0d0f811e51981/ParallelWorlds-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6e077d0460c96c2998fa842f35cf15bcde3fef794261ddcdcff2a052dd263149/ParallelWorlds-3.png" data-mid="228725664" border="0" src="https://freight.cargo.site/w/1000/i/6e077d0460c96c2998fa842f35cf15bcde3fef794261ddcdcff2a052dd263149/ParallelWorlds-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/015ee46f9fa1b374a0044f1d4efa0685f9ffcdc9b07b466d3b5c282dd5d433f6/layers-of-connection-1.png" data-mid="228903763" border="0" src="https://freight.cargo.site/w/1000/i/015ee46f9fa1b374a0044f1d4efa0685f9ffcdc9b07b466d3b5c282dd5d433f6/layers-of-connection-1.png" />Layers of ConnectionIsabella Adelt, Julia Dawn Tirol de Sousa, Isaac Chaifetz A Sci-Fi Puzzle Layers of Connection is a collaborative art piece created by three illustrators from different parts of the world. Like puzzle pieces, we brought together our distinct art styles—digital and analog—to create a sci-fi universe filled with genetically modified humans and creatures. The artwork consists of six acrylic plates, each layer adding depth and complexity. The first layers explore dual collaborations, where we learned to adapt and merge our ideas. The final layers bring all three styles together, forming a bustling metro scene where diverse characters coexist and interact. &nbsp;This project celebrates the beauty of difference and collaboration, showing how unique perspectives can connect and build something truly meaningful. Each layer, like each artist, is essential—together creating a rich, layered story of shared creativity and empathy. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8e2e6efcacf9d5fc665095f86a09bed9a37f1e1a46652c2fd89aae275868c824/layers-of-connection-3.png" data-mid="228903765" border="0" src="https://freight.cargo.site/w/1000/i/8e2e6efcacf9d5fc665095f86a09bed9a37f1e1a46652c2fd89aae275868c824/layers-of-connection-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0faeabda3d9bc4b9a49c3991a917d4c425f9e7a499bffe729d8aa7476276d661/layers-of-connection-4.png" data-mid="228903766" border="0" src="https://freight.cargo.site/w/1000/i/0faeabda3d9bc4b9a49c3991a917d4c425f9e7a499bffe729d8aa7476276d661/layers-of-connection-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d116e2e26055d323e4364baab47023cc4b46bd31744b8af95777f37f121b7b2d/layers-of-connection-5.gif" data-mid="228903908" border="0" src="https://freight.cargo.site/w/1000/i/d116e2e26055d323e4364baab47023cc4b46bd31744b8af95777f37f121b7b2d/layers-of-connection-5.gif" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d82a514554b7342c8f97f07e9d802561f1362c2937139f1eb524e7ca70545cc7/layers-of-connection-2.png" data-mid="228903764" border="0" src="https://freight.cargo.site/w/1000/i/d82a514554b7342c8f97f07e9d802561f1362c2937139f1eb524e7ca70545cc7/layers-of-connection-2.png" /> https://digitalpractices.cargo.site/PlaceMakingPlace Tue, 14 Jan 2025 08:27:24 +0000 fg.digital-practices https://digitalpractices.cargo.site/PlaceMakingPlace ↘ PLACE— MAKING— PLACENew approaches to the city. What is the significance of a place for the people who use it? What motivates people to live in a place, to appropriate it, to get involved, to care for it? The term placemaking covers various theories and approaches to the planning, design and management of public spaces. The aim is to create public spaces that improve urban coexistence and promote the health, happiness and well-being of its inhabitants. Special attention is paid to the potential and inspiration of a local community. Unused space is (re) used to change the human experience of a place, ultimately a city, and thus shape new behaviors (1). Using the example of the THWS Sanderheinrichsleitenweg (SHL) campus as a (semi-)public space, the potential of the courtyard for our community, our togetherness and our SHL microcosm was explored in concrete terms. Prototypes were used to deliberately test aspects of production, usability and lifecycles of products, as well as the narratives and visions surrounding places. (1) A three-part series of workshops&nbsp;↗ with the artist Katharina Lüdicke&nbsp;↗ took place as part of the course. Urban space was explored using ad hoc interventions.&nbsp;Supervision Prof. Judith Glaser Winter Term 2024/25 ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8203b43a584a0297da91a39ccb115c8526af52bc9722d536e50b6ea834ff4440/gesehen-ignoriert-1.png" data-mid="228412110" border="0" alt="Luca Hurrle, Sebastian Meier" data-caption="Luca Hurrle, Sebastian Meier" src="https://freight.cargo.site/w/1000/i/8203b43a584a0297da91a39ccb115c8526af52bc9722d536e50b6ea834ff4440/gesehen-ignoriert-1.png" />Gesehen &amp; Ignoriert Luca Hurrle, Sebastian Meier Wir möchten mit euch über Wohnungslosigkeit sprechen – ein Thema, das in unserer Gesellschaft oft übersehen wird. Es begegnet uns tagtäglich und erhält dennoch viel zu wenig Aufmerksamkeit. In diesem Podcast&nbsp;↗ haben wir mit Menschen aus verschiedenen Organisationen und wichtigen Strukturen gesprochen, um einen Einblick in ihre alltägliche Arbeit zu bekommen und unterschiedliche Perspektiven zu beleuchten – ehrlich, respektvoll und auf Augenhöhe. Unsere Gesprächspartner*innen kamen aus vielfältigen Bereichen: der Wärmestube, der Bahnhofsmission, der Anlaufstelle Underground, dem Haus Antonia Werr, der Elisabethstube der Erlöserschwestern sowie der Zentralen Beratungsstelle für Wohnungslose. Uns war es wichtig, ein möglichst umfassendes Bild der Hilfsstrukturen aufzuzeigen und Menschen zum aktiven Handeln zu motivieren. Einen weiteren Perspektivwechsel bekommen die Zuhörer*innen durch Gespräche mit Menschen, die noch keinerlei Berührungspunkte mit diesem Thema hatten. Um auf das projekttragende Medium aufmerksam zu machen, haben wir verschiedene Plakatentwürfe entwickelt. Da wir eine breite Zielgruppe ansprechen möchten, haben wir uns für ein cleanes, ein verspieltes und ein poppiges Design entschieden. In einem Faltblatt wird man durch das Projektkonzept und weitere Informationen geführt. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/48f0b96cb0fe33fdbb9b5f5aa29e4556f5d79cfdccf11576f3dcdb8f8a54d641/gesehen-ignoriert-3.png" data-mid="228412112" border="0" alt="Luca Hurrle, Sebastian Meier " data-caption="Luca Hurrle, Sebastian Meier " src="https://freight.cargo.site/w/1000/i/48f0b96cb0fe33fdbb9b5f5aa29e4556f5d79cfdccf11576f3dcdb8f8a54d641/gesehen-ignoriert-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4c92d51033c7205b176ad9f6f2db1ae359929c903ce08271d9662f0b00d0d8ad/gesehen-ignoriert-4.png" data-mid="228412662" border="0" src="https://freight.cargo.site/w/1000/i/4c92d51033c7205b176ad9f6f2db1ae359929c903ce08271d9662f0b00d0d8ad/gesehen-ignoriert-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3d3aaae29446557242074ce40bdda0bececafe797f40b4067cbb6a93d6e88c34/gesehen-ignoriert-2.png" data-mid="228412111" border="0" alt="Luca Hurrle, Sebastian Meier " data-caption="Luca Hurrle, Sebastian Meier " src="https://freight.cargo.site/w/1000/i/3d3aaae29446557242074ce40bdda0bececafe797f40b4067cbb6a93d6e88c34/gesehen-ignoriert-2.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c5624042d873f608c6e60787fd057e4e88f2ec5075d3bb7ef13daf2382fcca4c/DIY-kitchen-1.png" data-mid="228413586" border="0" src="https://freight.cargo.site/w/1000/i/c5624042d873f608c6e60787fd057e4e88f2ec5075d3bb7ef13daf2382fcca4c/DIY-kitchen-1.png" />DIY Kitchen SolutionsBayan Shannak&nbsp; As an exchange student in Germany, one of my biggest challenges was adapting to small living spaces, particularly the limited kitchen counter. Cooking in such a cramped area was frustrating and time-consuming. The main struggles I faced were the small counter itself and the hot stove, which took a long time to cool down, making it difficult to manage space efficiently. To address these issues, I developed a project that focuses on two key aspects: maximizing counter functionality and creating a practical solution for the lingering heat from the stove. My goal is not just to design a product but to emphasize the idea of using existing materials creatively. I want to inspire other students facing similar challenges to customize their spaces based on their specific needs without relying on costly solutions.&nbsp;When designing the product, I first identified my personal needs. I wanted a safe and comfortable way to cover the stove, allowing me to utilize that space when it wasnít in use. Additionally, I needed a convenient place to store my cooking utensils, such as spatulas and spoons, for easy access. Another consideration was finding a suitable spot to hang onions and other vegetables stored in mesh bags, as my small kitchen lacked proper storage. This project serves as a practical example of how small, thoughtful modifications can improve the cooking experience in tiny kitchens. Rather than focusing on the final product, my aim is to encourage students to rethink and optimize their spaces by making the most of what they already have. With creative problem-solving, even the most limited kitchen setup can become more functional and efficient. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/12a308e13ead60dbd99b783231e9b9b88acebe562cbd1855d34e4928173a1094/DIY-kitchen-2.png" data-mid="228413589" border="0" src="https://freight.cargo.site/w/1000/i/12a308e13ead60dbd99b783231e9b9b88acebe562cbd1855d34e4928173a1094/DIY-kitchen-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/03a8784fec2f977041e9c999a3aa421e15a675b91018a2e8dd7261cf1e0085dd/DIY-kitchen-3.png" data-mid="228413590" border="0" src="https://freight.cargo.site/w/1000/i/03a8784fec2f977041e9c999a3aa421e15a675b91018a2e8dd7261cf1e0085dd/DIY-kitchen-3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e76a986792ecb9590573a9817422f103a6bd4628f479e5e24d8a5de7767a24d0/DIY-kitchen-4.png" data-mid="228413591" border="0" src="https://freight.cargo.site/w/1000/i/e76a986792ecb9590573a9817422f103a6bd4628f479e5e24d8a5de7767a24d0/DIY-kitchen-4.png" /><img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/447b6bf0c4e016c781a50891b155757ebfd2f2d9376e81254159b3295257c952/DIY-kitchen-5.gif" data-mid="228413587" border="0" src="https://freight.cargo.site/w/800/i/447b6bf0c4e016c781a50891b155757ebfd2f2d9376e81254159b3295257c952/DIY-kitchen-5.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/65e8dad4272942234e0b374d61482083003c7c7d021a04700d3fa0407c76746d/stadt-halten-3.png" data-mid="228603821" border="0" src="https://freight.cargo.site/w/1000/i/65e8dad4272942234e0b374d61482083003c7c7d021a04700d3fa0407c76746d/stadt-halten-3.png" />stadt haltenFranziska Schön , Sophia Böhm, Viola Messner&nbsp; Our project aims to get people waiting at bus stop out of their daily routine and tunnel vision. To achieve this, we chose the Mainfrankentheater bus stop and intervened on-site with three different installations: a tic-tac-toe game, a board to note down New Year’s wishes, and a speaker featuring various music genres. Both our observations and interviews with participants revealed that we achieved our goal. The entire process was visuallized and documented in the magazine stadt halten. This publication captures the reactions and atmosphere at the bus stop, making them relatable. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/39b502a8c464d88f82e00dfa1c97218d0cb55b295912290b3ae45c1cad3dd37a/stadt-halten-1.jpg" data-mid="228603816" border="0" src="https://freight.cargo.site/w/1000/i/39b502a8c464d88f82e00dfa1c97218d0cb55b295912290b3ae45c1cad3dd37a/stadt-halten-1.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/212f79c7830af7236ce4e1fca94bc4403212814b1297ac1aba7fb4c1ae5928c2/stadt-halten-4.png" data-mid="228603822" border="0" src="https://freight.cargo.site/w/1000/i/212f79c7830af7236ce4e1fca94bc4403212814b1297ac1aba7fb4c1ae5928c2/stadt-halten-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8d44ccd070e170fbcb55d05554eecd1af95f816a6f86c4426a7f674f7271ee55/stadt-halten-2.png" data-mid="228603819" border="0" src="https://freight.cargo.site/w/1000/i/8d44ccd070e170fbcb55d05554eecd1af95f816a6f86c4426a7f674f7271ee55/stadt-halten-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f06759a5b940813c714de5b1c2d0895b55456bf0c04f99f6d14a848041891210/stadt-halten-5.gif" data-mid="228603820" border="0" src="https://freight.cargo.site/w/1000/i/f06759a5b940813c714de5b1c2d0895b55456bf0c04f99f6d14a848041891210/stadt-halten-5.gif" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/791a358c04cfa0317a1ead94f336372f6e5d4f06897ab056ff2d812c8803f91f/hoerensagen-1.png" data-mid="228603940" border="0" src="https://freight.cargo.site/w/1000/i/791a358c04cfa0317a1ead94f336372f6e5d4f06897ab056ff2d812c8803f91f/hoerensagen-1.png" />hœrensagenJulia Baisch&nbsp;↗ Oh, Würzburg – manchmal ist es so schwer, Veranstaltungen zu finden, vor allem, wenn man nicht weiß, wo man suchen soll. Mir ist aufgefallen, dass es in den meisten Städten – so auch in Würzburg – keine Plattform für kleine und alternative Veranstaltungen gibt. Wenn du nicht in der Szene bist, ist es nahezu unmöglich, die versteckten Orte zu entdecken. Dieses Problem besteht auf beiden Seiten: Nicht nur die Suchenden, sondern auch die Veranstaltenden wissen oft nicht, wie und wo sie ihr Publikum erreichen können. Genau hier setze ich an. Meine Aufgabe ist es, diese beiden Gruppen auf einer Plattform zusammenzuführen. Was hebt hoerensagen von anderen Plattformen ab? Veranstaltende haben die Möglichkeit, schnell und unkompliziert Inserate hochzuladen. Oft fehlt es an Zeit und Ressourcen – genau deshalb übernimmt meine Plattform auch die Erstellung von Werbemitteln und Designs. Durch einfaches Anklicken von Keywords wird automatisch eine passende Grafik generiert, die sich nahtlos in das standardisierte Layout einfügt. Neben den digitalen Grafiken können auch analoge Werbemittel wie Flyer, Poster und Sticker bestellt werden. hoerensagen passiert meist unter Freunden oder Bekannten – und genau dieses Gefühl spiegelt sich in der Plattform wider. Die Sprache ist freundschaftlich, locker und nahbar. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c6da035a5fb19951c1f15b13bd912bde1d7f513f7e43914851b13fa225fd7fe7/hoerensagen-2.png" data-mid="228603941" border="0" src="https://freight.cargo.site/w/1000/i/c6da035a5fb19951c1f15b13bd912bde1d7f513f7e43914851b13fa225fd7fe7/hoerensagen-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b18f11dce1368099a2606f417cfe9f25baf917492c54f078201565513c89cd33/hoerensagen-4.png" data-mid="228603944" border="0" src="https://freight.cargo.site/w/1000/i/b18f11dce1368099a2606f417cfe9f25baf917492c54f078201565513c89cd33/hoerensagen-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cb942489fde588905553db1397fa4068bfde5d7f0e40f74553889210cc8c7309/hoerensagen-3.png" data-mid="228603943" border="0" src="https://freight.cargo.site/w/1000/i/cb942489fde588905553db1397fa4068bfde5d7f0e40f74553889210cc8c7309/hoerensagen-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1562dfef0b6e44cb43f72d7d91896d486aa95a4fc92f65ad366f27077a5808bf/FlexBench-1.png" data-mid="228604488" border="0" src="https://freight.cargo.site/w/1000/i/1562dfef0b6e44cb43f72d7d91896d486aa95a4fc92f65ad366f27077a5808bf/FlexBench-1.png" />FlexBenchJulius Gerber Die Grundidee für dieses Projekt entstand im vorherigen Semester im Rahmen eines Kurses, der sich mit Möbeln für die THWS beschäftigte. Bereits dort experimentierte ich mit Gurten als flexibles Möglichkeiten zur Anpassungsfähigkeit von Sitzmöbeln. Diese ersten Überlegungen und Materialien bildeten die Basis für die Weiterentwicklung hin zu einer modularen Sitzmöglichkeit, die sich dynamisch an verschiedene Formen anpasst. Der Entstehungsprozess begann mit ersten Skizzen, um verschiedene Ansätze für eine flexible Sitzlösung zu erkunden. Dabei spielte die Verbindung aus Holzstreben und Gurten eine zentrale Rolle. Nach der Skizzenphase fertigte ich ein kleines Modell aus Pappe, um die Funktionalität und Mechanik in einem ersten physischen Test nachvollziehen zu können. Um die Formensprache und die Konstruktion weiter zu präzisieren, baute ich das Modell anschließend in Blender nach. Dort konnte ich verschiedene Konfigurationen digital ausprobieren, bevor ich mit der Detailausarbeitung fortfuhr. Durch gerenderte Bilder aus verschiedenen Perspektiven wurde die visuelle Darstellung des Designs weiter verfeinert. Um die Materialität und die Funktion der Sitzmöglichkeit interaktiv erlebbar zu machen, beschäftigte ich mich mit Augmented Reality (AR). Die Idee war, das digitale Modell in den realen Raum zu integrieren, sodass Nutzer:innen es direkt in ihrer Umgebung betrachten können. AR ermöglicht eine realistische Darstellung von Materialien und Größenverhältnissen, bevor es physisch gebaut wird. Um die Handhabung der Sitzmöglichkeit so intuitiv wie möglich zu gestalten, wurde eine Anleitung entwickelt, die komplett ohne Text auskommt. Stattdessen wird der Aufbau und die Anwendung durch klare, reduzierte Illustrationen vermittelt. Durch diese klare Bildsprache wird sichergestellt, dass die Sitzmöglichkeit einfach verständlich und ohne lange Erklärungen direkt nutzbar ist. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/28c2dd715062d84d5f8c3a933059dd8ac792aff26a9905448417a9f4c7c71af0/FlexBench-2.png" data-mid="228604489" border="0" src="https://freight.cargo.site/w/1000/i/28c2dd715062d84d5f8c3a933059dd8ac792aff26a9905448417a9f4c7c71af0/FlexBench-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9357badc32ecd0d53c6c28f87958b21deb6d076f4336410809a4a3c270b7a781/FlexBench-3.png" data-mid="228604490" border="0" src="https://freight.cargo.site/w/1000/i/9357badc32ecd0d53c6c28f87958b21deb6d076f4336410809a4a3c270b7a781/FlexBench-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b6e7caa593205f167e0b2021e72ddc748b5fae18180c4184b49b3dba44e3c03c/garden-1.png" data-mid="228604629" border="0" src="https://freight.cargo.site/w/1000/i/b6e7caa593205f167e0b2021e72ddc748b5fae18180c4184b49b3dba44e3c03c/garden-1.png" />The GardenJohanna Fluhrer, Yasmeen Alkayyali, Mia Venn&nbsp; The project The Garden developed out of a longing to escape the stress of everyday life at university. When researching stress-relieving factors, plants and nature in general have become a decisive factor. With this vision, we thought about the care, financing, design and organization of the winter garden. 
 When designing the conservatory, our focus was on the multifunctional use of the space. It should serve as a relaxing retreat in everyday life as well as being able to be used flexibly for special events. A central aspect of the concept was to take into account the different seasons in order to ensure year-round attractiveness and use. Intensive research was required to make The Garden appealing and functional for the various target groups. We analyzed the needs of the users and carried out prototyping to test and adapt design elements. This user-centered approach results in a space that is not only aesthetically pleasing, but also meets the requirements for comfort, functionality and sustainability. The Garden is a vibrant green space on campus that fosters relaxation, creativity, and community connection. Serving as a hub for workshops, cultural events, and outdoor activities, it bridges academic life with the city. Through partnerships and events, it generates financial sustainability, enhances student well-being, and romotes sustainability. As a strategic project, it strengthens the university‘s reputation as an innovative leader in education, community engagement, and global sustainability. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ac1cb8dc2e33a9a4875eabb0e46e8a5db71fd2500637c39ad4beddc0577ac66e/garden-2.jpg" data-mid="228604932" border="0" src="https://freight.cargo.site/w/1000/i/ac1cb8dc2e33a9a4875eabb0e46e8a5db71fd2500637c39ad4beddc0577ac66e/garden-2.jpg" /><img width="1920" height="1076" width_o="1920" height_o="1076" data-src="https://freight.cargo.site/t/original/i/2332c86907f54cf6fbd86031f890099382b6e95eacf535454ea5ceb75e97e516/garden-4.jpg" data-mid="228604997" border="0" src="https://freight.cargo.site/w/1000/i/2332c86907f54cf6fbd86031f890099382b6e95eacf535454ea5ceb75e97e516/garden-4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/816febb6057d1a878e5e2fc3e7408bef81e77e1f28f72f8575247c83f585fdd9/garden-3.jpg" data-mid="228604933" border="0" src="https://freight.cargo.site/w/1000/i/816febb6057d1a878e5e2fc3e7408bef81e77e1f28f72f8575247c83f585fdd9/garden-3.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a0a36615cabaf4d60b365904da61ac8de42373140a8e7bec73d1a5f2cc59fe9f/garden-5.jpg" data-mid="228604935" border="0" src="https://freight.cargo.site/w/1000/i/a0a36615cabaf4d60b365904da61ac8de42373140a8e7bec73d1a5f2cc59fe9f/garden-5.jpg" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/40130d8155919cd97b92558e6f87548e98f0a986a830e38263e71d3f87c778b0/skatepark2punkt0-1.png" data-mid="228619292" border="0" src="https://freight.cargo.site/w/1000/i/40130d8155919cd97b92558e6f87548e98f0a986a830e38263e71d3f87c778b0/skatepark2punkt0-1.png" />Skatepark Zellerau 2.0Nicklas Lutz&nbsp; In unserem Kurs Place Making Place habe ich mich für ein Upgrade des Skateparks an den Zellerauer Mainwiesen entschieden. Ziel war es, einen Ort zu schaffen, der Skateboardern, Familien und Kindern gleichermaßen gerecht wird und eine friedliche Koexistenz ermöglicht. Mein Konzept kombiniert sowohl ästhetische als auch funktionale Elemente. Im Mittelpunkt steht der überdachte Chillout-Bereich mit Sitzgelegenheiten, einem Wasserspender und ausreichend Schatten an heißen Tagen. Diese Elemente sorgen dafür, dass sich nicht nur Skater, sondern auch Familien mit ihren Kindern wohlfühlen. Ein Kernelement, das mir besonders wichtig war, ist die spielerische Abgrenzung zwischen der Skatefläche und den Aufenthaltsbereichen. Geländer mit durchbrochenen Elementen ermöglichen es Kindern, das Geschehen auf dem Skatepark sicher zu beobachten, ohne die befahrbare Fläche zu betreten. So wird die Sicherheit erhöht, während der Bereich optisch offen und einladend bleibt. Ergänzt wird das Design durch eine Tafel mit klar, aber locker formulierten Regeln, die das harmonische Miteinander fördern sollen. Materialien wie Holz, kombiniert mit hellen, offenen Strukturen, verleihen dem Bereich eine freundliche Atmosphäre, die Bewegung, Kommunikation und Entspannung gleichermaßen unterstützt. Das Ergebnis ist ein Skatepark, der über die eigentliche Nutzung hinausgeht und zu einem Treffpunkt für Menschen mit unterschiedlichen Bedürfnissen wird – ein Ort, an dem Skater und Familien in entspannter Atmosphäre zusammenkommen, interagieren und kommunizieren können. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/38fb738fdbda49e11095387bf35584198f00eec99867492165edd61142155abb/skatepark2punkt0-2.png" data-mid="228619293" border="0" src="https://freight.cargo.site/w/1000/i/38fb738fdbda49e11095387bf35584198f00eec99867492165edd61142155abb/skatepark2punkt0-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02a46d6d8c65931a87af5afd3ef5ecd3febab260176b08fcd6d01f9891a9daf5/skatepark2punkt0-5.png" data-mid="228619296" border="0" src="https://freight.cargo.site/w/1000/i/02a46d6d8c65931a87af5afd3ef5ecd3febab260176b08fcd6d01f9891a9daf5/skatepark2punkt0-5.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1af801a5e00e4cf36b68dd71d488eb83605cc616a35f9d4a89834661c0b1f75b/skatepark2punkt0-3.png" data-mid="228619294" border="0" src="https://freight.cargo.site/w/1000/i/1af801a5e00e4cf36b68dd71d488eb83605cc616a35f9d4a89834661c0b1f75b/skatepark2punkt0-3.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/781ca76f0a4f9bc93f231bbf7416b0f11979fdf06b10621b1b2320c0f3c93ea7/skatepark2punkt0-4.png" data-mid="228619295" border="0" src="https://freight.cargo.site/w/1000/i/781ca76f0a4f9bc93f231bbf7416b0f11979fdf06b10621b1b2320c0f3c93ea7/skatepark2punkt0-4.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9ee2ddd08453bd855a3da0510c8a73fd8329f84fec7c713d26315abb8897944c/ToolsOfProtest-1.png" data-mid="228619316" border="0" src="https://freight.cargo.site/w/1000/i/9ee2ddd08453bd855a3da0510c8a73fd8329f84fec7c713d26315abb8897944c/ToolsOfProtest-1.png" />Tools of Protest Lucca Kreuzer, Luisa Thomsen, Tim Smits&nbsp; Das Projekt Tools of Protest beschäftigt sich mit Protest als wichtige Partizipationsform in einer funktionierenden Demokratie. Diverse Gegenstände, die für verschiedene Formen des Protestes stehen, sind in drei verschiedenen Werkzeugkoffern angeordnet. Die Koffer machen ein Spektrum an Illegalität sowie gesellschaftlicher Akzeptanz der verschiedenen Protestformen auf: von harmlosen und allgemein akzeptierten Formen wie das einfache Demonstrieren bis zu destruktiven Arten des Meinungsausdrucks wie das Werfen von Steinen. Durch das provokatives Darstellen auch weniger akzeptierten Protestformen soll ein gesellschaftlicher Dialog entstehen. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/899d46e2c4ef36294af74162a8c702db7a6ae1502e1af6c5d54af64abb31246b/ToolsOfProtest-2.png" data-mid="228619317" border="0" src="https://freight.cargo.site/w/1000/i/899d46e2c4ef36294af74162a8c702db7a6ae1502e1af6c5d54af64abb31246b/ToolsOfProtest-2.png" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bb37dc420729815fcf82135f4c4d440dcd7b1cc9e7b230a5473e0fe12e00cdd0/ToolsOfProtest-4.png" data-mid="228619319" border="0" src="https://freight.cargo.site/w/1000/i/bb37dc420729815fcf82135f4c4d440dcd7b1cc9e7b230a5473e0fe12e00cdd0/ToolsOfProtest-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/66e4bead6f262b090951724018529b5293c75d9cd2decca926edcb30c22cdf08/ToolsOfProtest-3.png" data-mid="228619318" border="0" src="https://freight.cargo.site/w/1000/i/66e4bead6f262b090951724018529b5293c75d9cd2decca926edcb30c22cdf08/ToolsOfProtest-3.png" /> ↘ <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/37b3a506e990a441071f577f12775a6dc6338bd149676100a6672cec9009a8f2/AnOutsideSpace-1.png" data-mid="228619333" border="0" src="https://freight.cargo.site/w/1000/i/37b3a506e990a441071f577f12775a6dc6338bd149676100a6672cec9009a8f2/AnOutsideSpace-1.png" />An Outside Space Zeynep Aslı Kılıç In this project, it was aimed to find a solution for people who stay in student dormitories and do not have a place to sit and spend time outside their homes. Like a backyard. This movable, dismountable mobile structure is made of recycled plastic and solar panels. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dea9ffa33979adb3fb4164c9d9f12af8f90b1399875056a9534be4d4c907ba4d/AnOutsideSpace-2.png" data-mid="228619334" border="0" src="https://freight.cargo.site/w/1000/i/dea9ffa33979adb3fb4164c9d9f12af8f90b1399875056a9534be4d4c907ba4d/AnOutsideSpace-2.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8bfee86e31eceddd7f587e11eff61b7c0e2b4073e80aba0dc7a69314cf1368bd/AnOutsideSpace-3.gif" data-mid="228619332" border="0" src="https://freight.cargo.site/w/1000/i/8bfee86e31eceddd7f587e11eff61b7c0e2b4073e80aba0dc7a69314cf1368bd/AnOutsideSpace-3.gif" />